Ajouter une intrigue dans votre langueA wife, her two-timing husband and a flirting neighbor are unpredictable competitors in a warped game that turns into a life-or-death affair.A wife, her two-timing husband and a flirting neighbor are unpredictable competitors in a warped game that turns into a life-or-death affair.A wife, her two-timing husband and a flirting neighbor are unpredictable competitors in a warped game that turns into a life-or-death affair.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 victoire au total
Michael Guerin
- Rik
- (as Michael D. Guerin)
Melissa Holbrook
- Shelly
- (as Melissa Senkowski)
Phil Hawn
- Party Guest
- (non crédité)
Avis à la une
Ok... It's 4am and I'm up. So what's on TV? 150 channels on the air (flip-flip-flip) Well What's this? I know her and look he's in this too. Oh what's their names? I'll have to remember to look. But I never knew they did anything together. Hmmmm... I'll watch this for a few. Well, now she's a nut. Oh but wait he's what? Why is she like this? Oh I see. Maybe? No-yes-well-maybe... She's a nut with help. Oh and her neighbor is too. COOL!!! ^ That is how I came across this movie. ^ But this is A GREAT MOVIE if you like erotic psychological thrillers with a twist. It has everything: love, sex, adultery, a heathy dose of fear, hatred, a mentally unsound woman with a reason that been pushed too far and murder plot(s). It's got it all. Everything for a good late night movie. It's not big budget but it is big names. (Rebecca DeMornay and Michael Rooker) With a small tight cast of characters who's lives and mental states interlock smoothly with each other. Everything as to why is explained with the unfolding of the movie. There are several psychological twists. The suspense makes you hold your breath, look around every corner and behind every door. The only thing left untold is what happens to the people left after all is said and done. But great and well worth the price to rent the movie or the time to set the VCR to record it. A MUST SEE for psychological thriller lovers!
This was an excellent picture with an outstanding performance by Rebecca DeMornay as a a psychotic married to a bigamist. DeMornay's performance as the mercurial Ruth was very convincing, I say this having known people like her personally and professionally. Well Done!
Rebecca DeMornay gives an inspired demented performance as one of Michael Rooker's two wives. She is unbalanced right from the git-go and gets progressively more deranged as the film moves along. Mark Rolston is also good as the interested neighbor, drawn into Rooker's scheme to break away from DeMornay. The script which is not predictable, twists and turns towards a surprising conclusion. Why "Wicked Ways" is rated so criminally low on IMDb is a real mystery? It certainly is no "Fargo", but is way better than many of the higher rated potboilers. This is definitely worth checking out. Character development and acting are equally strong, and nicely compliment the unpredictable script. - MERK
Oh, yuck. Like Lemos (see his comment), I watched this because there was nothing better to do -- though I'm glad I saw it on cable and didn't pay for it. And also like Lemos, I agree that Ms. DeMornay is wonderfully seductive, with scenes in this movie nearly precisely like those in which she enchanted Tom Cruise and the rest of us in "Risky Business" so long ago. What a shame she can't get better roles! Must she *always* play a prostitute? (sigh) Well. Not her fault that Hollywood wants her naked or not at all.
The worst thing about this movie was not its misuse of DeMornay, but rather its misuse of viewer time. Yes, she plays a nut, and is very convincingly nutty. (And yes, the movie complies perfectly with the Hollywood Rules for Mental Illness: if female, the person must be either an elderly hag who eats garbage, or a gorgeous young nymphomaniac).
But as convincing as DeMornay is, the plot just is NOT. There is no way that one, much less two, adult men would be interested in this goofball for more than a single sweaty half-hour. Both of the men are not-quite-right-in-the-head either, but the writer (who is also the director) gave them the dignity of being both less conspicuously nude and less conspicuously nuts than the female character.
Summary: a little sexy, a little creepy, a lot boring, and even more annoying. Unless DeMornay is your particular dream girl, don't waste your time.
The worst thing about this movie was not its misuse of DeMornay, but rather its misuse of viewer time. Yes, she plays a nut, and is very convincingly nutty. (And yes, the movie complies perfectly with the Hollywood Rules for Mental Illness: if female, the person must be either an elderly hag who eats garbage, or a gorgeous young nymphomaniac).
But as convincing as DeMornay is, the plot just is NOT. There is no way that one, much less two, adult men would be interested in this goofball for more than a single sweaty half-hour. Both of the men are not-quite-right-in-the-head either, but the writer (who is also the director) gave them the dignity of being both less conspicuously nude and less conspicuously nuts than the female character.
Summary: a little sexy, a little creepy, a lot boring, and even more annoying. Unless DeMornay is your particular dream girl, don't waste your time.
This is not a diamond in the rough. It's also not terrible. Don't go looking for this movie. However, if this movie happens to find you, and you don't have much to do, watching it may not be the worst idea.
The whole picture is very phoned in, but it's not disrespectful to the form of the phoned-in picture. I'm going to go out on a limb and say that the best thing about this film is the writing. The acting is competent, but it's nothing special, and the whole thing is shot plainly, like most watchable direct to video, but the writing is just a little bit better. It's unambitious, of course, but it's artful, and it's not too heavily cliched. It plays with obvious symbols and simple tropes, but it does a generally good job of it, and the fact that the story keeps moving in novel directions and does not degenerate into porn or gunplay shows that the writer probably has it in his or her power to write for much better pictures.
There's one or two jumps in the plot, but if you're the unforgiving type, you shouldn't be watching cable TV at 4 AM in the first place. All in all, not a bad movie. Objectively, it can't be said to be of any quality, but it certainly does not offend.
The whole picture is very phoned in, but it's not disrespectful to the form of the phoned-in picture. I'm going to go out on a limb and say that the best thing about this film is the writing. The acting is competent, but it's nothing special, and the whole thing is shot plainly, like most watchable direct to video, but the writing is just a little bit better. It's unambitious, of course, but it's artful, and it's not too heavily cliched. It plays with obvious symbols and simple tropes, but it does a generally good job of it, and the fact that the story keeps moving in novel directions and does not degenerate into porn or gunplay shows that the writer probably has it in his or her power to write for much better pictures.
There's one or two jumps in the plot, but if you're the unforgiving type, you shouldn't be watching cable TV at 4 AM in the first place. All in all, not a bad movie. Objectively, it can't be said to be of any quality, but it certainly does not offend.
Le saviez-vous
- Bandes originalesTelling Me the Truth
Written by Marlee MacLeod
Performed by Marlee MacLeod
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Détails
Box-office
- Budget
- 1 200 000 $US (estimé)
- Durée1 heure 50 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.78 : 1
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By what name was Le prix du doute (1999) officially released in India in English?
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