L'engrenage

In the light of Faith Akin's 2004 'Gegen die Wand', 'Kurz und Schmerzlos' is relatively The most impressive point of the movie is the grim poverty which penetrates into the close friendship between Gabriel, Costa, and Bobby. Even though these three members of the Greco-Turkish-Serbian gang have sufficient amount of goodwill and mutual respect for, their inferiority complexes, combined with poverty, have detrimental effects on all of them.

Bobby, hungry for more street respect, starts to work for an Albanian mafioso, and Costa joins his friend reluctantly as an experienced car thief. Gabriel, fresh from jail, tries to stop his two best buddies from joining the thugs. When Gabriel attempts this in his street-smart way, however, he further pushes his two buddies into the hands of the mafia.

As Faith Akin recently reconfirmed with his 2004 movie 'Gegen die Wand', the Turco-German director applies his knowledge about marginal immigrant societies in Germany to his movies. The result is a fascinating, modestly grim, and interesting movies which continue to bring Akin worldwide acclaim and admiration.

Why this movie was a failure at the German box-office will always be a mystery to me. Fatih Akin, the director, was obviously influenced by Martin Scorsese's and Brian DePalma's first movies but he didn't try to imitate them. Instead he made one of the first movies which truly celebrates the 'Multikulti'-society that Germany has become (At least in the larger cities).

You can't help but like the Turkish, Serbian and Greek protagonists albeit they are criminals. The characters are far too alive and three-dimensional to be seen as stereotypes/cliches thrown in to reinforce prejudices.

To me, KURZ UND SCHMERZLOS was the best German movie of 1998 (Even better than LOLA RENNT) and I recommend it to anyone who likes MEAN STREETS, Matthieu Kassovitz' LA HAINE or the films of Lars Becker. 9 out of 10.

"Kurz und schmerzlos" means as much as "quickly and smoothly" and is a German underground drama by young Turkish film maker Fatih Akin. Shot in the suburbs and industrial area of Hamburg, Akin's home town, it was a big hit in German repertory cinemas in 1999.

The film shows the life and fate of three young foreigners - Turk Gabriel, Greek Costa and Serb Bobby, all of them dreaming of love and money in the bleak surroundings of social welfare, crimes, industry, unemployment and cultural minorities. Of course it won't take long until the friendship of the three outsiders is about to break apart when Gabriel becomes a henchman for a local gangster boss, and a journey through violence and despair begins for all three of them...

There are no special effects, no visual games, there is just pure "adrenaline acting" - except for Ralf Herforth ("Knocking on Heaven's Door") as gangster boss Muhamer, all actors are unknown newcomers, but with a great impact and brilliant performances. There is much realistic violence in it than can be felt in every second, and you really need to watch out for some contemporary American or Japanese underground stuff to find something similar. And the sound track is very good, too.

But the movie shows also the social milieu and the problems of national minorities in a Western country like in the works of British film maker Hanif Kureishi ("My Beautiful Laundrette"). Watch out for this example for great contemporary German cinema, and although "Kurz und schmerzlos" avoids all the visual styling of "Lola rennt", it has the same impact and power like that international box office hit!

The best German movie I have ever watched as it is very realistic. It brings back memories, as I too was a member of a three-guys gang. After moving to Jordan and then coming back to Germany after 2 years, I too was out of all the trouble and wanted to stay out of it. This movie reflects my life. Not 100%, but the friendship between me and my friends is portrayed as if I was looking into a mirror.

I found it by chance in my library. I nearly forgot it, since the time I taped it off from French ARTE channel. Yes, you can compare it with a Marty Scorcese - MEAN STREETS - like tale. Petty hoodlums in Germany, mostly from immigrant descent: Turkish, Serbian, most of them brutal, violent volks. It is not in the Quentin Tarantino style either, it refuses to copy the new fashion of this period, trying to imitate Tarantino's way of story telling or filming at all costs. It sounds very realistic, the acting more real than life. It grabs your attention and the characters, despite what they are, remain poignant, gripping. Excellent social crime film.