NOTE IMDb
6,1/10
867
MA NOTE
Ajouter une intrigue dans votre langueDelightful tale of a cat who becomes a sharp gentleman and sets out to restore his master's name and wealth after he gives Puss a pair of magic boots.Delightful tale of a cat who becomes a sharp gentleman and sets out to restore his master's name and wealth after he gives Puss a pair of magic boots.Delightful tale of a cat who becomes a sharp gentleman and sets out to restore his master's name and wealth after he gives Puss a pair of magic boots.
- Réalisation
- Scénario
- Casting principal
Ya'ackov Ben-Sira
- Prime Minister
- (as Yaakov Ben Sira)
Itzik Ebel
- Footman
- (as Itzik Abel)
Simon Rozenfeld
- Footman
- (as Simon Rosenfeld)
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This is one of my personal favorite Cannon Movietales because, believe it or not, it's full of great performances. Christopher Walken is a great actor, and who knew he did children's movies? Jason Connery (yes, Sean's son) does a great job too, although he does have a habbit to look a little embarrassed that he's in this. Carmela Marner is lovely as the princess and is (I believe) related to the director Eugene Marner. My rating: **** out of *****
Although none of the nine Cannon Movie Tale films are flawless, with the flaws varying in number and size, all of them are worth a viewing at least once. And while Puss in Boots is one of their lesser outings (with the weakest being The Emperor's New Clothes, and their best being Hansel and Gretel and Beauty and the Beast), it's not an exception.
The best thing about Puss in Boots is the performance of Christopher Walken as Puss, the singing is not the best but he clearly looks as though he's having a whale of a time here and he is so much fun to watch, performing with sly line delivery, a wonderful twitchiness (which is quite appropriate for a cat), fearless bravado and absolutely no signs of being embarrassed either. Carmela Marner is a charming Princess Vera, and has a truly infectious smile, while Yossi Graber is entertainingly buffoonish as the King without resorting to mugging too much. The dialogue does descend into over-silliness sometimes, but is witty and genuinely hilarious, so it would be a lie if I said that I wasn't entertained. The film is nicely photographed, the sets are nice and rustic if somewhat recycled of other Cannon films and the incidental score has the right amount of energy and whimsy.
Puss in Boots has several major problems though. For one thing, apart from the photography and the sets the low budget does show and it is generally one of Cannon's cheaper looking films. Some parts are dimly or gaudily lit and the costumes are garish and seldom flattering, looking like leftover material, but worst of all were the very cheap and out-of-date-looking (even for a film from the 80s) special effects (the Cannon film that fares the worst in this regard), especially the cat transformation and the under-sized ogre. While the incidental score is good, Puss in Boots does boast one of Cannon's weakest song scores, with only those for The Emperor's New Clothes being worse. The songs here are forgettable at best, some also go on for too long- feeling more like padding than anything else- and some of the lyrics are so dreadfully silly that they're enough to make one cringe, like the rhyming lyrics in the song offering marriage advice.
With the story, the basic details and characters are here but they didn't feel quite enough to sustain a feature length film, padding it out with forgettable and sometimes overlong songs and scenes that got too silly (i.e. the ineptitude of the guards), the silliness while entertaining did get too much at times and undermined the darker moments like the scene with Puss and the ogre. With the rest of the performances, most of the rest of the supporting turns mug pretty embarrassingly, the ogre is more unintentionally comical than sinister (coupled with his underwhelming look, he was one disappointing villain) but worst of all was Jason Connery who spends the entire running time looking hopelessly bland and dim-witted and devoid of any charm, his and Marner's chemistry is dull while his and Walken's only just about passes muster because Walken does such a great job here.
All in all, one of Cannon's weakest films but is still watchable for Walken's performance. 5/10 Bethany Cox
The best thing about Puss in Boots is the performance of Christopher Walken as Puss, the singing is not the best but he clearly looks as though he's having a whale of a time here and he is so much fun to watch, performing with sly line delivery, a wonderful twitchiness (which is quite appropriate for a cat), fearless bravado and absolutely no signs of being embarrassed either. Carmela Marner is a charming Princess Vera, and has a truly infectious smile, while Yossi Graber is entertainingly buffoonish as the King without resorting to mugging too much. The dialogue does descend into over-silliness sometimes, but is witty and genuinely hilarious, so it would be a lie if I said that I wasn't entertained. The film is nicely photographed, the sets are nice and rustic if somewhat recycled of other Cannon films and the incidental score has the right amount of energy and whimsy.
Puss in Boots has several major problems though. For one thing, apart from the photography and the sets the low budget does show and it is generally one of Cannon's cheaper looking films. Some parts are dimly or gaudily lit and the costumes are garish and seldom flattering, looking like leftover material, but worst of all were the very cheap and out-of-date-looking (even for a film from the 80s) special effects (the Cannon film that fares the worst in this regard), especially the cat transformation and the under-sized ogre. While the incidental score is good, Puss in Boots does boast one of Cannon's weakest song scores, with only those for The Emperor's New Clothes being worse. The songs here are forgettable at best, some also go on for too long- feeling more like padding than anything else- and some of the lyrics are so dreadfully silly that they're enough to make one cringe, like the rhyming lyrics in the song offering marriage advice.
With the story, the basic details and characters are here but they didn't feel quite enough to sustain a feature length film, padding it out with forgettable and sometimes overlong songs and scenes that got too silly (i.e. the ineptitude of the guards), the silliness while entertaining did get too much at times and undermined the darker moments like the scene with Puss and the ogre. With the rest of the performances, most of the rest of the supporting turns mug pretty embarrassingly, the ogre is more unintentionally comical than sinister (coupled with his underwhelming look, he was one disappointing villain) but worst of all was Jason Connery who spends the entire running time looking hopelessly bland and dim-witted and devoid of any charm, his and Marner's chemistry is dull while his and Walken's only just about passes muster because Walken does such a great job here.
All in all, one of Cannon's weakest films but is still watchable for Walken's performance. 5/10 Bethany Cox
When I was a kid I watched this many times over, and I remember whistling the "Happy Cat" song quite often. All the songs are great, and actually memorable, unlike many children's musicals, where the songs are just stuck in for no real reason. The scenes and costumes are lavish, and the acting is very well-done, which isn't surprising, considering the cast. Christopher Walken is very catlike, and doesn't need stupid make-up, or a cat costume for the viewer to believe he's a cat transformed to a human. And Jason Connery's so cute, as the shy and awkward miller's son, Corin, who falls in love with beautiful and the bold Princess Vera. This is a really fun, enjoyable, feature-length movie, where unlike most fairytales, the characters are given personalities. Some of my favourite parts are when Puss makes Corin pretend he's drowning; at the ball when everybody starts dancing a country dance, as it's "all the rage abroad"; when Walken is in the kitchen, dancing on the table (he's a pretty good dancer, too!); and when Vera tells Corin all the things she used to do when she was young, like pretending she was a miller's daughter. I'd recommend this film to children and parents alike, who love magic and fairytales. And it actually IS a movie you can watch together, as it won't drive adults up the wall.
all is known. but Christophere Walken change everything. in the most seductive manner. and it is not surprising.the role gives huge chance to explore the different nuances of a generous role. and the only problem could be only this generosity. because Jason Connery seems reduced at a nice sketch of his role and the royal court is far to be credible. but , against not the most inspired parts, it is a nice film. a young man and his cat. a meet. and a lot of adventures. Charles Perrault could be proud about a version of his fairy tale who use the humor as key to explore the different sides of a lovely story. and, in fact, this is only important thing in the case of this film who could be easily criticized if you ignore its small but significant virtues.
Everytime this film is on TV I always watch it! It was one of my favourites when I was young - i loved the songs, the dances and of course the romantic story, not to mention the exciting parts with the ogre. Now I'm older I've realised that musical romance is not the norm for Christopher Walken and Corin, who I wanted to marry, is actually Sean Connery's son! The special effects are quite dated now but nevertheless I still enjoy it! I would recommend it to anyone - children will love it and anyone who associates Christopher Walken with The Deer Hunter, A View to a Kill, Pulp Fiction or True Romance will be in for quite a surprise! It's truly unique!
Le saviez-vous
- AnecdotesPart of the "Cannon Movie Tales" series, nine feature films based on classic fairy tales that were produced by Menahem Golan and Yoram Globus for the Cannon Group in the mid 1980s. All of the films featured well-known actors from the U.S. and U.K. and were shot on-location in Israel. Although the series was originally conceived to have sixteen films, production stopped at nine when Rumpelstiltskin (1987) flopped at the box office, and the remaining films were sent directly to video. Despite their commercial failure, the Movie Tales garnered a cult following after the Disney Channel began airing them as "Storybook Cinema" in 1988. The nine films in the series are: Le prince grenouille (1986), La belle au bois dormant (1987), Les habits neufs de l'empereur (1987), Saute menu (1987), Snow White (1987), La belle et la bête (1987), Hansel et Gretel (1987), Le chat botté (1988), and Le petit chaperon rouge (1987).
- ConnexionsFeatured in Music Movies: Puss in Boots (2013)
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- How long is Puss in Boots?Alimenté par Alexa
Détails
Box-office
- Montant brut aux États-Unis et au Canada
- 12 951 $US
- Montant brut mondial
- 12 951 $US
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By what name was Le chat botté (1988) officially released in India in English?
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