Rien que la vérité

This film is not making efficient use of the "what if" idea of Mengele's return from exile to stand trial for his Auschwitz crimes in order to explain his motives, but it's a stellar lesson in character acting by Götz George. He also co-produced the film because few wanted to be associated with this content, and while reception outside Germany was positive, it was vehemently criticized in the country for giving Mengele a human side. George gives his best performance next to his tour de force as Fritz Haarmann in "The Deathmaker" (1995). He had also portrayed Auschwitz camp commander Rudolf Höss in "Death is my Trade" (1979), and his father was Nazi collaborator actor Heinrich George who died in Sachsenhausen after the Russians repurposed the camp.

The film came out after Goldhagen's book "Hitler's willing Helpers" caused a moralistic frenzy which still dominates German politics 25 years later and has been dwelt upon in documentaries ever since. The static courtroom dynamic neutralizes the horrific crimes described, and the film would be much stronger if it maintained emotional distance. Unfortunately a sappy soundtrack trivializes the witness statements and the script lapses into sentimentality, but one cannot expect else from director Richter, who rose to fame with romantic comedies.

The weakest point of the film is that Mengele's special relationship with racial biology as the medical advisor of Auschwitz's Gypsy camp is not mentioned. There is testimony of Sinti survivors in the 2011 documentary "A People uncounted" which clearly proves that Mengele enjoyed torturing children, and the definitive monography on the Gypsy Holocaust "Racial Utopia and Genocide" was available at the time. While there is a lot of historical context in the script, but that makes it all the more clear that the writers did not know that particular book, which is a ruesome oversight (as is the silence on Birkenau B in general).

So this is definitely worth seeing for Götz George, one of the most underrated German actors, but neither the director nor the screenplay make full use of the film's premise. Particularly the ending is a disappointing descent into kitsch.

The story of Nazi collaborators being brought to justice would not seem interesting anymore in these days, even with the emergence of extreme Nationalistic tendencies in several places out of Germany, but Roland Suso Richter made an intelligent and moving drama, based on a fantasy. Suppose that "The Angel of Death of Auschwitz", Dr. Josef Mengele (who never faced German justice and died in Brazil) had come back to Berlin, selected a bright young lawyer (Peter Rohm) for his defense, and asked to be judged to set the facts straight, or to put it in his words, "to let the Truth be known". The lawyer's only strategy is to interpret Mengele's actions under the medical ethics of his time, and in a way he succeeds to prove that Mengele was just acting according to the common notion in Nazi Germany, that doctors could and should dispense of lives that weren't worth-living. But there's more to it. Although the script (by Johannes W. Betz and Christopher and Kathleen Riley) makes a fine tapestry of past and present (and includes a disturbing final speech by Mengele) and the camera-work by Martin Lager is first rate, director Richter does not incurs in flashy style. His mise-en-scene is elegant and confident, immensely helped by the excellent performances by Götz George as Mengele and Kai Wiesinger as Rohm.

*No spoilers, all infos included in advertisings to the movie*

This movie is a very brave attempt to ask difficult questions in an unfashionable way. Dr. med. Josef Mengele, the name alone may cause shiver in ones mind. The 'Deathangel of Auschwitz', the beast, a monster, a man!? Richter story actually starts with the doctor arriving in Germany, admitting all he has done... pleading NOT guilty due to the circumstances of his time.

Hardly to believe you might think... so did I, 'till I saw the movie, 'till I heard the argumentation... The movie is no accusation of a political system, a period of time itself, or a single person, it's not even actually a typical 'what-if'. It, too, is no justification for either side. It simple asks the question whether a murder of thousands can be judged or if this is just a little bit out of scale for current laws and minds. If one man was guilty in the past, aren't we all in the present?

The international affect of the topic is too little present. The thriller elements are (IMHO) superfluous and the REAL interesting questions could be more deeply evolved. But nevertheless this movie is worth a ticket or to. Gets a 9/10! I took deep impacts in my conscious... got me troubled.

"If you put aside all answers as lies, still the question remains."

Nichts als die Wahrheit is a very entertaining thriller that I caught on TFO. Dr. Mengele, the evil doctor of Auschwitz, did not die in 1979 but instead returns to Germany of his own free will to face trial for his crimes. The man he chooses as his lawyer is not sure he wants to defend such a brutal man, but says that every man deserves a fair trial. There are the usual types of people on one side or another: neo-Nazis, leftwingers, media people. It gets rough--a man is blown up by a car bomb. The courtroom scenes are usually effective; they show us how Mengele's trial would have been an embarrassment for many people in the new Germany had it actually taken place.

One actor stands out: Gotz George, who I have never seen before, is terrific and terrifying as Mengele. He uses a soft, breathy voice to sinister effect as he plays cat and mouse with everybody, but especially with Rohm, his lawyer. George is made up to look a little like one of the Hellraiser demons.

Excellent movie with Götz George as Mengels. Back in Germany, he's ask about the crimes of the Nazis. Doing that, he questions our own attitude towards crime. It's hard not to get into deep thoughts after seeing «After the truth». The final scene is quiet compelling. It's very interesting to see such a movie coming out in today's Germany.

8 out of 10. 85%