A hero never dies

a very good start to film such movie, before his upcoming movies such as AmZin 1 and 2. i would always say johnny to is a brilliant director, always able to adapt to filming different types of movies; love romance (love on a diet - 100% recommended to watch), thriller, mystery which loves leaving the audience to think a lot or read behind the lines. The cast is quite good as well, Leon Lai played his character very calm and cool whereas Lau Ching Wan once again as Johnny's favourite, played his very professional also sometimes a good joker. Another one of good Hongkong movie on triads but this is before 2000 which have a lot of differences in such triad movies in the new and old eras; however they both still carry very good tricky story lines. Such thriller movie is never made too serious or boring or to focus on killings only, but always include jokes, romance; bringing a twist to triad movies. In Hero, those 2 actresses played their roles very well, though died tragically willing to sacrifice for their lovers. Yoyo was quite good for a start in her acting career before turning to TVB (hongkong series). Fiona an experienced actress was very good being a lover of a triad, expecting from the start how her life would be. Also, don't forget the music background!!! Johnny To's movies is always complete to excellence with perfect music.. meaningful, suitable for the atmospheres, adding touch to the character's role in the movie! Excellent.. just like in AmZin. In this show like most triad movies, it's all about the basic principles not only in triads but in life too; loyalty, trustworthy, willing to sacrifice, brave and bold etc. Also, a very big principle especially for MAN and Triads - dignity! Both big Bosses want to end this long war between their people and rather enjoy lives and let their people return their families, but what is it which keeps them going on killing each other? This movie is well worth watching! Be prepared and don't ask for too much in this movie before watching, because remember it's filmed in or before 1998; hence it's terribly an awesome movie with such technology back then. It's all about the cast and the plot well portrayed! Well done!

Just as much a tribute to the heroic bloodshed films of yesteryear as it is a brilliantly stylised entry in its own right, A Hero Never Dies is a pure exercise in genre film despite being so hard-boiled that it almost becomes a comedy. Taking a fundamentally tried, tested and clichéd story in a world where the violence is more sudden and the atmosphere much darker and upending nearly every element of the films he's paying homage to, shows the power of Johnnie To's filmmaking ability. To's direction is fantastic with plenty of sweeping camera movements and tremendous use of colour, all coupled with Cheng Siu-keung's outstanding photography make the film a feast for the eyes. The incredible sense of loyalty and honour these characters display ultimately makes them "heroes", the themes are often hammered home so relentlessly that the film nearly enters the realm of parody. Only in a gangland fantasy would characters enjoy a friendship but have no qualms about killing one another later. The performances from its central cast are phenomenal, Leon Lai and Sean Lau especially, both playing fundamentally different archetypes of the same profession to immense effect, all the while Raymond Wong's hauntingly powerful score dominates the sound mix, even if he does repeat a few too many cues from his work on Running Out of Time. A Hero Never Dies ultimately just solidifies to me that Johnnie To is one of, if not the best post-handover filmmaker in the industry. Heroes may die, but their actions live forever.

Yup, that's right, "John Woo meets Sam Peckinpah" is what came to mind when I saw this movie. Take the brotherhood theme of John Woo movies in the 80's and mix that with Sam Peckinpah's "Wild Bunch" and you get Lau Ching Wan and Leon Lai kicking ass in "A Hero Never Dies".

True to Woo's and Peckinpah's classics, the heroes in this movie are not heroes of the Dudley Do-right mold but flawed people who manage to get themselves together for one truly heroic deed.

I highly recommend this movie for fans of westerns and HK triad movies. Also recommend "The Mission" and "Running Out of Time" by Johnnie To.

Leon Lai and Ching Wan Lau work well within their respective characters, however their actions don't seem to consistently make sense in the progression of the plot. Opposite hired guns for the mob, they fluctuate in being friends and foe after a rendezvous gone awry. At some points their resulting behavior contradicts what your led to believe, which feels unintentional and confusing. The story is painfully simple, and the visuals eventually become pretentious and overused with too many angles, filters, and slow-mo moments. Not a bad movie, but Johnnie To has directed much better gritty-melodramas and unfortunately this one fails to achieve it's blend with America's Western genre. My biggest complaint is that Ching Wan Lau's character becomes plagued with a handicap, then while much screen time is devoted to portraying his hardship and fight for retribution, his character remains weak and pushed aside in the third act of the film. Lau was built up to such a high degree only to inexplicably crumble, which doesn't feel right being the movie's centerpiece. Overall, a convoluted not-so-satisfying revenge tale. Personally I was disappointed but other Johnnie To fans may enjoy. -6/10

A Hero Never Dies (1998) is a film by veteran HK film maker Johnnie To and his Milky Way Image filming company that has produced some of the darkest and grittiest of the recent HK action dramas like The Longest Nite and Expect the Unexpected, both 1998. A Hero Never Dies (1998) is another of these films and stars again the Milky Way face Lau Ching-Wan and Leon Lai Ming. They are both very great and make the little too shallow characters as interesting as possible.

A ruthless gangster boss kills and abuses his friends and never thanks anyone who has helped him. Lau's character is among the ones who helped him become what he is now. Lai is Lau's friend and they both have sweet girlfriends (Fiona Leung and Yo Yo Mung) that start to take care of the two when violence erupts and their history looks dark. But no one dies, only the hope for a peaceful life and forgetting and forgiving the wrongs of the past. Lau decides to avenge his fate to the boss but all this kind of thing results is more violence, and since this is an honest and un-commercial gangster drama, violence is never shown in a glorifying, positive or entertaining light.

A Hero Never Dies is written by Yau Nai-Hoi (The Longest Nite, Expect the Unexpected, Barefooted Kid (1993)) and Szeto Kam-Yuen (Nite and Unexpected, too). Unfortunately the film's problems lie in the screenplay and the characters, too. None of the male characters gets to develop too interestingly or realistically and their acts seem not to be too greatly motivated. Silence is a good thing in cinema, but what there is in the characters' minds must be expressed some way, with the tools of the art, no matter how silent the film is. Lau's and Lai's relationship is a little weird and the very long "wine glass" sequence at the beginning works surprisingly fine and kind of depicts how they respect each other but also have some disagreements, too. Mostly I find it irritating that their love for their girls seems not too warm or real and only the females are the ones that get things moving in this film. They care for their loved ones and cure them while they're almost dead but also sadly end up dead themselves very easily. But it is great to see females depicted as this strong in a HK film, but still Hero would have been much stronger a film if the emotions of the characters (for example the great idea of the damaged face of the loved one after an accident) were better written and thought about.

The theme of ruthless violence living inside To's films' characters is always very strong especially in this and the great Expect the Unexpected which has one of the most depressing, unexpected and cold endings for very long time on any film, HK or other. Hero's characters kill and slaughter each other mindlessly but always pay the price, whether you're "good" or "bad". No one wins anything by using violence in these dark and honest thrillers and so the violence is depicted as a brutal and harrowing act commited by man towards another man for some selfish and weak reason. The violence at the ending of Unexpected is pretty close to Japanese Takeshi Kitano in its intensity and wordless impact.

The visual look of Hero is again pretty stunning but not quite as in The Longest Nite which has completely awesome blue photography and menacingly dark settings in the middle of the bloody triad gangster war. Cinematographer Cheng Siu-Keung does great job in Hero and especially the ending in its bright red colors is again something very unique to HK cinema. The grittiness of the cities and places is very strong in these films. Also the music by Raymond Wong Ying-Wah is pretty effective and never gets too underlining or exaggeratedly "dramatic" but just makes the images more powerful and almost nearly hypnotic at places.

A Hero Never Dies is a good example of what HK is capable of, but still it is not as great as they have done. The mentioned Milky Way films are more noteworthy in my opinion as well as Alfred Cheung's On the Run (1988) starring Yuen Biao and Pat Ha to name just a very few of these films. A Hero would have needed better and deeper characters as well as some gaps and incredibilities of the plot filled and changed to something more noteworthy. Still A Hero is 7/10 class and, like the others, requires much more than just one viewing.