Trixie

There seem to be two major demographics that film audiences fall into. The commercially reliable, and the more risky arthouse, or as Trixie would say, "but I see it the other way". "Trixie" falls into the arthouse, with its star, Emily Watson, fitting in perfectly to its offbeat nature. Watson has proven in her career, from "Breaking the Waves" to "Hilary and Jackie" that she is one of the most underrated and capable actresses in modern film. Following a "noir" mystery tale of murder, and political corruption, "Trixie" takes the cliches of a thriller and combines them skillfully with the creative tongue of the English-slaughtering lead character. For people who enjoy daring, open-minded pictures, "Trixie" is a fun way to spend an evening. For people who enjoy loud, explosion-packed films, go see them.

While the movie was flawed in some ways (never quite believed the connection between Trixie & Dex, for example), I found it engaging in many ways. Ms. Watson is certainly a versatile actress, and her Trixie is a marked departure from her other movie portrayals--especially her most recent in "Angela's Ashes". One can't help but admire a performer who takes such risks.

I don't think I've sat with such wrapt attention to the next utterance of a character since Groucho did "Day at the Races"! Not only does Trixie raise malapropism to a new art form ("We'll all go to Hell in a handbag"; and as she grabs the bottle away from Leslie Ann Warren, she admonishes her with, "I'm not going to let you drink yourself into Bolivia!"), Ms. Watson rattles off these lines without a trace of affectation or laugh calculation, which makes them work so beautifully.

The aforementioned Ms. Warren turns in her usual strong performance. Nick Nolte's surly senator was rather over the top, but it did make him a likely suspect which added more interest to the plot. And Nathan Lane, while probably overqualified for his role, is always worth seeing (his NBC sitcom notwithstanding).

I'm not sure Mr. Abramsen and I saw the same movie, although it's clear only one of us saw the WHOLE movie! Sometimes I believe people walk out of plays or films just to brag to their friends that they've done it. This movie, I believe is worth an entire look; even a second one to recall all of Trixie's fractured English!

Emily Watson is a charmer: she's completely naive and innocent, but then again she's not so naive, and maybe not so innocent. She seems to understand nothing, but then she's the only one who understands it all.

Watson's tour-de-force is in playing Trixie completely straight, malapropisms and all. Yeah, the twisted idioms get tired after a while, at least until a funnier one shows up.

Definitely for art house movie lovers and not the megaplex.

This movie has grown on me immensely. The first time I saw it, it struck me poorly. I didn't like the plot or characters. I've seen it twice since then. I was surprised to find how funny it was a second time. Truth be told, Trixie is the sweetest detective ever written. She's obsessed with the truth and lives by no other code, solving the case almost by accident. There is a sexy all star cast to back her up and they all play magnificently. The real joke of the movie is Trixie's ability to get well known sayings wrong, which is explained by her injury as a child from a bowling ball on the head (mentioned very quickly in a hospital scene). She says things like, "Stop right there where you are in your tracks!" Her timing is perfect and Ms. Watson's performance is endearing. Good show, all around.

Good movie. Odd, off balance, imaginative, agitating - everything that an ultra-passive braincell-hybernating spoonfed-explosion stale-cool critics-approved movie pencil-envies. My opinion.