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Jack Bull

Titre original : The Jack Bull
  • Téléfilm
  • 1999
  • R
  • 1h 56min
NOTE IMDb
6,8/10
5,7 k
MA NOTE
Jack Bull (1999)
DrameOccidental

Ajouter une intrigue dans votre langueAfter being wrongfully denied justice, a horse trader seeks his own justice on a treacherous rancher.After being wrongfully denied justice, a horse trader seeks his own justice on a treacherous rancher.After being wrongfully denied justice, a horse trader seeks his own justice on a treacherous rancher.

  • Réalisation
    • John Badham
  • Scénario
    • Heinrich von Kleist
    • Dick Cusack
  • Casting principal
    • John Cusack
    • John Goodman
    • L.Q. Jones
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,8/10
    5,7 k
    MA NOTE
    • Réalisation
      • John Badham
    • Scénario
      • Heinrich von Kleist
      • Dick Cusack
    • Casting principal
      • John Cusack
      • John Goodman
      • L.Q. Jones
    • 77avis d'utilisateurs
    • 11avis des critiques
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 2 nominations au total

    Vidéos1

    The Jack Bull
    Trailer 1:14
    The Jack Bull

    Photos40

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    + 32
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    Rôles principaux42

    Modifier
    John Cusack
    John Cusack
    • Myrl Redding
    John Goodman
    John Goodman
    • Judge Tolliver
    L.Q. Jones
    L.Q. Jones
    • Henry Ballard
    Miranda Otto
    Miranda Otto
    • Cora Redding
    John C. McGinley
    John C. McGinley
    • Woody
    John Savage
    John Savage
    • Slater
    Rodney A. Grant
    Rodney A. Grant
    • Billy
    Kurt Fuller
    Kurt Fuller
    • Conrad
    Rex Linn
    Rex Linn
    • Shelby Dykes
    Jay O. Sanders
    Jay O. Sanders
    • Atty. Gen. Metcalfe
    Drake Bell
    Drake Bell
    • Cage Redding
    Nick Gillie
    Nick Gillie
    • Ollie
    • (as Nicholas E. Gillie)
    Duncan Fraser
    Duncan Fraser
    • Edsel Fraser
    Ken Pogue
    Ken Pogue
    • Judge Wilkins
    Glenn Morshower
    Glenn Morshower
    • Col. Jeffries
    • (as Glen Morshower)
    Ned Bellamy
    Ned Bellamy
    • Kermit Dover
    Brent Briscoe
    Brent Briscoe
    • Sheriff Felton
    Scott Wilson
    Scott Wilson
    • Governor
    • Réalisation
      • John Badham
    • Scénario
      • Heinrich von Kleist
      • Dick Cusack
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs77

    6,85.6K
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    Avis à la une

    jmdsalser

    A compare and contrast to Michael Kohlhaas its original source.

    There are descriptions here that may give the ending away.

    Jack Bull is a movie based on a story written by Heinrich von Kleist. The story is called Michael Kohlhaas. Michael Kohlhaas is a horse trader just like Myrl Redding is in Jack Bull. Myrl Redding and Michael Kohlhaas are two alike personalities. In both stories, the horse dealers leave their horses to men who have put up a toll booth on their property. The horse dealers never having to pay for this before didn't have enough money to pay the toll and were told they needed a permit. So they each leave two blacks with the property owners. They return with the money and find the blacks abused, worn, and tattered. The horse dealers become furious and want their horses restored to their original condition. This never happens.

    This is the basic beginning of both stories. At this point differences appear in the stories, although both are denied justice and take the law into their own hands. Myrl Redding and Michael Kohlhaas take up arms against the men who have caused them the injustice. The men flee from the horse dealers and hide away. Myrl Redding doesn't kill anyone but burns peoples barns, but Michael Kohlhaas has murder in his revolt. Although there are two killings involved in Reddings; one is in defense of Billy, the other is Grady's wife who is shot accidentally by Grady while he shoots at Myrl and Billy. Kohlhaas has more times to be able to forget the whole thing more than Redding does. Both started out wanting the horses returned but towards the end it is about justice. They seek justice where none is found. Both Kohlhaas and Redding lose their wives due to this event, which becomes an even greater reason to pursue justice. Myrl Redding has a little bit more righteousness in him than Kohlhaas does. Kohlhaas is a weird character, he prepares to hang men for taking advantage of this armed uprising. Kohlhaas in the end wants it to be over and flee to somewhere where a man can receive justice. Redding pursues it to the end saying he would follow Ballard to anywhere until justice was served even if it cost him his life. The decision Kohlhaas and Redding make to die is one that is hard. They will leave children behind and leave them parentless. They make the decision to die to set an example. Kohlhaas decides to die, though to spite the Elector because he has information the Elector wants. Redding dies because he says that `someone has to take responsibility for what has happened.' Myrl Redding says that, `don't let anyone step on your rights' as he says good bye to his son. Myrl does this action more for the morality and rightness and Kohlhaas does it more for just the principles. Myrl is the better of the two men because he is not as brutal Kohlhaas.
    x111b3825

    Solid Story and Perfomances, but..?

    I liked the film and thought the story was solid, with strong, believable perfomances throughout, but I have to agree with another reader who questioned the black man's role at the dinner table.

    Don't get me wrong, I bought the Indian as an integral part of Cusack's character's homestead, because the character lent himself to a fair and equitable role through his life. The Character "Ballard" however, was basically a rotten @#&^%! though, and in that day and age, would a black man have found reliable and somehow trusted place among other scoundrels let alone at this land "Baron's" table? Had the guy's race been white, it would have been totally believable, but at least for historical accuracy, I had to question this plausibility.

    It probably might not have distracted from the film at all had I not read it here first, but I have to agree with the observation. Otherwise I liked the work.
    7michaelRokeefe

    Justice does not come easy.

    I haven't been impressed with a western in along time as I have with JACK BULL. Terrific acting, great script and tremendous cinematography. The setting is 19th-century, wide open pre-statehood Wyoming. A powerful tale of a horse trader(John Cusack) seeking justice for a rival rancher(L.Q.Jones) abusing two of his horses. Before finding a judge(John Goodman)to hear his complaint, Cusack gives notice he wants restitution within seven days. This inturn causes some havoc at the same time the justice system is trying to make a good impression as the territory is awaiting statehood. You will not like the ending, but you will agree that this is a great HBO project.

    Cusack really proves to be an all around actor with JACK BULL. His acting abilities seems to be improving movie by movie. What I like about this role is that he wears his hat like Elvis Presley did in CHARRO!(1969). Needless to recognize the similar beginnings of a beard. Was John impressed with Elvis or what? L.Q. Jones has always been one of my favorites even if he does play a dirty s.o.b. in this movie. Jones of course as you might remember had small parts in numerous Elvis flicks. John Goodman is tight and in control of his role as Judge Tolliver. Also in the cast are:Rodney A. Grant, John C. McGinley and John Savage.

    Note:Script was written by Dick Cusack, John's father.
    8oscarnestell

    Better Than You Expect

    To those of us who follow any of HBO's original programming, it should come as no surprise that a film on the level of THE JACK BULL premieres on HBO. While the folks out in Hollywood are busy heaping money on so-called films such as AMERICAN OUTLAWS and TEXAS RANGERS, leave it to HBO and John Cusak to come up with the good stuff. Though the big screen fare is far glossier (and no doubt costlier), Cusak's gritty western is simply far superior. Boasting a cast including Cusak, John C. McGinley, John Goodman, and L. Q. Jones, the film out-acts its big screen competitors by a mile and a half. Combine it with a cold, smart, gritty screenplay by Cusak's dad and strong direction by John Badham and you have a film worthy of inclusion among really good Westerns.

    f you want to see Ashton Kutcher, James Van Der Beek, Colin Farrell, or Usher Raymond, you'll have to rent the other two. But if you want to see something more on par with Clint Eastwood's UNFORGIVEN, well then, THE JACK BULL is calling your name!
    10robb_mavins

    The Jack Bull will surprise you

    WATCH IT. A great moral translated to a western tale. I have been a fan of Cusack for some time; my first impression was that in a Western he would not be strong enough. As Myrl Redding, the strong true and moral man pushed too far, he is driven and tortured by theft and the death of his wife; and he is wonderful.

    The great thing about this movie is that L.Q. Jones' Ballard is not evil just the antagonist. This movie is filled with good people trying to do what they feel is the right thing including John Goodman as Judge Toliver. <br> The best compliment I can give is that it reminds a lot of `The Crucible' by Arthur Miller, though to be honest, I am never sure who is on the side of right . Since the movie is also set against the statehood debate there are so many subplots. Both Redding & Ballard are pushed and pulled by so many other forces, I am never quite sure to whom is delivered `More Weight' as was Giles Corey in the Crucible but the result is very watchable. That's why in the final analysis I like this film, it is not about `white hats' and black hats just sadly about flawed people.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      The title is derived from the names of two dog breeds - Jack Russell and Bulldog. Myrl Redding (John Cusack) is said to have the tenacity of a Jack Russell and the strength of a bulldog when angered.
    • Gaffes
      At the end of the movie, the statehood congregation parades through town with flags containing 50 stars. The proper flag for the period would have been the 43 star flag.
    • Citations

      Judge Tolliver: Well, I worry about you and me, Judge Wilkins. I swear to God I do, 'cause if this country gets ruined... it'll be ruined by people *like* you and me. This is a territory of unimportant people; most folks around here...

      [laughs softly]

      Judge Tolliver: can't even write their name. You and me... we're the important people. Trouble is, there's not enough of us important people to go around - we're spread thin, so sometimes, important things get ignored or don't get said. Like... take care of the little feller; see to it that he don't get ignored or cheated or insulted; make sure that his dignity does not get trampled on. Now you're feelin' bad right now, and by God, you ought to... seein' as what just happened to a decent man. Myrl Redding did *not* fail the law...the law failed Myrl.

    • Connexions
      Version of Michael Kohlhaas (1937)
    • Bandes originales
      Ring them Bells
      Written by Bob Dylan

      Performed by Bob Dylan

      Courtesy of Columbia Records

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    Détails

    Modifier
    • Date de sortie
      • 17 avril 1999 (États-Unis)
    • Pays d’origine
      • États-Unis
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • La traque sauvage
    • Lieux de tournage
      • Calgary, Alberta, Canada
    • Sociétés de production
      • HBO Pictures
      • Home Box Office (HBO)
      • New Crime Productions
    • Voir plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 1h 56min(116 min)
    • Couleur
      • Color
    • Mixage
      • Dolby Digital
    • Rapport de forme
      • 1.33 : 1

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