Ajouter une intrigue dans votre langueA young man struggles with his desire to study art when his family thinks he's headed for premedical studies. Conflicts between Filipino traditions and expectations vs. personal dreams in th... Tout lireA young man struggles with his desire to study art when his family thinks he's headed for premedical studies. Conflicts between Filipino traditions and expectations vs. personal dreams in the contemporary world erupt at his sister's debut.A young man struggles with his desire to study art when his family thinks he's headed for premedical studies. Conflicts between Filipino traditions and expectations vs. personal dreams in the contemporary world erupt at his sister's debut.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 4 victoires au total
Dante Basco
- Ben Mercado
- (as Danté Basco)
Luis Gonzales
- Tito Dante
- (as Louie Gonzales)
Avis à la une
Positives - My brother is in this movie. He's the Filipino guy with the white shirt and cream vest, listening intently to the conspiracy theory of Ben's cousin out with the tricked out cars. Side note: He also owns the Black CRX with the Red "Rush Factor" sticker on the windshield. The other nice things is that they did an excellent job of capturing the "you know you're Filipino when . . ." attributes. The film is quite funny and quite accurate.
Negative - While I let this slide because its the first fil-am movie, I'd like to see less ethno-centric films. Films where nationality isn't the focal point. I have the same complaint about most African-american films. Like say they made "The Fast And the Furious" but all the main characters are Filipino. The story itself could happen to anyone, it just so happened to happen to a Filipino. The other part is that it is too general, but again, since its the first, I suppose it was necessary.
Overall - an 8. For all its flaws, they were necessary for this film because one of the main objectives was to show what the filipino culture was, both the good, the bad and the typical. And my brother was in it. hah
Negative - While I let this slide because its the first fil-am movie, I'd like to see less ethno-centric films. Films where nationality isn't the focal point. I have the same complaint about most African-american films. Like say they made "The Fast And the Furious" but all the main characters are Filipino. The story itself could happen to anyone, it just so happened to happen to a Filipino. The other part is that it is too general, but again, since its the first, I suppose it was necessary.
Overall - an 8. For all its flaws, they were necessary for this film because one of the main objectives was to show what the filipino culture was, both the good, the bad and the typical. And my brother was in it. hah
I went to see the Filipino-American "The Debut" because I make a point of seeing any ethnic coming-of-age movie, as I'm curious to see how they compare to the Jewish experience in movies, including last year's Asian Indian-American films "ABCD," and "American Chai," the Greek-American "Astoria," and one of my all time faves from a few years ago the Korean-Canadian "Double Happiness."
Like all movies in this genre (usually for semi-autobiographical reasons), the conflicted lead wants to be an artist rather than what his parents plan for him.
A particularly original angle is that the main character is younger than usual, a high school student way immersed in MTV culture, from comic books, heavy metal and hip hop language, and, of course, embarrassed by his family's cooking and other traditions. The titular event is his sister's coming-out party, which becomes an evening of ethnic discovery for him.
Unlike the older generation of immigrant vs young artist movies like "The Jazz Singer," the ethnic culture here is not all retrograde but is lovingly shown in class and generational diversity and warmth, while showing the conflicts the parents face as well. The political debate among the teens as to whether the lead is a "coconut" is a bit forced but interesting.
The variety of dance scenes leave the realism a bit as they are as choreographed as in the cheerleader satire "Bring It On" but they are fun. The naturalness of the actors in supporting roles makes up for some of the amateurishness in their performances, and the leads are charming.
I asked director Gene Cajayon, who was at my showing, how could it be that such a gathering would attract kids from across class lines. He explained that such Filipino family events bring together a large slice of the community as friends of the family, as here the dad works in the post office and the uncle is a doctor.
The closing credits are open-hearted-- amusingly and passionately thanking the myriad people with the explanations of what they did to help.
Like all movies in this genre (usually for semi-autobiographical reasons), the conflicted lead wants to be an artist rather than what his parents plan for him.
A particularly original angle is that the main character is younger than usual, a high school student way immersed in MTV culture, from comic books, heavy metal and hip hop language, and, of course, embarrassed by his family's cooking and other traditions. The titular event is his sister's coming-out party, which becomes an evening of ethnic discovery for him.
Unlike the older generation of immigrant vs young artist movies like "The Jazz Singer," the ethnic culture here is not all retrograde but is lovingly shown in class and generational diversity and warmth, while showing the conflicts the parents face as well. The political debate among the teens as to whether the lead is a "coconut" is a bit forced but interesting.
The variety of dance scenes leave the realism a bit as they are as choreographed as in the cheerleader satire "Bring It On" but they are fun. The naturalness of the actors in supporting roles makes up for some of the amateurishness in their performances, and the leads are charming.
I asked director Gene Cajayon, who was at my showing, how could it be that such a gathering would attract kids from across class lines. He explained that such Filipino family events bring together a large slice of the community as friends of the family, as here the dad works in the post office and the uncle is a doctor.
The closing credits are open-hearted-- amusingly and passionately thanking the myriad people with the explanations of what they did to help.
Having recently seen the `The Debut' at its premiere in Chicago, I just have to say, `Kudos' to the cast and crew of the movie. As a fellow `pinoy', I truly appreciated the efforts made by the film's writers to capture the essence of our dual culture. Perhaps it was a blessing in disguise that it was an independent film - not having to compromise the script or its chosen actors. A film about Filipinos, acted, directed, and produced by Filipinos. And the fact that it took almost two years to get this film shown here, is a testament in itself to the principals of the movie for persevering since Hollywood decided not to support it.
The story line is your basic coming of age film. However what makes it different is the depth at which the subtleties of Filipino-American life is presented and portrayed for the first time. So for non-Filipinos, it's good `primer' about your prevalent, yet up to now, silent neighbors. For Filipino-Americans, this is a film you should support and be proud of. The film is in English with periodic subtitles. It is not your typical big budget Hollywood film, yet it doesn't play like a low budget indie either. With its spirited acting and a notable (Fil-Am) soundtrack, this movie is polished gem. `Pinoys', welcome to our `debut'!
The story line is your basic coming of age film. However what makes it different is the depth at which the subtleties of Filipino-American life is presented and portrayed for the first time. So for non-Filipinos, it's good `primer' about your prevalent, yet up to now, silent neighbors. For Filipino-Americans, this is a film you should support and be proud of. The film is in English with periodic subtitles. It is not your typical big budget Hollywood film, yet it doesn't play like a low budget indie either. With its spirited acting and a notable (Fil-Am) soundtrack, this movie is polished gem. `Pinoys', welcome to our `debut'!
I must say I did enjoy this movie. Not so much that it had Filipinos such as myself in it , but more because it was about Filipino youth growing up here in the USA dealing with their own ideas vs their parents. Why the medical field all the time?
Yes, it did generalize the different types of Filipinos that I come across but the story was deep enough to for even my parents to enjoy. Being born and raised in a normal west suburb of Chicago I did sense the conflict that Ben, the lead, had in this movie. However, I never found it to be a stuggle in life due to my heritage. Also, this movie will give my relatives in the Philippines a view of my world that they never really see.
No, this movie is not Oscar calibur but I give it a thumbs up for effort and conviction...
Yes, it did generalize the different types of Filipinos that I come across but the story was deep enough to for even my parents to enjoy. Being born and raised in a normal west suburb of Chicago I did sense the conflict that Ben, the lead, had in this movie. However, I never found it to be a stuggle in life due to my heritage. Also, this movie will give my relatives in the Philippines a view of my world that they never really see.
No, this movie is not Oscar calibur but I give it a thumbs up for effort and conviction...
The Good: This is the first step in hopefully many of Filipino-American movies. It showed the culture in a positive light, with the highs and lows of being a Filipino teen growing up in the states and trying to mesh the two cultures together. We get to see the son who is choosing to break tradition of doing exactly what is expected of a son and instead trying to find his own independent path.
The pacing of this movie was also very solid if not a little predictable. The jokes where also a lot of fun, but mostly if you are Filipino, otherwise they may need a little bit of explanation.
The Bad: I did see things as being a bit glossed over in this movie. I don't think I know of any Filipino family where going against the grain gets accepted as easily as this movie did. Every character except Ben Mercado is a very one-dimensional character. There is the (generic) cute pinay, who's friendly and timid, the (generic) hood-rat pinoy and his two lackeys, and the (generic) FOB, who's accent is way over done, I thought he was from Manila, but he sounded like more like an un-educated peasant. I also thought the ball game between Ben and his sister was getting a little too friendly for a sibling game. This movie is also limiting itself to a very hardcore Filipino crowd, rather than maybe trying to aim it towards a broader audience trying to make others understand the `whys' of the Filipino culture. This movie also adapted a little heavily from your standard American Teenie-Bopper flicks, primarily `Somekind of Wonderful' where you have Eric Stoltz deciding to go to art school against his father's wishes.
The Ugly: I understand that this is a small step in showing the culture, but I think a lot of things got denied in this movie, how many younger Filipino parties have we all gone too and ONLY three thugs showed up, they also made it seem like every teen got along with one another and ignored the cliques that are so common during any party. Why did the Auntie with the white husband also have to have the screwed up kid? Why was Ben, the only one with white friends also the only one who chose to go a different path then what his parents wanted? He's also the only one, it seems like, who didn't get the nice ride from the family, instead we see him getting rides from his friends (and if you say he wasn't the only one, take another look at the parking lot scene and give me a ratio count of cars to teens). Why, when the racer bragged about his Integra, did he just get the speech about how everyone is trying to keep down the pinoy, rather than, something more along the lines of just saying he's spoiled and should maybe try and earn his own?
And the Close: Even though my review may not seem like it, I did enjoy the movie, I just have high demands on any movie showing any culture, I believe movies like this should address issues rather than breeze past them just because they are complicated situations. I don't believe a movie should get high praises just because it shows `Pinoy Pride' any movie including this movie, needs depth too. 6/10
question? comments? complaints? villagemember@lycos.com
The pacing of this movie was also very solid if not a little predictable. The jokes where also a lot of fun, but mostly if you are Filipino, otherwise they may need a little bit of explanation.
The Bad: I did see things as being a bit glossed over in this movie. I don't think I know of any Filipino family where going against the grain gets accepted as easily as this movie did. Every character except Ben Mercado is a very one-dimensional character. There is the (generic) cute pinay, who's friendly and timid, the (generic) hood-rat pinoy and his two lackeys, and the (generic) FOB, who's accent is way over done, I thought he was from Manila, but he sounded like more like an un-educated peasant. I also thought the ball game between Ben and his sister was getting a little too friendly for a sibling game. This movie is also limiting itself to a very hardcore Filipino crowd, rather than maybe trying to aim it towards a broader audience trying to make others understand the `whys' of the Filipino culture. This movie also adapted a little heavily from your standard American Teenie-Bopper flicks, primarily `Somekind of Wonderful' where you have Eric Stoltz deciding to go to art school against his father's wishes.
The Ugly: I understand that this is a small step in showing the culture, but I think a lot of things got denied in this movie, how many younger Filipino parties have we all gone too and ONLY three thugs showed up, they also made it seem like every teen got along with one another and ignored the cliques that are so common during any party. Why did the Auntie with the white husband also have to have the screwed up kid? Why was Ben, the only one with white friends also the only one who chose to go a different path then what his parents wanted? He's also the only one, it seems like, who didn't get the nice ride from the family, instead we see him getting rides from his friends (and if you say he wasn't the only one, take another look at the parking lot scene and give me a ratio count of cars to teens). Why, when the racer bragged about his Integra, did he just get the speech about how everyone is trying to keep down the pinoy, rather than, something more along the lines of just saying he's spoiled and should maybe try and earn his own?
And the Close: Even though my review may not seem like it, I did enjoy the movie, I just have high demands on any movie showing any culture, I believe movies like this should address issues rather than breeze past them just because they are complicated situations. I don't believe a movie should get high praises just because it shows `Pinoy Pride' any movie including this movie, needs depth too. 6/10
question? comments? complaints? villagemember@lycos.com
Le saviez-vous
- AnecdotesConsidered in the Philippines as the very first feature-length film to extensively show the Filipino-American experience.
- ConnexionsFeatured in The Slanted Screen (2006)
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- How long is The Debut?Alimenté par Alexa
Détails
Box-office
- Montant brut aux États-Unis et au Canada
- 1 745 778 $US
- Montant brut mondial
- 1 745 778 $US
- Durée1 heure 34 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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