Hantise

One would like movies like these to be scary, or at least chilling, but de Bont's Haunting is just plain stupid. The house and settings are great to look at but most of the effort on making the film has gone into over-the-top computer generated effects and zombie looking actors, while the script makes no sense at all. How much fun is it to watch Lili Taylor walking around talking to herself in order to help the audience understand what is happening on screen? Unintentionally funny moments include Mr Crain's incredibly bad make up and Owen Wilson not being able to climb over a closed gate. In short, stay away from Hill House.

I like this one - of course the real star of The Haunting is the house and the interior - awesome, marvelous, top of the pop, whatever. The story itself of course is a well known one but the cast (Neeson, Zeta-Jones, Wilson, Lili Taylor ) works just solid to good with the story provided. All in all a nice haunted house movie that really lacks only here and there some (serious) gore and maybe one or two unique ideas to make it a more mature horror movie. My rate 6 + 1 bonus for the outstanding settings.

Maybe some billionaire with some spare money reads this --> email me: we will build and plan that mansio together and I will do the housekeeping ;)

I hadn't heard anything particularly good about this film, but I thought I would see it for myself. I was disappointed to a certain extent- because it just was not at all scary. it looked like it might be, and the haunting of Hill House certainly is a very creepy novel- but this film is just special effects wizardry and thats about all. It has a great cast, particularly Taylor, Neeson and Zeta-Jones, but they really do play second fiddle to the special effects. The set design really is magnificent, but the story is fairly average and the characters are unfortunately a little underdeveloped. By the end I was bit bored with the 'creepy house', because it just was not 'creepy' enough. Some of the lines were so laughable it could have been mistaken for a comedy. Visually stunning for a while, but when you run out of things to look at- there is nothing else of interest.

* and 1/2 stars out of ****

The Haunting is actually a relatively decent film for the first 45 or so minutes. The setup is promising, the production design of the mansion is a sight to behold, and the cast seems to be enjoying themselves. It's unfortunate, however, because after that the film begins to fall apart, leading all the way to the ridiculously bad finale.

Dr. David Marrow (Liam Neeson) is conducting a test on fear, using the bait-and-switch method. By doing so, he's pretending to do a study on insomnia at the Crain estate, a manor 9 miles from the closest town. The "test subjects" that arrive include Eleanor (Lili Taylor), a hard-working woman who has had little success in life, Theo (Catherine Zeta-Jones), an adventuress and proclaimed bi-sexual, and Luke (Owen Wilson), an all-around jokester.

On the first night in the mansion, Eleanor and Theo hear thundering sounds in the walls, but pass it off as a problem in the plumbing. But events get even more bizarre, as Eleanor sees some sort of a figure inside the fireplace, that just as soon disappears. Slowly, Eleanor begins to believe that there are ghosts in the house, ghosts of dead children and the owner of the mansion himself, the evil Hugh Crain. She also makes a discover about her connection with the mansion that could help free the children's spirits.

The Haunting never features one scary moment. Rather than going for subtle chills or all-out shocks like in House on Haunted Hill, Jan De Bont prefers to rely everything on the special effects, which really are rather unconvincing, particularly the statues that come to life and the CGI ghosts.

It even manages to get worse. Now, to be fair, the film was getting dull by the 90-minute mark so I was initially entertained by the effects-filled finale. But everything gets positively ridiculous in the last ten minutes, as we find out evil ghosts like to play hide-and-seek and smash things up real good.

The blame should fall on director Jan De Bont and writer David Self. De Bont seems to care more about what special effect to use next to "wow" the audience rather than actually trying anything innovative. Self really can't seem to write a good story or truly interesting characters. The dialogue is perhaps the worse of his writing skills.

The only thing that keeps this film from a lower rating is the cast, and they do their best to keep the film respectable. Liam Neeson probably delivers the best performance, being neither as dull or unemotional as critics thought. Catherine Zeta-Jones shows a lot of life as Theo, as does Owen Wilson. It's a pity that Lili Taylor's performance, which was decent at first, turned to borderline camp by the finale.

With nary a true scare in sight, The Haunting should best be seen by those who are scared easily or special effects fans. For everybody else, this is probably a house not to spend the night at.

This remake of the sixties classic of the same name has unfortunately been somewhat slated by critics, although I feel it's better than most people seem to think it is.

The location work is stunning and the set design has clearly had a lot of work put into it.

Liam Neeson, Owen Wilson and Catherine Zeta Jones all perform their parts quite well, but Lili Taylor is not as good as she should be. On paper she should be perfect for the role of Nell and for much of the film she provokes the necessary sympathy. She seems unable, however, to scream properly, instead letting what sounds like an animal cry. Also, she seems to say "Oh No" in exactly the same tone of voice every time she sees something frightening, although to be fair this is as much the fault of the script as it is hers.

Towards the end the atmosphere is slightly diluted by such things as having the beds and statues spring to life which makes these scenes much less frightening than they could be.

In spite of all this, this movie has a certain something that regardless of it's faults, makes me want to watch it again and again, and ultimately you can't ask much more from a film than that.