L'histoire de Rubin « Hurricane » Carter, un boxeur emprisonné à tort pour meurtre, et des personnes qui l'ont aidé dans son combat pour prouver son innocence.L'histoire de Rubin « Hurricane » Carter, un boxeur emprisonné à tort pour meurtre, et des personnes qui l'ont aidé dans son combat pour prouver son innocence.L'histoire de Rubin « Hurricane » Carter, un boxeur emprisonné à tort pour meurtre, et des personnes qui l'ont aidé dans son combat pour prouver son innocence.
- Réalisation
- Scénario
- Casting principal
- Nommé pour 1 Oscar
- 7 victoires et 18 nominations au total
Vicellous Shannon
- Lesra
- (as Vicellous Reon Shannon)
Brenda Denmark
- Alma Martin
- (as Brenda Thomas Denmark)
Avis à la une
I need to warn people who watch this film, even though Denzel is a great actor who always gives a fine performance, to say the least this film needs to be taken with a grain of salt because its basically biased fiction with extensive "dramatic license". I have done some research and there are some facts you need to be aware of. First of all, Carter had an extensive criminal record, he was 29 years old when arrested for the Lafayette murders and had spent 11 of those years in confinement of some sort! The film shows him as a child rescuing a friend from a child molester and then stabbing him in self defense! Wrong! Carter actually beat a defenseless man over the head and stole his watch. He was always getting in trouble for fighting and beating up people, that was why he was sent to juvenile hall. He escaped in 1954 and spent two years in the Army (he was dismissed for unfitness after four court martials). He then went to jail for four years for assaulting and robbing three people. This film makes it look like he was pursued by a Javeat-like, bigoted detective named Della Pesca who "set him up" for the murders. There was no such person. Vincent De Simone was the real detective assigned to the case. According to all accounts he was a very nice man and an outstanding police officer who was not a racist or had anything against Carter. Also, contrary to what this film would have you believe, Carter was not unfairly robbed when he lost a decision when he fought for the title. Carter himself admitted this in an interview. Bob Dylans song The Hurricane said "they put him in a prison cell but he could have been the champion of the world". Carter lost eight of his last fifteen fights and wasn't even rated when he was arrested. In a 1964 Saturday Evening Post article Carter talked about going up to Watts and shooting cops (I could get about four or five). He owned an extensive gun collection and was feared by the people in Paterson. Is it any wonder he was considered a suspect! Like I said, this is a good film, but its just not true.
Rubin "Hurricane" Carter (Denzel Washington) was a prize fighter. In 1966, he was arrested and convicted for a mass shooting at a bar in Paterson, New Jersey. Vindictive police detective Della Pesca (Dan Hedaya) has been after him since he was 11. With falsified evidence and rampant racism, Carter and his friend get locked up for 3 life terms. He sets about writing his biography which is eventually published. Then 7 years later in Toronto, student Lesra (Vicellous Reon Shannon) finds his biography in a pile of used books. He's a poor student from Brooklyn who is given a chance to study in Canada. With the biography, he starts a long journey to get Carter's release and his good name back with the help of his mentors Lisa (Deborah Kara Unger), Sam (Liev Schreiber) and Terry (John Hannah).
It's a very standard biopic from Norman Jewison. Carter's story is never in doubt. Most people would know the ending to the movie. So the tension is not that high. The investigation isn't that exciting. It's no John Grisham novel. However there is a compelling story, and a very compelling performance from Denzel Washington. He is exceptional in this as in many of his performances. There is also a nice side story of a young man who finds purpose in life.
It's a very standard biopic from Norman Jewison. Carter's story is never in doubt. Most people would know the ending to the movie. So the tension is not that high. The investigation isn't that exciting. It's no John Grisham novel. However there is a compelling story, and a very compelling performance from Denzel Washington. He is exceptional in this as in many of his performances. There is also a nice side story of a young man who finds purpose in life.
Jewison's film is an old-fashioned biopic, complete with pivotal backstory, voiceover narration, and a character who enters the protagonist's life and changes it immeasurably. It's one of those stand-up-and-cheer movies where everyone seems to be against the hero, but above all odds (and with more than a little help from some of his friends), he rises above The System and gets his belated due. It's an oft-used scenario, with many scenes that could easily have been taken from Jewison's other films A SOLDIER'S STORY or IN THE HEAT OF THE NIGHT. Yet despite the familiarity of the storyline, I'll be damned if I wasn't choking back tears of elation at the movie's triumphant conclusion. It's a masterful piece of filmmaking that proves Norman Jewison's skill as a director, as he transcends the cliche-bound script and, with the help of Washington and company, makes it a powerful entity all its own.
As the Hurricane, Denzel Washington proves he is one of the best actors (if not THE best) in the business today. He can run the gamut from cold hatred to hearty laughter like few others can. He brings dignity and class to every one of his pictures (he was the only thing worth watching in THE BONE COLLECTOR). Here, he makes you FEEL every single thing he's feeling. In times of righteous indignation, you feel morally outraged alongside him. When he's at his most vulnerable, you can feel your throat constricting and your eyes watering. He has an uncanny knack for reaching into your soul and making you part of the picture itself; it's almost as if he's channelling the viewer while acting. Other actors delight in wowing the audience with grand theatrics and histrionics, but neglect to make the audience care; Denzel is usually soft-spoken and low-key, but always holds your attention.
In summary, THE HURRICANE was one of the most exhilarating motion picture experiences I've had all year. Norman Jewison directs with a deft surehandedness reminiscent of his late 1960s/early 1970s glory years, Denzel Washington delivers perhaps the most awe-inspiring performance of the year, and the audience goes home happy and feeling good about themselves and the world. What more could be asked for?
As the Hurricane, Denzel Washington proves he is one of the best actors (if not THE best) in the business today. He can run the gamut from cold hatred to hearty laughter like few others can. He brings dignity and class to every one of his pictures (he was the only thing worth watching in THE BONE COLLECTOR). Here, he makes you FEEL every single thing he's feeling. In times of righteous indignation, you feel morally outraged alongside him. When he's at his most vulnerable, you can feel your throat constricting and your eyes watering. He has an uncanny knack for reaching into your soul and making you part of the picture itself; it's almost as if he's channelling the viewer while acting. Other actors delight in wowing the audience with grand theatrics and histrionics, but neglect to make the audience care; Denzel is usually soft-spoken and low-key, but always holds your attention.
In summary, THE HURRICANE was one of the most exhilarating motion picture experiences I've had all year. Norman Jewison directs with a deft surehandedness reminiscent of his late 1960s/early 1970s glory years, Denzel Washington delivers perhaps the most awe-inspiring performance of the year, and the audience goes home happy and feeling good about themselves and the world. What more could be asked for?
I wasn't going to comment, but after reading some of the negative comments, I felt I must. I "waited for the video" for this movie because a movie about boxing didn't seem interesting. But that's just the thing. It's not about boxing. So if you're thinking you're going to see Raging Bull, you're not. There are a few boxing scenes, but they only serve to move the story along.
I have seen this movie more than once. The first time I was touched by the underlying theme of the movie, which was in my opinion, love conquering hate and injustice. Then I watched it again. I realized Denzel did a superb job. It WAS NOT a "typical Denzel role." He convincingly played Rubin "Hurricane" Carter, raised full of hate for and distrust of white people. When he goes to prison for the murder, he does an excellent performance showing the different personalities in his head, as well as showing how his inner spiritual journey transformed him. Any good movie shows the hero growing and changing. And Denzel again does this well towards the end of the movie, after befriending Lazarus and the Canadians. My favorite line which to me sums up the entire movie is when they're waiting to hear the judge's verdict and Rubin tells Lazarus, "Hate got me in here. But love's gonna bust me out."
I don't know much about the real Rubin Carter or the details of the case. What I found compelling about the movie was the fact that some people - be they white or black - can harbor such hatred for another person (I'm referring to Della Pesca's hatred toward Rubin). Another thing that got me was the friendship and love between Rubin and Lesra and the whole message of examining the higher principle of truth for which the law was meant to serve. It's just one of those movies that makes you think. Yeah, some of the writing is "just OK" in places, but the theme of the movie is wonderful and I think Denzel gave an Oscar worthy performance.
I gave this a 9 out of 10.
I have seen this movie more than once. The first time I was touched by the underlying theme of the movie, which was in my opinion, love conquering hate and injustice. Then I watched it again. I realized Denzel did a superb job. It WAS NOT a "typical Denzel role." He convincingly played Rubin "Hurricane" Carter, raised full of hate for and distrust of white people. When he goes to prison for the murder, he does an excellent performance showing the different personalities in his head, as well as showing how his inner spiritual journey transformed him. Any good movie shows the hero growing and changing. And Denzel again does this well towards the end of the movie, after befriending Lazarus and the Canadians. My favorite line which to me sums up the entire movie is when they're waiting to hear the judge's verdict and Rubin tells Lazarus, "Hate got me in here. But love's gonna bust me out."
I don't know much about the real Rubin Carter or the details of the case. What I found compelling about the movie was the fact that some people - be they white or black - can harbor such hatred for another person (I'm referring to Della Pesca's hatred toward Rubin). Another thing that got me was the friendship and love between Rubin and Lesra and the whole message of examining the higher principle of truth for which the law was meant to serve. It's just one of those movies that makes you think. Yeah, some of the writing is "just OK" in places, but the theme of the movie is wonderful and I think Denzel gave an Oscar worthy performance.
I gave this a 9 out of 10.
Why was this man not canonized? Granted, he wasn't Catholic but wasn't Reuben Carter just about the greatest guy on the planet? Or at least, this movie would have you believe.
What could have been a great, Oscar worthy film about a flawed, tortured HUMAN being is given the "Men of Honor" treatment. Contrary to what the filmakers would want you to believe, Carter was NO saint. He was a thug, a low life and from some accounts, quite a dangerous person. He may or may not have been guilty of murder (the film leaves no doubt he wasn't) but that is beside the point, because there was not enough evidence to convict him (notice he was never pardoned, never exonerated he was retried and the case was thrown out)and as regards to his boxing career, this "warrior-poet" was a journeyman at best (go see his record at cyberboxingzone.com) and he NEVER beat Joey Giardello decisively, it never happened! He was not robbed, it was a close fight. Perhaps this is the films greatest injustice. Good acting from Denzel though as usual. He almost saves this over hyped piece of tripe.
What could have been a great, Oscar worthy film about a flawed, tortured HUMAN being is given the "Men of Honor" treatment. Contrary to what the filmakers would want you to believe, Carter was NO saint. He was a thug, a low life and from some accounts, quite a dangerous person. He may or may not have been guilty of murder (the film leaves no doubt he wasn't) but that is beside the point, because there was not enough evidence to convict him (notice he was never pardoned, never exonerated he was retried and the case was thrown out)and as regards to his boxing career, this "warrior-poet" was a journeyman at best (go see his record at cyberboxingzone.com) and he NEVER beat Joey Giardello decisively, it never happened! He was not robbed, it was a close fight. Perhaps this is the films greatest injustice. Good acting from Denzel though as usual. He almost saves this over hyped piece of tripe.
Le saviez-vous
- AnecdotesDenzel Washington trained for over a year with a boxing coach.
- GaffesWhen Carter's Federal Court victory is announced, jubilant inmates hurl waste paper from the cell decks to the floor below. In the background a huge pile of waste paper can be seen, the obvious residue of previous takes
- Citations
Rubin 'Hurricane' Carter: [to Lesra] Hate put me in prison. Love's gonna bust me out.
- Bandes originalesHurricane
Written by Bob Dylan and Jacques Levy
Performed by Bob Dylan
Courtesy of Columbia Records
By arrangement with Sony Music Licensing
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- How long is The Hurricane?Alimenté par Alexa
Détails
Box-office
- Budget
- 50 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 50 699 241 $US
- Week-end de sortie aux États-Unis et au Canada
- 384 640 $US
- 2 janv. 2000
- Montant brut mondial
- 73 956 241 $US
- Durée2 heures 26 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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By what name was Hurricane Carter (1999) officially released in India in Hindi?
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