Le routard Richard se rend en Thaïlande et se retrouve en possession d'une étrange carte. Une rumeur court comme quoi elle mène à un paradis de plage solitaire, un bonheur tropical. Excité e... Tout lireLe routard Richard se rend en Thaïlande et se retrouve en possession d'une étrange carte. Une rumeur court comme quoi elle mène à un paradis de plage solitaire, un bonheur tropical. Excité et intrigué, il part à ses recherches.Le routard Richard se rend en Thaïlande et se retrouve en possession d'une étrange carte. Une rumeur court comme quoi elle mène à un paradis de plage solitaire, un bonheur tropical. Excité et intrigué, il part à ses recherches.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 7 nominations au total
Daniel York Loh
- Hustler
- (as Daniel York)
Sahajak Boonthanakit
- Travel Agent
- (as Jak Boon)
Apichart Chusakul
- Senior Farmer
- (as Abhijati 'Muek' Jusakul)
Seng Kawee
- Farmer
- (as Kawee 'Seng' Sirikanerat)
Avis à la une
When you travel, you are surrounded by people. Amidst all that foreign intrigue, you are truly alone - an opportunity to be truthful to your instincts.
When you are young and you travel, recklessness and the need to experience drive almost all your decision, well other than budgetary constraints.
It is therefore quite truthful at times to relate to the character who is in search of this ultimate freedom, a place where all your worldly obligations are suspended and irrelevant.
The movie is an irony. Not only externally, that though it depicts the end purity of nature when fox's being sued for environmental damage, but also that any man-found paradise is not free, but with a price and in this case, could be the ultimate price.
I truly enjoyed the movie especially at times the sparks of life's insight and moments of traveller's consciousness that when you are there, in that destination, IT becomes reality and no longer are you foreign and problems arise regardless.
Though the romance is distracting, Etienne, Canet's portrayal is quite the eye candy.
Definitely a watch, but may not appeal to all tastes.
When you are young and you travel, recklessness and the need to experience drive almost all your decision, well other than budgetary constraints.
It is therefore quite truthful at times to relate to the character who is in search of this ultimate freedom, a place where all your worldly obligations are suspended and irrelevant.
The movie is an irony. Not only externally, that though it depicts the end purity of nature when fox's being sued for environmental damage, but also that any man-found paradise is not free, but with a price and in this case, could be the ultimate price.
I truly enjoyed the movie especially at times the sparks of life's insight and moments of traveller's consciousness that when you are there, in that destination, IT becomes reality and no longer are you foreign and problems arise regardless.
Though the romance is distracting, Etienne, Canet's portrayal is quite the eye candy.
Definitely a watch, but may not appeal to all tastes.
The Beach is interesting in that some people feel that its terrible while there are others who feel that it is an unsung hero of a movie. When I first saw The Beach, back in 2000, I thought it was OK, not as bad as most people said it was. But, just like with A Life Less Ordinary, The Beach grew on me and I had to watch it again. After seeing it a few more times I really started to pick up on what was going on and realized that at the end of the film the viewer has gone through quite an adventure with Dicaprio and co. The acting, cinematography, music, and story are great and hold up after repeat viewings. The Beach is one of those movies that I watch once a year as its enjoyability never decreases. This is a very solid film that will no doubt only increase in its popularity as time goes by as fans of The Beach are quite hardcore. Even though Dany Boyle has said that he is not very proud of The Beach I believe that he's made a gross error and misjudged his work because even after all these years The Beach still has a freshness to it that most films lose while they are still in the theaters. Because of these reasons The Beach will not die today.
10icysky44
Recently a friend of mine watched "The Beach" after I told him my favorite quote (i.e. "Never refuse an invitation, never resist the unfamiliar, never cease to be polite, and never outstay your welcome"). He enjoyed the movie a whole lot and told me he hadn't watched it before because of it's low IMDb rating. That's when I decided to register here and post a comment - I hope I help someone else to watch the movie because it is worth a watch. What I personally like so much about this movie is that it is not just plain vanilla. It actually makes sense and can be a starting point for new thoughts and ideas - something I truly appreciate in a movie.
On a rating scale of 0 to 100; I gave The Beach a score of 72.
Many people have stopped themselves from seeing The Beach because of bad reviews from critics and the story of the crew wrecking an entire island to make the movie. One of those things, in my book, is a fact. They did wreck an island, and for pure entertainment, it's not worth it. Still, the bad reviews from the critics I disagree with, I found this quite a little gem, and if you agree with some of my other reviews, I recommend you don't hesitate when you see The Beach sitting on the drama shelf of your video store.
The wonders of modern technology, like computers, video games, cell phones, pagers and the internet, were designed to make our lives more enjoyable and facilitate communications. Yet for many, the complexity of the digital world is overwhelming, leading to a feeling of unreality of being discconected. The desire to find something real to connect with something or someone is what drives Richard (Leonardo DiCaprio), a young American backpacker who arrives in Thailand with adventure on his mind. Travel, he asserts, is the search for experience, the quest for something different. Richard and two friends (Virginie Ledoyen and Guillaume Canet) he meets in Thailand risk their lives travelling secret that is dubbed the beach resort for those who don't like beach resorts. At their destination, Richard and friends are welcomed into a community that lives on the beach. However, they soon discover that beneath this surface, this heaven on earth is less than perfect.
Leonardo DiCaprio declared he was not anti-Titanic when he did this film. And he isn't. DiCaprio shows on his face how successful he is when he did the film, and he is a show-off. But, darn it all, DiCaprio is good because we know he has the potential. He went a long length to do this movie, even director's favourite Ewan McGregor was passed over for DiCaprio, and rightfully so. I just can't picture anyone else playing the role. The acting hotline is also boiling with such talents as Tilda Swinton, Virginie Ledoyen and the masterful Robert Carlyle. Danny Boyle's direction is solid and he paces the film nicely, and the script is adapted well from Alex Garland's better-than-movie book. The film certainly has flaws, some scenes particularly the ones with the dope growers are just plain stupid and the film really loses it's feet towards the end, going completely out of control.
Still, The Beach is a film that is ripe for discussion. It features alluring scenery from the small island of Phuket, it has some striking visuals and an absorbing and intense message about finding your own paradise. It's not the best film of 2000, but The Beach remains a worthy attempt.
Many people have stopped themselves from seeing The Beach because of bad reviews from critics and the story of the crew wrecking an entire island to make the movie. One of those things, in my book, is a fact. They did wreck an island, and for pure entertainment, it's not worth it. Still, the bad reviews from the critics I disagree with, I found this quite a little gem, and if you agree with some of my other reviews, I recommend you don't hesitate when you see The Beach sitting on the drama shelf of your video store.
The wonders of modern technology, like computers, video games, cell phones, pagers and the internet, were designed to make our lives more enjoyable and facilitate communications. Yet for many, the complexity of the digital world is overwhelming, leading to a feeling of unreality of being discconected. The desire to find something real to connect with something or someone is what drives Richard (Leonardo DiCaprio), a young American backpacker who arrives in Thailand with adventure on his mind. Travel, he asserts, is the search for experience, the quest for something different. Richard and two friends (Virginie Ledoyen and Guillaume Canet) he meets in Thailand risk their lives travelling secret that is dubbed the beach resort for those who don't like beach resorts. At their destination, Richard and friends are welcomed into a community that lives on the beach. However, they soon discover that beneath this surface, this heaven on earth is less than perfect.
Leonardo DiCaprio declared he was not anti-Titanic when he did this film. And he isn't. DiCaprio shows on his face how successful he is when he did the film, and he is a show-off. But, darn it all, DiCaprio is good because we know he has the potential. He went a long length to do this movie, even director's favourite Ewan McGregor was passed over for DiCaprio, and rightfully so. I just can't picture anyone else playing the role. The acting hotline is also boiling with such talents as Tilda Swinton, Virginie Ledoyen and the masterful Robert Carlyle. Danny Boyle's direction is solid and he paces the film nicely, and the script is adapted well from Alex Garland's better-than-movie book. The film certainly has flaws, some scenes particularly the ones with the dope growers are just plain stupid and the film really loses it's feet towards the end, going completely out of control.
Still, The Beach is a film that is ripe for discussion. It features alluring scenery from the small island of Phuket, it has some striking visuals and an absorbing and intense message about finding your own paradise. It's not the best film of 2000, but The Beach remains a worthy attempt.
American back packer Richard is one of millions of travellers all looking for an unique experience. When in Bangkok he meets the slightly deranged Daffy who leaves him with stories and a map to a beach on a remote island that can't be seen from the sea. Taking with him 2 French travellers, Richard sets out to reach the island and finds it inhabited by a mix of people living as a small ideallic community. However internal conflicts rise up with their arrival and a copy of the map that he gave to some friends threaten to expose the paradise community for it's darker roots.
While I know that the critics were a little hard on this film when it came out, my main reason for not going to see it was a feeling of total apathy towards it. I wasn't interested in the story, have never read the book and didn't feel I had to see it because of either the big name star or the famous British team behind it. On television (for free) though, is a different matter and I gave it a go. Firstly the film does look great; I know there are tales of environmental damage to the area but it does look like paradise and is very lush. Director Boyle's direction is visually good too whether it be drawing style from scenes or contrasting the city with the island or doing imaginative things like computer game style images, he does work well.
The plot is good on paper but isn't as well brought through. Richard's journey and initial settling into the island is involving and interesting but the main plot is really in the second half which is also where it becomes a weaker film. The film clearly is building into a teenage Hearts of Darkness type story where the DIY civilisation leads to cruelty and madness this aim can be seen in an early scene where tourists sit watching Apocalypse Now in a waiting area. However his descent into madness is less well done and less convincing than Brando's. It all happens to quickly and, although with brutal consequences, it really needed to be seen to be more of a gradual distancing from the norm rather than a sudden leap into an abyss.
DiCaprio is not an actor that I particularly like or enjoy to watch but he is pretty good here. The fact that this film did as well as it did (in terms of box office) is probably mostly down to his star power, but he also gives a good performance. His madness is well portrayed and it's not his fault the film requires him to suddenly switch the way he does. Swinton is better as Sal, her `madness' is more subtle and is continual rather than sudden. The mix of multinational unknowns in the support roles are all good even if, with so many good looking young people, it does feel a little like a music video shoot at times.
Overall I enjoyed the film even if it never got as involving as I hoped it would. The story lacks punch and point a fact that can be seen in a very weak ending which was a real wash out in my opinion but it is still good enough to watch once. The whole thing looks great and DiCaprio's star power and charisma helps keep the audience with him, it's just that the actual story doesn't quite have the rich feeling or depth that the tourist-film location does.
While I know that the critics were a little hard on this film when it came out, my main reason for not going to see it was a feeling of total apathy towards it. I wasn't interested in the story, have never read the book and didn't feel I had to see it because of either the big name star or the famous British team behind it. On television (for free) though, is a different matter and I gave it a go. Firstly the film does look great; I know there are tales of environmental damage to the area but it does look like paradise and is very lush. Director Boyle's direction is visually good too whether it be drawing style from scenes or contrasting the city with the island or doing imaginative things like computer game style images, he does work well.
The plot is good on paper but isn't as well brought through. Richard's journey and initial settling into the island is involving and interesting but the main plot is really in the second half which is also where it becomes a weaker film. The film clearly is building into a teenage Hearts of Darkness type story where the DIY civilisation leads to cruelty and madness this aim can be seen in an early scene where tourists sit watching Apocalypse Now in a waiting area. However his descent into madness is less well done and less convincing than Brando's. It all happens to quickly and, although with brutal consequences, it really needed to be seen to be more of a gradual distancing from the norm rather than a sudden leap into an abyss.
DiCaprio is not an actor that I particularly like or enjoy to watch but he is pretty good here. The fact that this film did as well as it did (in terms of box office) is probably mostly down to his star power, but he also gives a good performance. His madness is well portrayed and it's not his fault the film requires him to suddenly switch the way he does. Swinton is better as Sal, her `madness' is more subtle and is continual rather than sudden. The mix of multinational unknowns in the support roles are all good even if, with so many good looking young people, it does feel a little like a music video shoot at times.
Overall I enjoyed the film even if it never got as involving as I hoped it would. The story lacks punch and point a fact that can be seen in a very weak ending which was a real wash out in my opinion but it is still good enough to watch once. The whole thing looks great and DiCaprio's star power and charisma helps keep the audience with him, it's just that the actual story doesn't quite have the rich feeling or depth that the tourist-film location does.
Danny Boyle's Movies Ranked by IMDb Rating
Danny Boyle's Movies Ranked by IMDb Rating
See how IMDb users rank the feature films directed by Danny Boyle.
Le saviez-vous
- AnecdotesLeonardo DiCaprio was paid $20 million for the film, the result of the immense success of Titanic (1997). DiCaprio had originally planned to play the lead character in American Psycho (2000), but when his salary demand proved too much, that deal broke down and he agreed to make The Beach.
- GaffesWhen Sal says "come with me" to Richard after waking him from his nightmare, her lips only move once.
- ConnexionsFeatured in Siskel & Ebert & the Movies: The Beach/Snow Day/Holy Smoke (2000)
- Bandes originalesSnake Blood
Written by Neil Barnes, Paul Daley
Performed and Produced by Leftfield
Leftfield appears courtesy of Sony Music Entertaiment (UK) Ltd.
Meilleurs choix
Connectez-vous pour évaluer et suivre la liste de favoris afin de recevoir des recommandations personnalisées
- How long is The Beach?Alimenté par Alexa
- How does this film differ from the novel?
- Why does Daffy go crazy and why doesn't he go back to the beach?
Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- La playa
- Lieux de tournage
- Maya Bay, Ko Phi Phi Leh, Thaïlande(secluded beach)
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 50 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 39 785 027 $US
- Week-end de sortie aux États-Unis et au Canada
- 15 277 921 $US
- 13 févr. 2000
- Montant brut mondial
- 144 056 873 $US
- Durée1 heure 59 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
Contribuer à cette page
Suggérer une modification ou ajouter du contenu manquant