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Moonlight Mile

  • 2002
  • PG-13
  • 1h 57min
NOTE IMDb
6,6/10
15 k
MA NOTE
Dustin Hoffman, Susan Sarandon, and Jake Gyllenhaal in Moonlight Mile (2002)
As he copes with the death of his fiancée, a young man befriends her parents and must figure out what he wants out of life.
Lire trailer2:28
1 Video
99 photos
Comédie noireTragédieDrameRomance

Ajouter une intrigue dans votre langueAs he copes with the death of his fiancée, a young man befriends her parents and must figure out what he wants out of life.As he copes with the death of his fiancée, a young man befriends her parents and must figure out what he wants out of life.As he copes with the death of his fiancée, a young man befriends her parents and must figure out what he wants out of life.

  • Réalisation
    • Brad Silberling
  • Scénario
    • Brad Silberling
  • Casting principal
    • Jake Gyllenhaal
    • Dustin Hoffman
    • Susan Sarandon
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,6/10
    15 k
    MA NOTE
    • Réalisation
      • Brad Silberling
    • Scénario
      • Brad Silberling
    • Casting principal
      • Jake Gyllenhaal
      • Dustin Hoffman
      • Susan Sarandon
    • 153avis d'utilisateurs
    • 69avis des critiques
    • 59Métascore
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 1 victoire et 6 nominations au total

    Vidéos1

    Official Trailer
    Trailer 2:28
    Official Trailer

    Photos99

    Voir l'affiche
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    + 94
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    Rôles principaux64

    Modifier
    Jake Gyllenhaal
    Jake Gyllenhaal
    • Joe Nast
    Dustin Hoffman
    Dustin Hoffman
    • Ben Floss
    Susan Sarandon
    Susan Sarandon
    • Jojo Floss
    Alexia Landeau
    Alexia Landeau
    • Cheryl
    Richard Messing
    • Rabbi
    Lev Friedman
    • Cantor
    Bob Clendenin
    Bob Clendenin
    • Server #1
    • (as Robert Clendenin)
    Jim Fyfe
    Jim Fyfe
    • Server #2
    Mary Ellen Trainor
    Mary Ellen Trainor
    • Mrs. Meyerson
    Richard Fancy
    Richard Fancy
    • Mr. Meyerson
    Marcia Mitzman Gaven
    Marcia Mitzman Gaven
    • Fashion Plate
    Allan Corduner
    Allan Corduner
    • Stan Michaels
    Holly Hunter
    Holly Hunter
    • Mona Camp
    Careena Melia
    • Diana Floss
    Gary Hetzler
    • Speedwalker
    Ellen Pompeo
    Ellen Pompeo
    • Bertie Knox
    Edward Lachman
    Edward Lachman
    • Photographer
    • (as Ed Lachman)
    Gordon Clapp
    Gordon Clapp
    • Tanner
    • Réalisation
      • Brad Silberling
    • Scénario
      • Brad Silberling
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs153

    6,615K
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    Avis à la une

    8Travis_Bickle01

    Surprisingly good indie with an amazing cast

    When I first started watching this movie I was a bit confused. I had expected some drama and romance, but instead it looked like a comedy! But when I kept watching, I realised I was wrong, although I have to admit that the first half an hour is rather comedy than drama.

    Anyway, "Moonlight Mile" is highly enjoyable. What exactly makes this movie so great? It's the acting. The cast is outstanding. Susan Sarandon and Dustin Hoffman are truly amazing as always. Jake Gyllenhaal, who we know from "Donnie Darko", was excellent as well. But, like I already said, Hoffman and Sarandon are the true stars in this one. They were both so funny from time to time! "Moonlight Mile" is definitely worth watching! A true indie with great performances!

    8/10
    6SnoopyStyle

    quietly suffering family

    Waitress Diana Floss was killed by a husband who came to the diner to kill his wife. Mona Camp (Holly Hunter) is the prosecutor. Diana's fiancé Joe Nast (Jake Gyllenhaal) is staying with her parents Ben (Dustin Hoffman) and Jojo (Susan Sarandon) who still treats him as their own son. He feels obligated to stay which includes going along with Ben's plan of him being in the family commercial realty business. He falls for Bertie Knox (Ellen Pompeo) but they both have secrets of their own.

    It's a movie about a lot of suffering but mostly done quietly. Everybody is getting crushed but nobody is particularly interested to admit it. It has the air of truth. However it isn't able to squeeze emotions out of the audience. We get to witness their suffering without really feeling it. Most of the performances are great. Gyllenhaal does a terrific job bringing life to the emotional dialog which could have gone another way.
    7star80

    Some Truly Interesting Moments in a Conventional Hollywood Drama

    This movie is a highly conventional Hollywood drama, complete with carefully placed beauty shots and touchy-feely Mark Isham music. But writer/director Silberling consistently overcomes the cliches of his own picture by finding truly original moments through the subtle glances and gestures of his fine actors, and nice small touches of the world around them.

    Jake Gyllenhaal is quietly brilliant, inhabiting the space of his grieving and frustrated character with an assurance and maturity that wasn't guaranteed from his earlier performances--a big step forward for him as an actor. And Susan Sarandon is sharp as hell in her best role in years--Hoffman has the most difficult task, portraying a man who is completely submerged in denial, but he serves the film well and handles the inevitable Big Moments late in the narrative with the class and skill you'd expect.

    This movie has some genuinely original points of view about the reality of losing a loved one, and the complexity of human emotion: especially how that complexity is usually at odds with how we're expected to behave in such situations.

    There is a tortured romance with Gyllenhaal's character that is cliched to begin with, and nearly altogether bungled by the writing. Unfortunately, this part is central to the story, so you're stuck with scenes that seem like a cross between Adrian Lyne sex-drama and an episode of The Wonder Years. This story string also leads > to an ending that will likely be far too neatly tied for many discerning filmgoers, as it was for me.

    But when the movie sticks to the messy yet electric triangle of the dead girl's parents and her fiancee, it's really something. Unless you simply can't abide by a movie that's unapologetic about its mainstream Hollywood nature, excellent performances, consistently interesting touches in the writing, striking photography, and more than a few original ideas make this movie worth a look.
    7rbverhoef

    Great acting is enough

    This is a very well acted movie that deals with a sudden loss in a family in a better way than I would expect. The movie avoids the usual clichés and through some very strong performances shows us how it could really be. The dead person is the daughter of Ben (Dustin Hoffman) and Jojo (Susan Sarandon), her fiancé named Joe (Jake Gyllenhaal) is now living with them. The girl was murdered, simply because she was in the wrong place at the wrong time. Now Ben and Joe go into business together and the all try to live on in their own ways. Joe befriends a girl named Bertie Knox (Ellen Pompeo) who also has lost someone.

    Like I said the subject is handled in a very good way. May be the movie makes some easy choices, especially near the end, but the acting is so good and real here that the movie is easily forgiven. Gyllenhaal plays the same kind of part as he did in 'Donnie Darko' and 'The Good Girl', not the most happy one. He has the best single scene, although overall veterans Hoffman and Sarandon are as good as he is. The best thing though is Ellen Pompeo. Her character has a certain sweetness and nice way of dealing with things and Pompeo finds the perfect note for playing this part. See it for the acting and you will find a lot more.
    7planktonrules

    Some very good actors in a very depressing story...based, in part, on a real life tragedy.

    "Moonlight Mile" is a film inspired by the murder of Rebecca Schaeffer...but only broadly. This is because the director/writer Brad Silberling had been dating Schaeffer when she died and like the character played by Jake Gyllenhaal, he lived for a time with her parents following this death.

    When the story begins, you might find it confusing. Joe's girlfriend had been killed....though this isn't obvious and when you find out, exactly how seems pretty vague as well. What is clear is that Joe (Gyllenhaal) is living with her parents (Dustin Hoffman and Susan Sarandon) and he seems like he's simply going about his life in order to make them happy...sort of like a substitute for his dead fiancee. What's next? See the film.

    Considering the film is about a family and boyfriend responding to the the brutal murder of a girl, it obviously is NOT a fun movie to watch. But the performances are very good and the film is unique....reasons to possibly watch it. Well made...and rather unpleasant...though fortunately the film is NOT violent and doesn't show any violence.

    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Loosely inspired by writer and director Brad Silberling's own experience. He was dating Rebecca Schaeffer at the time she was killed by an obsessed fan in 1989.
    • Gaffes
      Massachusetts did not have the death penalty in the early '70s.
    • Citations

      Joe Nast: I'm sorry, I can't, I can't do this. It didn't happen. We loved each other, we broke it off. If I don't-Jesus, if I don't say this now, it'll never-she'll never be a part of this. What are we-what are we doing here? I don't even-I don't even know this guy. She-she didn't even know this guy. What's he got to do with her? I don't-look, you asked me to bring her in the room, and she's not here-she's not. And whatever happens here, whatever happens to this guy, she's not here. And the only way that you're gonna bring her in here is with the truth. I don't know-I don't know what else to say. You just tell me what to say, and I swear, I'll try, but if you want her, you got to keep it honest. You have to understand that Diana had this thing, this way of bringing out the real in people, not just the best, you know-their honesty. And I guess she's doing it again now cause there's no way I'd be sitting here saying these things I can't believe are coming out of my mouth. It was Diana who finally had the courage. *She* was the one who told *me* that I didn't want to go through with it. And I guess she's-she's doing it again, cause all of this-all of this is everything that she wouldn't want. She wasn't a bride-to-be. She wasn't a victim. She was strong and real and messed up and wickedly honest, just like her mother. And if I sit here trying to paint it any other way, I... Oh, I'm sorry, I'm sorry. I just-I thought-I thought that if I could just... paint the pictures that you needed, you know, that... that somehow... that somehow you'd bring these people some peace, finally, and they'd have their daughter back, or... But, uh... that's not how she'd wanna be. The truth is hard. Sometimes it looks so wrong, you know-the color's off, the style's wrong, but I guess it-I guess it's where the good one's live.

    • Crédits fous
      The credits end with "For all our loves...departed, or yet to arrive..."
    • Connexions
      Featured in Moonlight Mile: A Journey to Screen (2002)
    • Bandes originales
      I Want to Take You Higher
      Written by Sly Stone (as Sylvester Stewart)

      Published by Warner-Tamerlane Publishing Corp. o/b/o Mijac Music (BMI)

      Performed by Sly and the Family Stone

      Courtesy of Epic Records

      By Arrangement with Sony Music Licensing

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    FAQ20

    • How long is Moonlight Mile?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 4 octobre 2002 (États-Unis)
    • Pays d’origine
      • États-Unis
    • Langues
      • Anglais
      • Hébreu
    • Aussi connu sous le nom de
      • La vida continúa
    • Lieux de tournage
      • Gloucester, Massachusetts, États-Unis
    • Sociétés de production
      • Touchstone Pictures
      • Hyde Park Entertainment
      • Reveal Entertainment
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 21 000 000 $US (estimé)
    • Montant brut aux États-Unis et au Canada
      • 6 835 856 $US
    • Week-end de sortie aux États-Unis et au Canada
      • 329 771 $US
      • 29 sept. 2002
    • Montant brut mondial
      • 10 011 050 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 1h 57min(117 min)
    • Couleur
      • Color
    • Mixage
      • DTS
      • Dolby Digital
      • SDDS
    • Rapport de forme
      • 2.35 : 1

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