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The Spectacle Maker

  • 1934
  • Approved
  • 21min
NOTE IMDb
5,9/10
171
MA NOTE
Nora Cecil, Cora Sue Collins, Christian Rub, and Douglas Scott in The Spectacle Maker (1934)
DrameFamilleFantaisieCourt-métrage

Ajouter une intrigue dans votre langueA parable about magic glasses involving on the nature of beauty, truth, good, and evil set in 17th Century Germany with music and Glorious Technicolor.A parable about magic glasses involving on the nature of beauty, truth, good, and evil set in 17th Century Germany with music and Glorious Technicolor.A parable about magic glasses involving on the nature of beauty, truth, good, and evil set in 17th Century Germany with music and Glorious Technicolor.

  • Réalisation
    • John Farrow
  • Scénario
    • John Farrow
    • Frank Harris
  • Casting principal
    • Francis X. Bushman Jr.
    • Nora Cecil
    • Harvey Clark
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    5,9/10
    171
    MA NOTE
    • Réalisation
      • John Farrow
    • Scénario
      • John Farrow
      • Frank Harris
    • Casting principal
      • Francis X. Bushman Jr.
      • Nora Cecil
      • Harvey Clark
    • 8avis d'utilisateurs
    • 1avis de critique
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
  • Photos

    Rôles principaux11

    Modifier
    Francis X. Bushman Jr.
    Francis X. Bushman Jr.
    • Soldier
    • (non crédité)
    Nora Cecil
    Nora Cecil
    • Duchess
    • (non crédité)
    Harvey Clark
    Harvey Clark
    • The Grand Duke
    • (non crédité)
    Cora Sue Collins
    Cora Sue Collins
    • The Little Princess
    • (non crédité)
    Nigel De Brulier
    Nigel De Brulier
    • The Man in Black
    • (non crédité)
    John George
    John George
    • Court Jester
    • (non crédité)
    Sumner Getchell
    Sumner Getchell
    • Lens Buyer
    • (non crédité)
    Christian Rub
    Christian Rub
    • Hans Schmidt
    • (non crédité)
    Douglas Scott
    Douglas Scott
    • Peter
    • (non crédité)
    William Tannen
    William Tannen
    • The Grand Duke as Seen thru the Magic Spectacle
    • (non crédité)
    Robert Taylor
    Robert Taylor
    • The Duchess's Paramour
    • (non crédité)
    • Réalisation
      • John Farrow
    • Scénario
      • John Farrow
      • Frank Harris
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs8

    5,9171
    1
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    5
    6
    7
    8
    9
    10

    Avis à la une

    3planktonrules

    schmaltzy and poorly acted but also pretty amazing for its Technicolor.

    This is one of several shorts from 1934 and produced by MGM that accompany the DVD for "Treasure Island". Turner Entertainment has been packaging their classic Warner Brothers and MGM films this way--making them nice values for the home viewers.

    This is a film you watch less for the content and acting than for the amazing advancement it demonstrates--true full-color. Unlike the earlier Two-Color Technicolor and the competing Cinecolor, this early Technicolor film has a fuller spectrum of colors--making it REALISTIC compared to previous color films (which tended to look very green and orange). In fact, this DVD has a Cinecolor short as well--and the difference is staggering. The Technicolor is a bazillion times nicer! As for the story, it's a schmaltzy tale about a spectacle maker who is given assignments to make magical lenses that show only beauty and later one that shows only truth. The acting is at times god-awful and the story comes off almost like a nicely produced high school pageant! the only thing I will add is that the summary on IMDb is not quite correct (the initial person to come to the spectacle maker was NOT the man in black but one dressed in gold). But, considering it's all pretty dull, who really cares?! This film is best seen by cinephiles and serious film historians. Others will no doubt find it all pretty tedious.
    5boblipton

    Tra La La La La La

    This highly expurgated version of the Frank Harris story is offered as an excuse to show early three-strip Technicolor.

    Well, it does that much, and with some interesting talent in front of and behind the camera. As for the actual handling of the story, it is told in such a sickeningly disingenuous manner that I had a hard time watching. It's that type of story telling for children that holds that youngsters are morons and if you show them anything nasty, they will adopt it instantly.

    Still, the pictures are colorful and pretty.
    7atlasmb

    A Colorful Gem

    Keats famously wrote, "Beauty is truth, truth beauty" but that relationship between truth and beauty is not the one explored here.

    A maker of eyewear is commissioned to create a lens with magical properties. It is purchased by the Grand Duke for his personal amusement. Later, the craftsman creates another lens which allows one to see a completely different view of the world-a view that is contrary to the first lens'. This is a morality tale that packs few surprises. In fact, it is heavy-handed in making its point, but this is still a gem due to the film's color format and its fresh naivete.

    A sequence simulating harpistry serves as a brief distraction, but overall this is an enjoyable watch for children and adults.

    The plot of this 21 minute film would make a good episode of "The Twilight Zone".
    10Ron Oliver

    Keats Said It Best...

    An MGM COLORTONE MUSICAL Short.

    Once upon a time, there was a kindly old man who was THE SPECTACLE MAKER for his village. He is challenged to create a marvelous Glass, through which only Beauty can be seen. Reading the Bible shows him the meaning of true Beauty and, so, he creates the Glass. Instant fame is his, but then he's challenged concerning Truth...

    Not much as far as musicals go, and uneven dramatically, but as a morality tale it has charm. The Technicolor is very pleasing to the eye, as well.
    7preppy-3

    Gets a 7 for the Technicolor

    Laughable fairy tale about a poor but honest spectacle maker (with a crippled son no less) who makes a magic pair of lenses which allow the viewer to see the true nature of what they're viewing. It all leads to predictable complications and to a happy ending which had me smirking and rolling my eyes.

    Stupid story and some truly terrible acting make this a chore to watch. What kept me watching was the beautiful Technicolor cinematography. The sets and costumes are shot in rich bright color and are dazzling to look at. Each shot looks gorgeous. For cinema fans (like me) this is worth seeing. For others it might be tough going.

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    Shirley aviatrice
    7,2
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    Histoire

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    Le saviez-vous

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    • Anecdotes
      Christian Rub's make-up and playing of Hans Schmidt in this film may have served as a model for Disney's depiction of Geppetto in Pinocchio (1940). Rub also dubbed the character's voice in the 1940 animated feature.
    • Citations

      Hans Schmidt: Where are you going?

      The Man in Black: From whence I came. And I take your glass with me, Hans Schmidt. Make no more. For man is not yet ready for truth.

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    Détails

    Modifier
    • Date de sortie
      • 20 septembre 1934 (États-Unis)
    • Pays d’origine
      • États-Unis
    • Langue
      • Anglais
    • Lieux de tournage
      • Metro-Goldwyn-Mayer Studios - 10202 W. Washington Blvd., Culver City, Californie, États-Unis(Studio)
    • Société de production
      • Metro-Goldwyn-Mayer (MGM)
    • Voir plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 21min
    • Rapport de forme
      • 1.37 : 1

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