Le dernier justicier

Sam Elliott was made for the lead in this film, playing William Tilghman in his final weeks as a lawman in an Oklahoma "Oil Patch" town in the mid-1920s. He's simply over-powering in demeanor and gait and attitude. Pay special attention at the end when he bids farewell to his family. Oh, my!... Other mostly unknown actors are mostly okay, but Arliss Howard's drug-addled primary bad guy seems a tad much over the top (I reckon I cotton to heavies who are bad _and_ smart).... Best all is the production which features a roughneck oil town and mud and iron/steel workers and noise and mobs and blacksmiths and misery and saloons and cathouses and ... well, you get the idea.... As a bonus, movie buffs get to see reproductions of Tilghman's own silent movies about his exploits as a young lawman.... Thus, a many-dimensional treat for us hero-worshipers who grew up with the movies.

In 1924, legendary lawman turned silent film star Bill Tilghman (Sam Elliott) reluctantly agrees to clean up a grimy Oklahoma town controlled bootlegging gangsters and full of rowdy oil-rig workers. He ends up squaring off against coked-out, renegade G-Man Arliss Howard.

This production looks fantastic, with lots of attention to detail and great atmosphere. Unfortunately, there's too much talk and not enough action to go along with the vivid sets, costumes, and locations. This ends up being more of a character study than a western or gangster story.

Sam Elliott does a great job as Tilghman, who rode with the Earps and went up against the real-life Wild Bunch. If anything, the film does do an excellent job at portraying a man who has little left to offer but his pride and stories of past triumphs.

Any western that stars Sam Elliott is usually a good one. Few people have ever looked and sounded more like a cowboy than Sam. Also, most westerns feature beautiful landscapes and overall photography, and this film is no exception. Being made-for-TV, it could have been made on-the-cheap but it wasn't. I am not a fan of Ted Turner but his TNT westerns look beautiful, all of them.

Elliott plays a lower-key role than usual, being an appealing sort as a loving father and husband and a good-guy marshal. This western is a bit different in that the time period is the early 1900s with automobiles and such dotting the landscape.

There is not a lot of action in here and not an especially happy ending, either, but it's a good western that worth you while to check out.

If a SMILE could be the star of a movie, Sam Elliott's inimitable smile would be the star of "You Know My Name." Elliott may well be the greatest leading man in westerns in the post-1970 period, and he is at the top of his game in this based-on-a-true-story oater set in Oklahoma in the early twentieth century. There have been better westerns, sure, but there have not been many better western star turns than this. Elliott makes you want to laugh and cry at the same time, ALL the time, and at the end you just do both.

Tilghman was the corrupt one in this story, not Wiley Lynn. Tilghman was extorting protection money from the casinos and bawdy houses in Cromwell. Lynn was the federal agent in charge of enforcing the prohibition of alcohol in the area. Tilghman had made public threats to kill him, but when he tried to as Lynn was raiding one of his client's businesses, Lynn was able to fire his weapon first and kill the corrupt marshal. He was tried for the killing and found not guilty, but the myth of the old "lawman" was stronger than the truth, and Lynn's reputation was destroyed and he resigned from his federal job. He became an alcoholic and eventually died in another shootout.

I'm disappointed that Sam Elliott would agree to make a movie like this, which is so obviously based on lies.