Trixie

And, no, he would NOT have liked this movie. Most people obviously didn't. My sides ached. I know most people didn't "get" it. Look at the mess of categories it is in. You cannot pigeonhole this movie. It is an original.

I do understand. I have seen Altman movies that I didn't think were funny, either. But this one hit a home run right up my alley. Not funny? Well, at least it's not a tired, old cliché. I had to get the tissues out because I was laughing so hard I was crying. See? We mix metaphors all the time.

But these clichés have never been mixed so well. How did Nick Nolte, Lesley Ann Warren and Brittany Murphy and the rest of the cast keep straight faces? A whole movie FULL of straight men. The only one who knew he was funny was Nathan Lane ... and he was playing a comedian ... that most people didn't think was funny! How ironic is that?

I just want to say to everyone involved in making this movie: Thank you! I laughed so hard I ruptured my catachresis.

Emily Watson is a charmer: she's completely naive and innocent, but then again she's not so naive, and maybe not so innocent. She seems to understand nothing, but then she's the only one who understands it all.

Watson's tour-de-force is in playing Trixie completely straight, malapropisms and all. Yeah, the twisted idioms get tired after a while, at least until a funnier one shows up.

Definitely for art house movie lovers and not the megaplex.

Brilliant mixed metaphors, fabulous dialogue. I can see how someone may not like it if they don't get or don't like word play, but if you like a good turn of phrase I highly recommend it! Huzzah for John Binder, whoever he is, not much on his resume, I can't wait for the next script!

One needs a certain warped sense of humor to enjoy this film. Trixie (Emily Watson) is a self proclaimed `Private Defective' whose butchery of English is nothing short of cleavacle. Her command of idioms is not as bad as it is worse. She is Norm Crosby taken to the tenth powder. She mixes semaphores with a high-speed blender. Her malapropriations are so funny they border on historical.

The writing of Trixie's dialogue by Alan Rudolph is extremely clever, but the story that surrounds it is very quirky, meandering off point constantly. I'm not a big fan of Rudolph's wry style of directing, but this film actually has its moments. Some of the things that pop out of Trixie's mouth are priceless. I found myself tolerating the boring story to hear what she would say next.

Emily Watson's performance is excellent. She gives Trixie a naïve charm and gritty determination that is fun to watch. It is hard to fathom how she is able to say her lines with a straight face. Her Chicago accent is horrendous though. Nathan Lane also gives a tragically droll performance and Nick Nolte is absurdly humorous in his caricature of the corrupt state senator.

This film was pounded by almost everyone, but I like this kind of word gymnastics, so I enjoyed it despite itself. I rated it a 6/10. If you can appreciate a punny character without much of a story, it might be worth a try.

There seem to be two major demographics that film audiences fall into. The commercially reliable, and the more risky arthouse, or as Trixie would say, "but I see it the other way". "Trixie" falls into the arthouse, with its star, Emily Watson, fitting in perfectly to its offbeat nature. Watson has proven in her career, from "Breaking the Waves" to "Hilary and Jackie" that she is one of the most underrated and capable actresses in modern film. Following a "noir" mystery tale of murder, and political corruption, "Trixie" takes the cliches of a thriller and combines them skillfully with the creative tongue of the English-slaughtering lead character. For people who enjoy daring, open-minded pictures, "Trixie" is a fun way to spend an evening. For people who enjoy loud, explosion-packed films, go see them.