Cody une petite fille abandonnée par sa mère et élevée par sa tante est enlevée. Son tuteur, aidé d'un agent du FBI., apprend qu'elle a des capacités surnaturelles et les ravisseurs sont une... Tout lireCody une petite fille abandonnée par sa mère et élevée par sa tante est enlevée. Son tuteur, aidé d'un agent du FBI., apprend qu'elle a des capacités surnaturelles et les ravisseurs sont une secte satanique prête à tout pour les obtenir.Cody une petite fille abandonnée par sa mère et élevée par sa tante est enlevée. Son tuteur, aidé d'un agent du FBI., apprend qu'elle a des capacités surnaturelles et les ravisseurs sont une secte satanique prête à tout pour les obtenir.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 victoire et 6 nominations au total
- Dahnya
- (as Dimitra Arlys)
Avis à la une
Look there's a child. Isn't she cute? She's `special'. She is a force for good but - oh no! - an evil man, Eric Stark, wants to take her to the dark side. By having this crucial girl on his side, he hopes to shift the power balance to the side of evil. Can the girl's aunt (who is change of her sister's daughter when the sister, a drug addict, left her at the doorstep) save the child? Will evil win? And will I care?
Script? Let's see those clichés - pack 'em in. Evil rats? Check! Old wicked nanny figure? Check! Soft-spoken-devil-figure-prone-to-angry-bouts? Check! Black garbed followers? Elite but mysterious group dedicated to God? It's a go! Flat dimensionless characters? We're going. It's all quite dull, and has been done better in many other such movies involving similar themes (`The Devil's Advocate' for one). There's a lack of tension - you know the outcome from the outset and I, quite correctly, picked out those marked for death and those for life. No surprises and lots of `oh whatever'.
Acting? I'm not sure why Bassinger selected this script (for the reasons above). Certainly she's the best thing here but she still seems tired and worn throughout the movie (never mind the fact her character often displays the common sense of a congenital idiot). Rufus Sewell - the force of evil - is the usual smiling, collected, sort that was far better portrayed by Pacino in `The Devil's Advocate' (and even by Gabriel Byrne in the weak `End of Days'). Christina Ricci puts in a nice small role here, but alas she's not on screen long enough for us to enjoy. As to the girl at the centre of the fight, the would-be-pawn of God. she's actually not that great (or at least wasn't created well). She smiles, gives an odd look, is quiet and so forth in an attempt to appear mysterious. I was not buying it, and found the whole act mundane. And Jimmy Smits, the detective helping Bassinger find her kid, looks like he walked straight off the set of 'NYPD Blue' so judge him from his work there.
`Bless the Child' is contrived and weak, adding nothing new to its genre in any shape or from. It's not quite dull but you do not care less about the characters (try as the cast might). It was not worth my time and it won't be worth yours. Don't bother. 2.5/10.
Maggie (Kim Basinger) lives with her sister's daughter, Cody (Holliston Coleman). When Cody gets discovers that she has special powers and abilities, she is targeted by a cult led by her sister's fiance, Eric Stark (Rufus Sewell). With the help of a gothic cult follower (Christina Ricci) that is willing to help her, Maggie must stop the cult from using Cody's powers for their ultimate goal...use them to summon the Devil.
Now, this is a cool movie. Not too much action, but some. A little bit of horror thrown in for good measure, and some thrilling sequences- and you got a good movie. See this film, if you are a fan of the genre. Otherwise, you probably won't like it that much. But, otherwise, this is one thrill-ride of a film! BLESS THE CHILD: 5/5.
Rufus Sewell plays a Satan-worshiping cult leader who tries to kidnap young Holliston Coleman, someone with special healing powers. Kim Basinger, in an unusual wholesome low-key role, plays the aunt-turned-parent/guardian of the kid.
There is some very good suspense here, especially at the end and some shocking horror scenes of violence. "Shocking" not just because of what happened but the film was so family-oriented up until then. Overall, though, a decent story and a good message. Even though I liked it, it wouldn't a film I would watch multiple times, although a second look is likely.
BLESS THE CHILD is unquestionably one of the finest genre movies I have ever seen, the kind that combine Christian themes and thriller techniques. I like it because it is relatively subdued, with sincere underplayed acting, and a minimum of Hollywood hocus-pocus.
The themes are:
1) The triumph of God over the devil, instead of the reverse. 2) The power of prayer. 3) The depiction of angels of light. 4) Brief but effective moments when demonic creatures, normally in an unseen supernatural existence, are revealed starkly. 5) No attempt to make evil seem other than loathsome, destructive. 6) Child-like faith enables us to resist Satan.
The direction by Chuck Russell was excellent, involving; no wonder he came close to directing the screen version of THIS PRESENT DARKNESS. There was almost no foul language, and the brutal episodes were less in number than usual.
I notice the Christian moments were referred to as "propaganda". Why is it propaganda when biblical references are used but not propaganda when humanism, nihilism, abortion, homosexuality, adultery and such are similarly promoted?
I showed BLESS THE CHILD to a neighbor couple, folks who are not especially religious. They were enthralled by it, reacting nervously when the suspense is intensified, rejoicing at the more inspiring moments.
BLESS THE CHILD is not a toweringly great movie but, rather, an intensely reverent one, directed with intelligence, acted with conviction, without nude scenes, and thankfully lacking a tidal wave of vulgarity,
Roger Elwood
Le saviez-vous
- AnecdotesThe line, "The devil's greatest trick was convincing man that he didn't exist," is reminiscent of a similar line in another movie of the same genre, La Fin des temps (1999), in which Father Kotak (Rod Steiger) says: "Satan's greatest trick was convincing man that he didn't exist". It is also similar to Usual Suspects (1995), where the line is, "The greatest trick the devil ever pulled was convincing man that he didn't exist". In fact, that idea goes back to Charles Baudelaire (1821-1867): "La plus belle des ruses du Diable est de vous persuader qu'il n'existe pas!" (English: "The finest trick of the devil is to persuade you that he does not exist."
- GaffesIn the scene with the homeless man, Eric Stark recites a spell in Hebrew that is later referred to as a "Druid Rune Spell from the 16th century."
- Citations
[On the top ledge of a building]
Eric Stark: If you believe? JUMP! If not, you come to me.
[She turns and looks at him]
Cody: After you?
- ConnexionsFeatures Soupe au canard (1933)
- Bandes originalesVultures
Composed by Philip A. Scheib (as Philip Scheib)
Meilleurs choix
- How long is Bless the Child?Alimenté par Alexa
Détails
Box-office
- Budget
- 65 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 29 381 494 $US
- Week-end de sortie aux États-Unis et au Canada
- 9 413 684 $US
- 13 août 2000
- Montant brut mondial
- 40 443 010 $US
- Durée
- 1h 47min(107 min)
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1