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Au nom d'Anna

Titre original : Keeping the Faith
  • 2000
  • Tous publics
  • 2h 8min
NOTE IMDb
6,4/10
54 k
MA NOTE
Jenna Elfman, Edward Norton, and Ben Stiller in Au nom d'Anna (2000)
Two friends, a priest and a rabbi, fall in love with the same woman they knew in their youth, but the religious position of both men denies them romance.
Lire trailer2:25
1 Video
21 photos
ComédieDrameRomanceComédie romantique

Deux amis, un prêtre et un rabbin, tombent amoureux de la même femme qu'ils ont connu dans leur jeunesse, mais la position religieuse des deux hommes les prive de toute histoire romantique.Deux amis, un prêtre et un rabbin, tombent amoureux de la même femme qu'ils ont connu dans leur jeunesse, mais la position religieuse des deux hommes les prive de toute histoire romantique.Deux amis, un prêtre et un rabbin, tombent amoureux de la même femme qu'ils ont connu dans leur jeunesse, mais la position religieuse des deux hommes les prive de toute histoire romantique.

  • Réalisation
    • Edward Norton
  • Scénario
    • Stuart Blumberg
  • Casting principal
    • Ben Stiller
    • Edward Norton
    • Jenna Elfman
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,4/10
    54 k
    MA NOTE
    • Réalisation
      • Edward Norton
    • Scénario
      • Stuart Blumberg
    • Casting principal
      • Ben Stiller
      • Edward Norton
      • Jenna Elfman
    • 270avis d'utilisateurs
    • 90avis des critiques
    • 60Métascore
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 2 victoires et 6 nominations au total

    Vidéos1

    Trailer
    Trailer 2:25
    Trailer

    Photos20

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    Rôles principaux82

    Modifier
    Ben Stiller
    Ben Stiller
    • Rabbi Jake Schram
    Edward Norton
    Edward Norton
    • Father Brian Finn
    Jenna Elfman
    Jenna Elfman
    • Anna Riley
    Anne Bancroft
    Anne Bancroft
    • Ruth Schram
    Eli Wallach
    Eli Wallach
    • Rabbi Ben Lewis
    Ron Rifkin
    Ron Rifkin
    • Larry Friedman
    Milos Forman
    Milos Forman
    • Father Havel
    Holland Taylor
    Holland Taylor
    • Bonnie Rose
    Lisa Edelstein
    Lisa Edelstein
    • Ali Decker
    Rena Sofer
    Rena Sofer
    • Rachel Rose
    Ken Leung
    Ken Leung
    • Don
    Brian George
    Brian George
    • Paulie Chopra
    Catherine Lloyd Burns
    Catherine Lloyd Burns
    • Debbie
    Susie Essman
    Susie Essman
    • Ellen Friedman
    Stuart Blumberg
    Stuart Blumberg
    • Len
    Samuel Goldberg
    • Teenage Jake Schram
    • (as Sam Goldberg)
    Michael Charles Roman
    Michael Charles Roman
    • Teenage Brian Finn
    • (as Michael Roman)
    Blythe Auffarth
    Blythe Auffarth
    • Teenage Anna Riley
    • Réalisation
      • Edward Norton
    • Scénario
      • Stuart Blumberg
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs270

    6,453.9K
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    Avis à la une

    george.schmidt

    Unlikely yet entertaining 'menage-a-tois'screwball comedy

    KEEPING THE FAITH (2000) *** Ben Stiller, Edward Norton, Jenna Elfman, Eli Wallach, Anne Bancroft, Ron Rifkin, Rena Sofer, Lisa Edelstein, Milos Forman. (Dir: Edward Norton)

    So did you hear the one about the priest and the rabbi and the `business woman'? Well if that sounds familiar don't let that dissuade you from this frequently hilarious romantic comedy of the unlikeliest of menage a trois in cinema history.

    Childhood chums, Jake Schram, Brian Finn and Anna Reilly - The Three Muskateers of the 8th Grade of Manhattan - are reunited nearly 2 decades later with a lot of catching up to do when Anna comes back east for a short stint as a high powered brokerage businesswoman (portrayed in full giddy sexy appeal by Elfman of tv's kooky couple `Dharma & Greg') who has her hands full when she finds her best buddies, Jake (Stiller in fine leading man/comedy mode) and Brian (Norton, equally riotous in his directorial debut) are, respectively, a rabbi and priest.

    Seems the best friends only bonded stronger when their female compatriot moved out of the neighborhood pre-adolescently and shared more than their uncommon friendship: their devotion to their separate faiths. To make matters more difficult in Anna's sudden return into their lives is the fact that both buddies are in love with her but it is Jake who winds up making the first move as the frustrated young rabbi who is constantly being set up on disastrous blind dates by his meddlesome congregation (`the kosher-nostra'). After the initial awkwardness is overcome the two friends become a casual sex relationship that only gets further complicated when Jake cannot handle the fact Anna's non-Judea background must be taken into effect if he is to become a full-fledged rabbi at his synagogue. Brian, meanwhile, has found his libido at its leash when Anna begins to subsist in his dreams leading to a comical revelation by the film's conclusion.

    The threesome have chemistry to spare and banter so witty and blunt by Stuart Blumberg's script that the pedestrian storyline (will Jake realize just what a good thing Anna really is and will Anna realize Brian really wants the best for her) is a no-brainer (and I have to admit the climax of Stiller addressing his followers with a mea culpea seemed to miss its mark since there was no real sense of him `betraying' his people), the film chugs along merrily and makes light of the religious overtones (one truly funny moment is the depiction of the young Jake sorting through his Jewish rabbi hero trading cards the way one would relish finding a Mickey Mantle rookie card) with a contemporary spin. Edelstein is memorable as well as the sinfully sensual Sofer as, respectively, date from hell and date from heaven for Jake. Bancroft and Wallach also lend veteran character actor shtick with all the nourishment of a nosh at the Carnegie Deli.

    Elfman has proven to be a lovely comedienne and has always reminded me of Jamie Lee Curtis with her buoyant performances and adds just the right bounce as the tomboy all grown up. Stiller continues his stance as the hardest working man in comedy with another deft, dry turn as the befuddled rabbi and Norton display the tricky balance of skilled actor of his generation (his choirboy persona is perfectly advanced for his good-hearted priest and his knack for perfect imitations - i.e. Dustin Hoffman's `Rain Man' )- is only matched by his straight ahead approach to filmmaking; trimming the fat but keeping the high calorie comedy quota intact.

    He even gets his former director Milos Forman (who put Norton through the paces on `The People vs. Larry Flynt') for a small cameo as an elder clergyman to get one of the film's biggest laughs (interrupted by a middle-of-the-night phone call for Norton he says he was `dreaming of his mother's sausages').

    Believe in love and laughter is to appreciate a wonderful romantic comedy that has both in spades.
    kclifton-2

    an absolute charmer

    Norton, Stiller, and Elfman are an absolute delight! Edward Norton does a bang-up job of a debut film, keeping things light, entertaining, and very, very funny-- and it's great to see him lighten up after such fare as "Fight Club." A uniformly great cast, a witty, literate script, three scintillating lead performances, and a talented young director add easily up to the best romantic comedy since Woody Allen's "Everyone Says I Love You". Take your friends, take a date, take your grandma-- this is one everybody will enjoy, and you'll definitely come out smiling.
    7stamper

    Good comedy/romance

    This is a pretty good film and I think it hits perfectly the things we all want in life. Great friends and significant others. It is just a beautiful film which I must say (for a comedy) and a Ben Stiller film is pretty jokeless. Good acting, good directing a good story and good everything. There was one thing that was great though. The way Edward Norton used Faith in this film. Never have I seen so much depictions of Faith in a film and actually enjoyed it. I don't believe in church and stuff, but these two clergymen are way beyond cool, they ROCK!

    7 out of 10

    Note: this review has been amended to remove some sexist comments I included at the time. Apologies for any offence caused. I was young and stupid at the time, thinking I was being 'cool'.
    7Adam-134

    Funny light romantic comedy

    A great date movie. Edward Norton and Ben Stiller are just as appealing as ever and Jenna Elfman is equally interesting.

    The film is light and fluffy but a cut above the usual light romantic comedies in that the jokes are a little better than usual. A nice combination of wackiness combined with the more emotional moments make this a nice way to spend a couple of hours.
    6ma-cortes

    Romantic comedy with excellent trio protagonist

    The picture is a romance story between three friends, a Catholic priest Brian(Edward Norton), a rabbi Jake(Ben Stiller) and a gorgeous girl(Jenna Elfman),she is an old childhood friend and now she returns to New York city and the friendship is re-established. The two male friends fall in love with the enticing executive, creating themselves a loving triangle. Jake is in a traditional congregation that want him married with a good Jewish woman but is the fact which his mother(Anne Bancroft) disapproved to his brother for marrying with a non Jewish .Jake is a little worried about his future and he's out step,out of place and desperately looking for a fiancée with numerous suitors(Rena Sofer) The problems are when Brian cannot break his vow of celibacy and Jake cannot marry but isn't Jewish . We never met a pair as liking as Stiller and Norton.They along with Jenna Elfman are agreeable,enticing and enjoyable.The film has great load of amusement,fun,giggles,chuckles and is very entertained.Besides there are a brief exploration about Jewish way of life, making a slight exposition of the rites ,ceremonies ,habits, religion and the Tora .Although the screenplay sounds some ridiculous and absurd ,the plot is well developed and has surprises and its good moments here and there. Nice and cheerful music score by the classic Elmer Berstein(Seven magnificent,Age of innocence).Direction by Edward Norton captures the special excitement or mood protagonists and scenarios. The flick will like to romantic comedy enthusiastic. Rating: Nice and Well worth watching.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Dedicated to star Edward Norton's late mother Robin Norton.
    • Gaffes
      Brian describes 13-year-old Anna as "a cross between Jonny Quest (1964) and Tatum O'Neal in Ça plane, les filles! (1980)". Tatum O'Neal wasn't in Foxes. He's either referring to Jodie Foster in Foxes, or Tatum O'Neal in Les petites chéries (1980). Then again, he was drunk.
    • Citations

      Indian Bartender: May those who love us, love us. And those who don't love us - may God turn their hearts. And if He cannot turn their hearts, may he turn their ankles, so that we may know them by their limping.

    • Crédits fous
      Thank-yous include one to "Salmita Bonita", a reference to actor-director Edward Norton's girlfriend, actress Salma Hayek.
    • Versions alternatives
      The DVD release features quite a few edited scenes, including:
      • Brian takes Anna to the club while it's still under construction
      • Brian tries to come into the bar with a bottle of liquor in his hand. The bartender tells him 'No Bottles', so he promptly drinks the remainder
      • Brian and Jakob walk through an art museum with Anna (featuring the scene from the Gag Reel where Anna can't say the name of the picture she's standing in front of); eventually, her cel phone rings, she has a yelling match with a co-worker, and falls in the fountain (also seen in the Gag Reel)
      • A bit with young Jakob and Brian making a kung-fu movie with a home video camera
      • Anna talking to Ruth about Jakob and Jake's brother (establishing exactly why Ruth never forgave him)
      • A piece from Jakob's date, where the woman talks about running and breast implants before having a sneezing fit and smashing her face on the table
      • Jakob tells Anna to put her pager under her skirt while she's at work, and he'll call her; two co-workers come in just as Jake starts calling, trying to get her to help them work out the numbers as she 'gets buzzed'
    • Connexions
      Featured in Siskel & Ebert & the Movies: 28 Days/Keeping the Faith/Where the Money Is/American Psycho/East is East (2000)
    • Bandes originales
      Please Call Me Baby
      Written and Performed by Tom Waits

      Courtesy of Elektra Entertainment Group

      By arrangement with Warner Special Products

    Meilleurs choix

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    FAQ

    • How long is Keeping the Faith?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 11 octobre 2000 (France)
    • Pays d’origine
      • États-Unis
    • Langues
      • Anglais
      • Hébreu
      • Espagnol
    • Aussi connu sous le nom de
      • Divinas tentaciones
    • Lieux de tournage
      • Bow Bridge, Central Park, Manhattan, Ville de New York, New York, États-Unis
    • Sociétés de production
      • Touchstone Pictures
      • Spyglass Entertainment
      • Triple Threat Talent
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 29 000 000 $US (estimé)
    • Montant brut aux États-Unis et au Canada
      • 37 047 880 $US
    • Week-end de sortie aux États-Unis et au Canada
      • 8 078 671 $US
      • 16 avr. 2000
    • Montant brut mondial
      • 59 945 183 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      2 heures 8 minutes
    • Mixage
      • DTS
      • Dolby Digital
      • SDDS
    • Rapport de forme
      • 1.85 : 1

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