Cody une petite fille abandonnée par sa mère et élevée par sa tante est enlevée. Son tuteur, aidé d'un agent du FBI., apprend qu'elle a des capacités surnaturelles et les ravisseurs sont une... Tout lireCody une petite fille abandonnée par sa mère et élevée par sa tante est enlevée. Son tuteur, aidé d'un agent du FBI., apprend qu'elle a des capacités surnaturelles et les ravisseurs sont une secte satanique prête à tout pour les obtenir.Cody une petite fille abandonnée par sa mère et élevée par sa tante est enlevée. Son tuteur, aidé d'un agent du FBI., apprend qu'elle a des capacités surnaturelles et les ravisseurs sont une secte satanique prête à tout pour les obtenir.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 victoire et 6 nominations au total
- Dahnya
- (as Dimitra Arlys)
Avis à la une
The problem is, these films become redundant and audiences gradually lose interest. Kim Basinger delivers a decent performance, as does Angela Bettis as drug-addicted, cult member sister.
The story however, becomes too familiar, and we lose interest. The ending was too formulaic. Overall this is not something you would be happy about if you paid to see it in the theater. Okay as rental though. 5/10.
Rufus Sewell plays a Satan-worshiping cult leader who tries to kidnap young Holliston Coleman, someone with special healing powers. Kim Basinger, in an unusual wholesome low-key role, plays the aunt-turned-parent/guardian of the kid.
There is some very good suspense here, especially at the end and some shocking horror scenes of violence. "Shocking" not just because of what happened but the film was so family-oriented up until then. Overall, though, a decent story and a good message. Even though I liked it, it wouldn't a film I would watch multiple times, although a second look is likely.
Bless the child is full of new or unknown actors, but reguardless it is well acted... Kim Basinger and Jimmy Smits both play their parts well and the script and their acting allows the viewer to see something that may be chemistry building between the two, but doesn't throw it in our faces. The problem with most movies of this type is that the villian is flat and poorly acted... That is not the case in Bless the Child. Rufus Sewell does an excellent job portraying the evil Eric Stark. Although she has a nominal part in the movie, Angela Bettis played the part of Maggies drug-addicted sister so well, I was absolutely hating her. Even with all of this, the movie would not be what it is without the superb acting of Holliston Coleman who plays 6-year-old Cody. At 7, Holliston has more ability than many adult actors. She definately has a future.
The story and directing were both done well. Although it is not the most original story line, it is done a different way. Rarely, if ever, is the force of good allowed to manifest itself in a visible presence. In Bless the Child, however, the good can be seen along with the evil. Although I not by any means a very religious person, this struck a cord with me. There's a sense of hope within this growing evil... The world may just have a chance, not because a big guy with a big gun blew away Satan... no, because there is good out there. The battle between good and evil does have two sides... It's just nice to be able to see the good for a change.
The special effects are also good in this movie. It is by far a special effects movie, but they are used in a smart fashion to provide a glimpse at the battle that goes on all around us, although we don't see it... Only the rat bedroom sequence left me somewhat disappointed, the rest provided a eery mood to the film.
Bless the Child is a great film for what it is and maybe be known as the starting point to the great career of Holliston Coleman. 8/10
Although it may not be a perfect movie,
Look there's a child. Isn't she cute? She's `special'. She is a force for good but - oh no! - an evil man, Eric Stark, wants to take her to the dark side. By having this crucial girl on his side, he hopes to shift the power balance to the side of evil. Can the girl's aunt (who is change of her sister's daughter when the sister, a drug addict, left her at the doorstep) save the child? Will evil win? And will I care?
Script? Let's see those clichés - pack 'em in. Evil rats? Check! Old wicked nanny figure? Check! Soft-spoken-devil-figure-prone-to-angry-bouts? Check! Black garbed followers? Elite but mysterious group dedicated to God? It's a go! Flat dimensionless characters? We're going. It's all quite dull, and has been done better in many other such movies involving similar themes (`The Devil's Advocate' for one). There's a lack of tension - you know the outcome from the outset and I, quite correctly, picked out those marked for death and those for life. No surprises and lots of `oh whatever'.
Acting? I'm not sure why Bassinger selected this script (for the reasons above). Certainly she's the best thing here but she still seems tired and worn throughout the movie (never mind the fact her character often displays the common sense of a congenital idiot). Rufus Sewell - the force of evil - is the usual smiling, collected, sort that was far better portrayed by Pacino in `The Devil's Advocate' (and even by Gabriel Byrne in the weak `End of Days'). Christina Ricci puts in a nice small role here, but alas she's not on screen long enough for us to enjoy. As to the girl at the centre of the fight, the would-be-pawn of God. she's actually not that great (or at least wasn't created well). She smiles, gives an odd look, is quiet and so forth in an attempt to appear mysterious. I was not buying it, and found the whole act mundane. And Jimmy Smits, the detective helping Bassinger find her kid, looks like he walked straight off the set of 'NYPD Blue' so judge him from his work there.
`Bless the Child' is contrived and weak, adding nothing new to its genre in any shape or from. It's not quite dull but you do not care less about the characters (try as the cast might). It was not worth my time and it won't be worth yours. Don't bother. 2.5/10.
Before watching "Bless The Child" tonight, my only prior knowledge of it was seeing the trailer a couple of times on TV when the movie was about to be released. And then I only really noticed because the Icon label attached to it seemed to be out of place.
But the movie really wasn't that bad, though it could have used more (much more) focus and better lines and more intensity from the lead actors.
The story is classic good vrs. evil. What seems to have peeved many of the reviewers is that "good," in the form of a little girl (Holliston Coleman), was actually presented as having some real (and quiet) strength for a change. I suppose, in these reviewers jaded view of reality, this seems unrealistic. Besides, in horror movies (you know, the "realistic" kind) the evil thingamabob is always indestructible and just when good manages to triumph -- we find it really didn't. (How dare the "Bless the Child" producers have the gall not to be cliche in this respect!)
So to sum up my feelings. I liked the story (I don't suffer from anti-Catholic bigotry so the charge of being "too Catholic" wasn't a concern). I liked the little girl's acting. I thought Kim Bassinger did a credible job -- though her part lacked some intensity as did Jimmie Smits' part. I thought the Stark character (acted by Rufus Sewell) was well acted and convincingly evil. Miss Ricci's cameo was well done and the special effects were very good. Overall, taking into account my earlier criticism of lack of focus, lack of intensity and a few lines that made me wince -- it was not a bad movie. I would suggest it for those who *do* like a clear cut distinction between good and evil.
And, oh yes. No nudity. Very little profanity and violence that was intense but not overly graphic or gory. (I know -- this crew simply *doesn't* know how to make a "real" horror film, do they?)
Le saviez-vous
- AnecdotesThe line, "The devil's greatest trick was convincing man that he didn't exist," is reminiscent of a similar line in another movie of the same genre, La Fin des temps (1999), in which Father Kotak (Rod Steiger) says: "Satan's greatest trick was convincing man that he didn't exist". It is also similar to Usual Suspects (1995), where the line is, "The greatest trick the devil ever pulled was convincing man that he didn't exist". In fact, that idea goes back to Charles Baudelaire (1821-1867): "La plus belle des ruses du Diable est de vous persuader qu'il n'existe pas!" (English: "The finest trick of the devil is to persuade you that he does not exist."
- GaffesIn the scene with the homeless man, Eric Stark recites a spell in Hebrew that is later referred to as a "Druid Rune Spell from the 16th century."
- Citations
[On the top ledge of a building]
Eric Stark: If you believe? JUMP! If not, you come to me.
[She turns and looks at him]
Cody: After you?
- ConnexionsFeatures Soupe au canard (1933)
- Bandes originalesVultures
Composed by Philip A. Scheib (as Philip Scheib)
Meilleurs choix
- How long is Bless the Child?Alimenté par Alexa
Détails
Box-office
- Budget
- 65 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 29 381 494 $US
- Week-end de sortie aux États-Unis et au Canada
- 9 413 684 $US
- 13 août 2000
- Montant brut mondial
- 40 443 010 $US
- Durée
- 1h 47min(107 min)
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1