Dangereuse proposition

This film takes a familiar storyline and gives it a few interesting twists. I think that it is the characters and the script that make this movie as good as it is.

The story is about an undercover detective (Moran) who leads a paranoid existence, constantly vigilant against being found out for who he really is. In order to keep his cover intact, he reluctantly accepts a new partner (Esposito) who has no undercover training and who may eventually put him in jeopardy.

The Proposition takes you into the personal life of a detective who has been under for several months and the lengths he goes through to establish his identity as well as watch his own back.

The film's antagonist, Simon Bacig (Lang) is great. He is a villain's villiain who plays dangerous, vain, and eccentric, all without going over the top.

Great direction and script give this movie dimension and depth that allow you to get in touch with the characters and keep you hooked as you await the final outcome (which I guarantee, you won't be able to guess).

1st watched 8/3/2002 - 3 out of 10(Dir-Richard Gale): Haphazardly-thrown together good cop/bad cop/undercover agent thriller that seems to change from one second to the next as far as what direction it wants to go. The main stars are ok in their roles, but their roles are so confusing I'm sure it was difficult for them to get a grasp on who their character was from one minute to the next so I don't really blame them. I blame the director and screen-writer because of the very choppy way this movie seems to have been put together. They never really seem to know what they want to do and focus on(the action, the sex, the complex plot - they needed to pick one and they didn't). The movie is about an undercover cop which then becomes about his partner, then about the bad guy, then the FBI, etc. I really think I need to be done here. Goodbye, enough said. Rent something else if you want to watch a good movie.

Nick Moran does well in this role, a consistent and believable element in a movie with a few twists and turns. You can relax with this movie for an evening, but if you're paying for this as a rental then you might do better to see Nick Moran in "Silent Partner." An episode of Miami Vice probably has a better way of mixing the good guys, bad guys, local police, and feds or FBI. The characters in this film make good sense and you could expect to find people like them, but character development is not very strong except for that of Nick Moran's character, Terry Martin. Jennifer Esposito as Susan Reece enters the stage with a dash of freshness, shows signs of that character trait at times, but doesn't really have a believable role. Don't blame the actress - the writers and director could have done better with her skill and the role. Not a bad movie, but not gripping, either.

All of the warning signs are there from frame one: an opening sequence that intercuts between shots of the movie and the credits on a black screen, mobsters fresh out of movie mobster school, and unnecessary cross dissolves from one scene to the next. And then of course there are the fellow police officers who yell at one another most of the time, whether it be the captain admonishing the hero for taking too much time on the case or the hero and his new partner who don't see eye to eye.

I figured at the very least if I stuck around, I would be treated to some gratuitous nudity courtesy of the beautiful Jennifer Esposito. Unfortunately that didn't happen, yet I found myself being absorbed by the developing relationship between her character and the undercover cop played by Nick Moran.

There are some nice moments that elevate the film above its direct-to-video trappings. A scene where Esposito places a banana to her ear as if it were a phone has such a genuineness and spontaneity that it doesn't come off as a cheap attempt at humor but as an actual moment involving real people.

The two leads deserve a lot of credit for making this movie what it is. Nick Moran has a certain star quality, a charisma that holds the viewer with him. He gives everything he has in this performance, particularly midway through the film when his psyche is tortured after having been forced to assassinate an enemy of the mobster he's trying to bring down. It's almost as if he didn't get the memo letting him know that this was direct-to-video garbage and that he really need not try so hard. Fortunately for the film and the viewer he does.

Nick Moran is a paranoid undercover cop, with Jennifer Esposito as his fake wife, brought into the investigation of a dangerous crime boss so he doesn't blow his cover. The two play off each other, at first bickering incessantly, until eventually a romantic attraction develops. All of this happens while they are attempting to tape incriminating evidence on gangster Stephen Lang. The acting by Moran, Esposito, and especially Lang, is good, and the twisty script has a few surprises. There are also some welcome moments of humor in the film. The only problem is , we have a movie without an acceptable ending. The finale is rushed, with unrealistic gun play, and tries for too many twists that just don't work. "The Proposal" is entertaining, if you can look beyond the flawed conclusion. - MERK