Moonlight Mile

This movie is a highly conventional Hollywood drama, complete with carefully placed beauty shots and touchy-feely Mark Isham music. But writer/director Silberling consistently overcomes the cliches of his own picture by finding truly original moments through the subtle glances and gestures of his fine actors, and nice small touches of the world around them.

Jake Gyllenhaal is quietly brilliant, inhabiting the space of his grieving and frustrated character with an assurance and maturity that wasn't guaranteed from his earlier performances--a big step forward for him as an actor. And Susan Sarandon is sharp as hell in her best role in years--Hoffman has the most difficult task, portraying a man who is completely submerged in denial, but he serves the film well and handles the inevitable Big Moments late in the narrative with the class and skill you'd expect.

This movie has some genuinely original points of view about the reality of losing a loved one, and the complexity of human emotion: especially how that complexity is usually at odds with how we're expected to behave in such situations.

There is a tortured romance with Gyllenhaal's character that is cliched to begin with, and nearly altogether bungled by the writing. Unfortunately, this part is central to the story, so you're stuck with scenes that seem like a cross between Adrian Lyne sex-drama and an episode of The Wonder Years. This story string also leads > to an ending that will likely be far too neatly tied for many discerning filmgoers, as it was for me.

But when the movie sticks to the messy yet electric triangle of the dead girl's parents and her fiancee, it's really something. Unless you simply can't abide by a movie that's unapologetic about its mainstream Hollywood nature, excellent performances, consistently interesting touches in the writing, striking photography, and more than a few original ideas make this movie worth a look.

This film is perfect if your looking for a good cry but with some humorous bits too, in fact this films got everything you want in a drama, joy, sadness, hope, fear the lot. OK this movie is not for everyone some people are bound to find it really boring and a bit of a drag so if you into all action and full of energy kind of films then I would advise you not to even consider this but to all the people who are into dramas or Jake Gyllenhaal then I would recommend this movie 100%. The acting is truly amazing, they are all really believable as the roles they are playing. Dustin Hoffman and Susan Sarandon as the parents of their murdered daughter, Ben and Jo Jo, clinging on to her fiancée as they feel he is a big part of her and don't want to see him leave them too, while Jake Gyllenhaal as the part of Joe the nearly son-and -law to Ben and Jo,Jo, who tries to be perfect for them and be everything he wants them to be despite what he wants..which he really doesn't even know..he's confused..doesn't know what he wants to do in life. As he said, "I want to figure out what I want to do".

This film is truly beautiful and shows deep emotion that isn't in any way corny.A film that I think is very underrated.To be honest I saw it for Jake Gyllenhaal but after seeing it it is now one of my favourite Jake films.

I loved it!

True, this movie is not for everyone. It is not for action junkies and it isn't that exciting as dramas go. But the excellent acting by the three main leads will hold your attention, if you let yourself get into it.

Dustin Hoffman is completely believable as the dad whose hopes and dreams have vanished with his daughter and he struggles to hold on to them in a state of denial. Susan Sarandon's character has accepted the fact and turns away from friends' sympathy. And as the fiancée in a slight state of paralysis from numbness, Jake Gyllenhaal proves he can play more than disturbed teen. The girl's parents try to hold onto him as their last hope of clinging to their daughter. Joe (Gyllenhaal) doesn't want to hurt them by leaving, but has to find his own path now.

The actors keep the movie going for longer than expected. Even though by the end you're glad it's over, it'll stick in your mind. It's the kind of movie you only see once, or else you'll get sick of it. But the one time will be enough for you to appreciate its quiet despair and hope.

*** out of ****

While not quite a great movie (it just barely misses the mark), Moonlight Mile is still an excellent drama that showcases some of the finest acting talent around, wrapped amidst a beautifully told story of a young man (Jake Gyllenhaal) who's trying to do what everyone expects out of him, but against the desire of following his own heart.

Moonlight Mile plays as a cathartic experience. The premise bears truth to it, as it parallels writer/director Brad Siberling's own real-life experience when his girlfriend was murdered by an obsessive fan. But most importantly, almost every part of this movie feels natural in its emotions and storytelling, not the result of some sentimental hackjob put together by a big studio. Siberling's intent is to portray a normal family dealing with life, loss, and love and whatever obstacles may come their way and he does a fine job of it.

There are moments Moonlight Mile doesn't entirely ring true, but those moments are glossed over by the acting. From Gyllenhaal to Ellen Pompeo to Dustin Hoffman and Susan Sarandon, the cast is uniformly superb. Even though the climax is set in a courtroom (typically the setting for cliche hell in dramas), Gyllenhaal's emotional outpour makes the scene work almost magnificently.

An admittedly very irksome element of the film is the score, which is yet again another rip-off of the music to American Beauty. Moonlight Mile's straightforward, honest approach doesn't match the quirky tone of the score, resulting in a few off-kilter moments of balance. But otherwise, this is a first-rate, truthful drama, and certainly superior to the overrated and similary themed In the Bedroom.

Waitress Diana Floss was killed by a husband who came to the diner to kill his wife. Mona Camp (Holly Hunter) is the prosecutor. Diana's fiancé Joe Nast (Jake Gyllenhaal) is staying with her parents Ben (Dustin Hoffman) and Jojo (Susan Sarandon) who still treats him as their own son. He feels obligated to stay which includes going along with Ben's plan of him being in the family commercial realty business. He falls for Bertie Knox (Ellen Pompeo) but they both have secrets of their own.

It's a movie about a lot of suffering but mostly done quietly. Everybody is getting crushed but nobody is particularly interested to admit it. It has the air of truth. However it isn't able to squeeze emotions out of the audience. We get to witness their suffering without really feeling it. Most of the performances are great. Gyllenhaal does a terrific job bringing life to the emotional dialog which could have gone another way.