Raccroche !

I saw this movie because of the stars. I love Keaton, Ryan and Kudrow. As the "story" unfolded before my eyes, and what I saw was horrible. Plan and simple.

I can not believe that Diane Keaton, one to the best comedic actresses around would let herself make two of her worst films,

(Hanging Up and Town & Country)

right after two of her funniest films

(The First Wives Club and Father of the Bride 1&2).

Is she trying to end her career?? And picking this to direct?? I don't see ANY directing going on here. Maybe if there were it wouldn't have been a MAJOR waste of my time and money.

Do not watch this unless you are under heavy medication.

Some very good performances help this otherwise forgettable film about the relationship between the three daughters (played by Diane Keaton, Meg Ryan and Lisa Kudrow), of a dying man (Walter Matthau.) There isn't anything particularly noteworthy about the story itself. Told largely in flashback style, we see how the father-daughter relationship evolved over the years from a happy, loving one through the breakup of the parents and into the last days before Lou's death. The movie features fairly typical scenarios of the types of things that might cause family breakdowns (divorce, alcoholism, sibling rivalry, etc.) There are some humourous moments, but all in all I found myself largely disappointed by the story.

As I mentioned, though, there were some good performances which lifted this from a bad one to the ranks of mediocre to average. Meg Ryan was particularly good as Eve, the daughter who bears most of the responsibility for caring for Lou. She's guilty of a bit of overacting at times, but is definitely worthy of the leading role. Walter Matthau played Lou very well - but, of course, he should have been accustomed to playing crotchety old men by that point in his career. There were some surprise performances as well. Lisa Kudrow demonstrated more acting ability than I expected from her based on having watched "Friends" a few times, and, in a very limited role, Duke Moosekian was really quite funny as Dr. Omar Kunundar, whose car Eve manages to damage in a car accident. On the negative side, I was also surprised by what I thought was a very below average performance by Diane Keaton (who also directed, and who, in my opinion, showed no great talent as a director.) She simply began to grate after a while.

The best word I can come up with to describe this movie is bittersweet, both in the story of how a seemingly happy family turned out to be so consumed in anger and jealousy, and in the sense that the movie had possibilities, particularly in the strong performances I mentioned, that just didn't seem to add up to anything. Generously, I rated this as a 5/10.

Telemarketer irritation--that's the feeling I had when I watched Hanging Up, an almost cartoonishly clichéd "woman's movie." Diane Keaton's direction of this mess is so incompetent that I hope she never stands behind a camera again. The movie fails on every level--it bored my wife and daughter (and it's only because I'm anal about finishing movies that I sat through 95 minutes of Hell; they went to bed).

This was Walter Matthau's last movie, and it hurts to see such a premiere talent being wasted (although his toupee looks as if it could live on). Meg Ryan appears to have lost weight for Hanging Up (if that's possible) and seems to be carrying the mass of the world on her shoulders, physically dissipating in front of our eyes while wearing one paper-thin muscle shirt after another. Looking scrawny and bra-less isn't appealing to anyone.

Okay, enough for the nastiness. This really is a waste of film stock. Whatever BIG messages it has about sibling rivalry and familial relationships and keeping your accident from your insurance company are lost in Keaton's attempt to play cute and/or sweet (the dog and the pill; the Iranian mom).

The movie's called Hanging Up. My suggestion is to take the phone off the hook before the opening credits.

My main motivation for renting this movie was to see Walter Matthau's final performance. Matthau was one of our most talented, all-around actors. It was sad to see him go, but his performance in this movie was a fine conclusion to his thriving career. I don't think he could've picked a better final role to play. And being that Matthau played a dying father, it was even more heartbreaking to watch. I didn't break into tears any time during the movie, but I came close to it quite a few times.

First off, "Hanging Up" was pretty much marketed as a comedy. A fluffy romantic comedy, or chick-flick if you want to go with the stereotype. There are undeniably some very funny moments, but it's all done as comic relief. Overall, this is a sad, touching story that should hit home to many people who've had--or have--severed communications with their siblings or parents. I personally don't experience that in my family, but I know many who do. The father-daughter relationship, especially between Meg Ryan and Matthau, is brutally realistic. It's very touching to see how the two of them stick with each other through thick and thin, even through Dad's messy alcoholic rages. The other two sisters, Lisa Kudrow and Diane Keaton, have grown distant from their sick, elderly father with Alstheimer's Disease. While Ryan uses every ounce of her free time to visit her Dad in the hospital, the other sisters use their work as an excuse for never finding time.

I've heard people say that the scenarios in this film are unrealistic. Well, as far as I understand, the movie is based on the real life relationships of the Ephron sisters (who wrote the screenplay). Of course, there's some witty dialogue and situations that were obviously thrown in for entertainment purposes, but it's all based on real life. Truth can be stranger than fiction. Besides, I wasn't once doubting the plausibility of the film. Maybe it's because I was so indulged in the characters and the spirited performances, but whatever it was--it worked.

I have to say, I never thought Meg Ryan looked really attractive, before I saw her in "You've Got Mail." I liked her "When Harry Met Sally..." and some of her past movies, but she just had a conservative, housewifey appearance that never really did anything for me. Now she looks soooooooo cute with her straight blonde hair. Every minute she was on screen I just wanted to run up to the screen and kiss her! And may I say, she has a smile to die for.

Walter Matthau is both entertaining and touching in an understated performance that he should be remembered for, not just because it was his last performance (Hell, I loved John Candy, but I'm not going to say his performance in "Wagon's East" was the greatest), but because it was a brilliant one. Not only does he make the funniest, sometimes vulgar and off-color, wisecracks but he's so likable. Yet he has an alcohol problem. Showing us that even the most likable people have their faults. You do feel the sisters' pain when (in a flashback) Matthau barges into his grandson's birthday party, completely drunk, yelling obscenities, humiliating everyone and finally destroying the party altogether and causing the kids to cry, but you also feel his pain when his daughter's husband (Adam Arkin) chases him out of the house and wants to make sure that he never sets foot in the house again.

"Hanging Up" has everything you can possibly want in a film: humor, romance, sentiment, drama, moments of truth. Yet it's not delivered in a schmaltzy, "Lifetime" Movie of the Week format. And you leave with a good feeling in your heart. I definitely recommend this movie, especially since it reached a very scant audience in theaters. Just make sure you have the phone numbers of your sisters or fathers handy, because you're definitely gonna want to give them a call afterwards!

My score: 7 (out of 10)

The first time I saw this movie, in the theater, I was too caught up in the unexpected awfulness of Eve's situation to be rational about my reaction. Only someone who has lived through an experience like this could possibly understand her feelings about her father, her selfish sisters, her truly horrible mother, while trying (unsuccessfully, but sincerely trying!!) to maintain some kind of family life with her husband and son. I loved the frequent flashbacks. I think this is a movie for the over-forty audience, because I'm not sure anybody else could understand it. The second time I watched it, I was able to concentrate more on the story, and the story is a good one. Sure, it's no knee-slapping comedy, but it never presented itself as such. It's almost too realistic in parts, if you've ever had a parent in this situation, you would understand. If you haven't yet reached that part of your life, there is no way you could possibly understand. The doctor's mother was a love of a person. I'd like to see her again. I wish I knew her in real life. And, the soundtrack is absolutely awesome. Jay McShann's "Once Upon A Time" is one of the most beautiful songs I've ever heard. And when it was sung over the flashback of Eve's mother and father dancing, I cried through the whole scene. If you are seeking a comedy, seek elsewhere.

If you are at that stage of your life where you are seeking a great mixture of comedy, tragedy, irony, and frustration (just like our real lives!) then go rent this movie tonight. Have some Kleenex handy.