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IMDbPro

Meurtre à la mode

Titre original : Murder a la Mod
  • 1968
  • 1h 20min
NOTE IMDb
5,3/10
1,2 k
MA NOTE
Meurtre à la mode (1968)
ComédieCriminalitéMystèreThriller

Ajouter une intrigue dans votre langueNaive young Karen wants to help her struggling amateur-filmmaker boyfriend Christopher raise enough money so he can divorce his wife. Meanwhile, jolly psycho prankster Otto stalks the buildi... Tout lireNaive young Karen wants to help her struggling amateur-filmmaker boyfriend Christopher raise enough money so he can divorce his wife. Meanwhile, jolly psycho prankster Otto stalks the building where Christopher is shooting a low-grade adult movie in order to keep himself afloat.Naive young Karen wants to help her struggling amateur-filmmaker boyfriend Christopher raise enough money so he can divorce his wife. Meanwhile, jolly psycho prankster Otto stalks the building where Christopher is shooting a low-grade adult movie in order to keep himself afloat.

  • Réalisation
    • Brian De Palma
  • Scénario
    • Brian De Palma
  • Casting principal
    • Andra Akers
    • William Finley
    • Margo Norton
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    5,3/10
    1,2 k
    MA NOTE
    • Réalisation
      • Brian De Palma
    • Scénario
      • Brian De Palma
    • Casting principal
      • Andra Akers
      • William Finley
      • Margo Norton
    • 16avis d'utilisateurs
    • 24avis des critiques
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
  • Photos70

    Voir l'affiche
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    + 63
    Voir l'affiche

    Rôles principaux17

    Modifier
    Andra Akers
    • Tracy
    William Finley
    William Finley
    • Otto
    Margo Norton
    • Karen
    Jared Martin
    Jared Martin
    • Chris
    Ken Burrows
    • Wiley
    Lorenzo Catlett
    • Policeman
    Jack L. Harrell
    • Salesman
    • (as Jack Harrell)
    Laura Stevenson
    • Girl in Boutique
    John Quinn
    • Mr. Fitzsimmons
    Jenny O'Hara
    Jenny O'Hara
    • Soap Opera
    • (voix)
    Bob Scott
    • Soap Opera
    • (voix)
    Phil Proctor
    Phil Proctor
    • Soap Opera
    • (voix)
    Leanne Harrison
    • A Bird
    Jennifer Salt
    Jennifer Salt
    • A Bird
    • (as Jenifer Salt)
    Laura Rubin
    • A Bird
    Marta Levenson
    • A Bird
    Melanie Mander
    • A Bird
    • Réalisation
      • Brian De Palma
    • Scénario
      • Brian De Palma
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs16

    5,31.2K
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    10

    Avis à la une

    6maccauleyjoseph

    worth seeing; Peeping Tom, meets Psycho, meets Pulp Fiction

    Just finished watching this early De Palma, and I am glad that I was finally able to see it. I have seen almost all his early films and this one certainly was not boring, in fact there were a few thrills and chills. I found the story confusing but it still kept my attention. It featured some good DePalma stylish moments,as well as clumsy comedy. I was reminded of some of his later works, and when you watch this film it is apparent that DePalma really knew how to get the right thriller feel, even way back in his black and white days.....this film, in its own way is about as good as "The black dahila", but you gotta be a DePalma fan.......
    7Coventry

    A Little Strange and a Little Odd; Murder a la Mod!

    Isn't it strangely fascinating how a talented and visionary filmmaker will always distinguish him/herself from the others, regardless of how ridiculously little financial means he/she has to work with? "Murder à la Mod" got released on the Something Weird label in America and on similar Grindhouse-type of DVD label here in the Dutch speaking countries, but it's almost too good to get associated with the usual stuff these labels throw on the market. Numerous of the Something Weird films were made by young and aspiring directors with lots of ambition and occasionally even some good ideas, but without any money or professional cast and crew members, and that is why they usually look poor and sleazy instead of good. But with his debut Brian De Palma proves that blaming the lack of budget is all too easy. With an intriguing narrative structure, eccentric character drawings and ingenious visual gimmicks, De Palma neatly camouflages the lack of funds and even the complete absence of story! Also, the director's later obsession with the work of Alfred Hitchcock is already noticeable here, through a variation of subtle references and downright open homages. The plot, revolving on a young girl falling for an amateur filmmaker with dubious and questionable intentions, is actually of minor importance. The slightly psychedelic atmosphere, the irresistible title song and the crazed characters (William Finley is superb as Otto) keep the film entertaining even if the screenplay ceases to make sense. Particularly the extended sub plot where one event is shown from three different perspectives is very accurately done and undeniably far ahead of its time. Obviously, De Palma's first born also suffers from copious defects, like dreadfully boring padding scenes (the conversation between Tracey and her bank manager…oh my God!) and a confusingly abrupt ending.
    5boblipton

    Poorly Paced

    Margo Norton wants boyfriend Jared Martin to divorce his wife and marry her. Meanwhile, he's trying to raise $10,000 to finish his movie. For quick cash, he works on a pornographic movie, while practical joker William Finley runs around.

    Brian de Palma's first feature shows how cheaply it's produced, not only in the poorly recorded soud track, but the occasional attempts at sped-up silent comedy. I found the movie to be unfocused, roaming from one subplot to the next without any sense of pacing in the editing, and the characters dull, one-note, whiny, and not too bright.
    6gavin6942

    De Palma: Young and Fresh

    Naive young lady Karen wants to help her struggling amateur filmmaker boyfriend Christopher raise enough money so he can divorce his wife. Meanwhile, jolly psycho prankster Otto stalks the building where Christopher is shooting a low-grade adult movie in order to keep himself afloat.

    What we have here is the world of exploitation, underground film presented by a young auteur working in the experimental art scene. I think it works. Granted, this is not a fully developed film, as it had no budget and little cast. But not unlike the early work of Polanski or Cronenberg, there is plenty of potential here.

    The film was released in one cinema in New York City, quickly disappeared not long after, and was thought lost. Lucky for us, this was not the case. Although on its own it may be nothing special, it is a crucial piece in understanding De Palma's talent and vision.

    We also get some music and screen time from William Finley (1940-2012), who would go on to work with De Palma many more times (and also with Tobe Hooper). His character alone makes this worth a peek.
    6The_Void

    Stylish nonsense from Brian De Palma

    Brian De Palma would go on to become the number one Hitchcock imitator with the release of films such as Sisters, Body Double and Dressed to Kill. It's his style that he is most famous for; so as you would expect, his first feature is absolutely full of style and various experiments...the result is a mixed bag really. First of all, the stylish flourishes and experiments are all at the expense of the story, although some of it is interesting to watch. The plot itself focuses on a maker of very strange films and a girl who falls in love with him. The plot is clearly not the most important thing about the film, however, and really nothing in it makes a great deal of sense. The picture is a stark black and white and this gives the film a distinctive look which is to its credit. The majority of the movie is taken up by sequences that see the film's pivotal event (an ice pick murder) from the perspective of several different characters. I would not really say that this film is entertaining or even fun to watch really; but it is interesting to see the film that De Palma made before he got famous and the film is worth seeing for that reason.

    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      This film is featured as a bonus on "Blow Out", released by the Criterion Collection, spine #562.
    • Gaffes
      When Otto hides in the trunk and rolls down down the road towards Tracy, the trunk is not closed and he watches Tracy as he rolls down the hill. After the trunk topples off the trolley, Tracy goes to see what is in it but needs to undo the latches as the trunk is now closed.
    • Connexions
      Featured in Blow Out (1981)
    • Bandes originales
      Murder à la Mod
      Written and Performed by William Finley (as W.F. Finley)

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    FAQ12

    • How long is Murder à la Mod?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 8 novembre 2011 (France)
    • Pays d’origine
      • États-Unis
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Murder à la Mod
    • Lieux de tournage
      • Manhattan, Ville de New York, New York, États-Unis
    • Société de production
      • Aries Documentaries
    • Voir plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 1h 20min(80 min)
    • Couleur
      • Black and White
    • Mixage
      • Mono
    • Rapport de forme
      • 1.37 : 1

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