Return with Honor

I saw this film in March 1999 at the Cleveland International Film Festival, and was blown away. Remarkably candid, disturbing, and honest revelations from Vietnam veterans about their captivity and release, combined with remarkable archival footage of the prisoners from the war, made this film touching and inspiring. The directors are both previous Oscar winners, and this film shows their experience and skill in the medium. Wonderful film about a difficult topic, told by the veterans themselves.

An incredible doc interweaving interviews with P.O.W.s with amazing footage from the Vietnam war. Interviews include Arizona Senator John McCain & Ross Perot's Veep James Stackpole.

Really charasmatic storytellers and first rate production really make this movie an entirely riveting experience. How the hell did they get this footage? Very American (and patriatic film).

Would have liked to heard some of the Vietnamese's perspective but after all...it is the P.O.W.'s story. Very very engaging docu

I saw this movie this afternoon (3/21/99) at the Cleveland International Film Festival, and it was an incredible film experience. It documents the real-life experiences of a handfull of real-life POW's shot down over North Vietnam. We find out what it feels like to be a hot-shot fighter pilot. We find out what it's like being a guest in the infamous "Hanoi Hilton" prison. We get to feel a small example of what it must have felt like to finally be released it what in some cases was over seven years of internment. Many of them were in tears. So were many movie patrons.

If you can gauge a movie by the emotions it evokes, then it wins. I was beginning to forget how absurd the entire situation was; about how most of us began believing in the war and ended up hating it. A powerful film indeed!

This was such a great movie. By the end of the movie, I was in tears. I just felt so proud to be an American and so very proud of two of my brothers, who served two tours each in the Vietnam War. This movie was very emotional and I felt that it showed us that we should be very proud and respect all the men and women who served over there regardless of what our opinion of the war was. And I will always remember the scene with the woman who had been in a concentration camp for over two years and the P.O.W. telling her that she should be standing in his place and that he should be thanking her. This was a very emotional film, one that I will not forget anytime soon.

This won the audience award at the 1999 Cleveland Int'l Film Festival and was brought back for the Director's Spotlight on Freida Lee Mock in 2006. Like her other works, it's a quality product taking a deep look at a time/event that resonates strongly in the American psyche.

The look back in time to the prisons that held our Viet Nam era POWs is done effectively, with voices of the POWs themselves over pictures of the "Hanoi Hilton" and other 1960's vintage Hanoi. Mock presents a powerful portrait of the prisoners, the brutality, the political wills of the times.

It's not Mock's role to say that history repeats itself, for we see the same issues in 2006 in the POW issue that we see portrayed in her film. Political pawns for both sides, expendable as individuals, tools of a national leadership's will, individuals struggling to survive; it has not changed.

This is an excellent companion piece to another of Mock's works, "Maya Lin: A Strong, Clear Vision" chronicles this architect's part in creating the Viet Nam War Memorial.