En pleine tempête

It is inescapable fact that it is very difficult to take real-life events and translate them into an interesting and thrilling movie. Ron Howard perfected the art with "Apollo 13" and now Wolfgang Petersen continues on with "The Perfect Storm".

This story of Gloucester, MA. fishermen who go out for one last try at a big payoff in a slumping season packs quite a wollup once they get caught up in an event that had never before been recorded: the perfect storm. From there, you have to suspend belief just a bit and drink in the events occurring aboard the Andrea Gail. It's not tough, as the cast delivers them perfectly.

George Clooney may have played his signature role as Capt. Billy Tyne, skipper of the ill-fated Andrea Gail on that fateful day in 1991. Clooney comes off as neither overly glamorous, or bigger than life, but as a simple common man just trying to break his fishing slump and bring home a big payday for his boss, his crew, and himself. When George relaxes and puts himself into a role, he is better off, and Capt. Tyne is the pinnacle of that for him.

Mark Wahlberg comes on board as Bobby Shatford, a rookie fisherman who is trying to make a better life for himself and his girlfriend Chris (nicely played by Diane Lane). Bobby is the only character given equal depth to Billy and comes off with the same impression: a good guy who was trying hard to make a better life. Very nicely done here as well.

Supporting cast is good, John C. Reilly as Dale "Murph" Murphy, William Fichtner as David "Sully" Sullivan, a late arrival to the Andrea Gail's crew, Michael Ironside as the profit first Bob Brown. All of these stellar characterizations and serve brilliantly to put you into Gloucester of 1991.

Wolfgang Petersen has created a gripping film, full of chillingly realistic special effects. He skillfully took Sebastian Junger's novel and tweaked it to fit the confines of the motion picture screen. Casting and acting by all involved was perfect and you never once feel like anything is overacted or overly dramatic, just that you are somehow involved with the fear that had to have been involved on that night.

4 1/2 out of 5

I was struck by the documentary quality of this film, and couldn't help but look back to an earlier Peterson film, Das Boot, where we got up close and intimate with all the crew of the submarine--where they slept, went to the washroom, their soaking wet clothes, the damp, the stink of unwashed clothes, the claustrophobia on board. I had absolutely no trouble believing that Mark Wahlberg and Clooney were fishermen, trying to earn a hardscrabble living against a tough and unforgiving sea. The movie even starts slowly, giving the viewers insights into their lives at home, why they fish, and why they make the decisions later on in the movie. Then the film starts to slowly build the tension as the storm builds in strength. The special effects were absolutely believable, and Peterson piles on the tension even while breaking it up by adding a parallel rescue at the same time as the Andrea Gail begins to run into trouble. An excellent summer thriller that is a real roller coaster ride--literally and figuratively--on water.

While watching this movie, I kept imagining if this was how horrible it was for those people when this true story really happened. By the end, my heart went out to all of them. It was a good portrayal of what may have happened, and I enjoyed it immensely.

Having survived (barely, on land) the "No Name Storm" of 1991 on the coast of New England, I assure you this was a true story (I'm mentioning this for the New Zealand poster who said it was adapted from a novel and others who may not realize it really was a *true* story). Obviously, we can't know what was actually said or done once the Andrea Gail lost radio contact (and isn't that true of any movie based on "historical fact" - we can only surmise the actual dialog and conversations that may have taken place). However, the characters were based on the actual crew members and the Coast Guard did have to ditch one helicopter during the storm - from a story I read in People magazine, I'd say the portrayal of the Coast Guard's actions were accurate. I can't say I liked this movie - perhaps remembering the terror of that night (I lived in a seaside town and the ocean had come over the seawall and was filling up streets 3 and 4 blocks in from the beach) makes it difficult for me to watch this movie as entertainment. In answer to one post here, Clooney said that the Boston accent is one of the most difficult and he didn't even want to attempt it - Markie Mark is from Boston so it wasn't a stretch for him. The special effects are phenomenal of course...I just wish it had a different ending. By the way, the statue of the fisherman at the ship wheel shown at the beginning of the movie is an actual Gloucester landmark (and you can see it on Gorton frozen seafood products which come from Gloucester) - the legend on the base of the monument says, "Those that go down to the sea in ships..."

Yes I know. I've heard all the complaints already. "That's not how it happened" (as if anybody really knows); "All of those events could not have co-occurred on the same boat in the same trip" (as if anybody really knows); etc. etc. Well, here's my answer - it's a movie, just a movie. Don't see a movie to learn about "what really happened" unless the film states very clearly that it is a documentary. Films are, like good books, supposed to tell you something true about people, about things that happen, and about life. They're not (even when they're placed in the documentary shoebox) necessarily about what really happened and how.

The Perfect Storm is a heavily fictionalized speculation concerning the experience of the Andrea Gayle and its crew during the 'storm of the century' in the early nineties. George Clooney and Mark Wahlberg head a fine, under-appreciated cast, as regular yankee fishermen, their friends, and family, living in the Massachussetts town of Gloucester (pronounced "Glosta" for those of you from away). Billy Tyne (Clooney) is a once legendary long-line (swordfish) captain who is down on his luck and needs a big catch to bring himself back into the fold. He and his crew set out to find that catch on exactly the wrong day, in exactly the wrong place. The second half of the film is their attempt to get home, and also incorporates Coast Guard rescue action scattered all around the Atlantic during the massive storm.

Having lived in Maine for years, and having gotten myself thoroughly immersed in the ballads of Ruth Moore and the amazing New England Maritime culture, I have to admit that I was predisposed to like this film, despite all of the issues my fellow reviewers have harped on. And no, I haven't read the book, nor do I intend to. Still, in an attempt to be somewhat objective, I gave it an 8 and I'll give it an above average recommendation, but I will also say that my inclination was to give it an 9 or a 10.

This film mixes New England fishery and sailor lore, a few scattered facts about the Andrea Gayle Story, and a lot of dramatic license, to tell a story about the heroism of the average American and their families. It is also an homage to the the New England fishing industry and its traditions. Though it is easy to mistake the real life heroes (the Coast Guard operatives who saved so many lives during that storm) for the heroes of the film, the crew of the Andrea Gayle and their loved ones are the real heroes here - in their valiant efforts to save themselves, their boat, and their catch.

The performances and the script are strong and the characters very well realized (though fictionalized). Wahlberg and Clooney are great. Clooney gives the best performance I have seen him give. Some of the smaller parts deserve special mention - Mary Elizabeth Mastrantonio, Michael Ironside, Diane Lane and John C. Reilly are always very good (or better), but I was unexpectedly charmed by John Hawkes, William Fichtner and Janet Wright.

It is impossible to discuss this film without talking about the amazing special effects. To summarize, the first time I saw The Perfect Storm, I actually had difficulty sleeping because I felt the bed rocking to the rhythm of imaginary waves each time my eyes closed. Had I seen it in a theater, I am convinced that I would have considered popping a dramamine. Although at times exaggerated, this is the best film re-creation of sea storms I have ever seen. Every scene is thoroughly believable and marvelously detailed, even down to the weird patchiness of an incoming torrent often called "the calm before the storm".

Obviously, I liked this film. And I will give it a strong recommendation with a couple of caveats. First - if you're not somebody who appreciates New England culture and understands something of the kind of humble heroism "Glosta Men" (and women) are expected to have, you might not get it completely. Second - if you come to this looking for a story that rings true in the sense of objective history, you have come to the wrong place. Otherwise, sit back with some popcorn and somebody you love, and enjoy the ride.