Tuvalu

The film is a beautifully photographed and outrageously funny example of visual story telling at its very best. Performances by all the leading characters are breathtakingly good and never for a moment overdone. I saw this film at the Taos Film Festival 2000 and it was by far the most memorable of the 10 or 12 I saw. I recommend it to anyone who is serious about the art and history of film making.

A strange film starring one of cinema's greatest weirdos, Denis Lavant... Tuvalu is hard to describe. I kind of want to call it steampunk Charlie Chaplin and leave it at that, but it's also not really sci-fi.

Maybe it's dystopian? Just because everything's so rundown, and because people don't communicate beyond saying a few words and their names, for the most part, as if language has just broken down.

It's not entirely a silent film, with people grunting and sort of speaking, and there being plenty of sound effects, but the comedic moments and lots of the acting feel silent movie-ish.

Don't know how to segue, but there's also a joke taken straight from the first Naked Gun (outline of a body floating on the water), which I appreciated. Or it was a coincidence, I don't know.

I don't know anything.

I don't know how to describe the plot, and similarly unsure about genre(s). It looks cool and provides a unique experience, not wasting much time and being fairly entertaining. A good film to be watched for anyone in the mood for something completely different.

I love this movie! It's funny, it gives you material for hours of discussion and it makes you think and dream. my favourite scene is when Eva goes swimming with her pet-fish. Not only that her naked body looks very beautiful in the blue light - what impressed me most was the fact, that the fish believed to be free although it was imprisoned in a bigger vessel. A good film to reflect about your dreams and how to realize the ones that are no pipe dreams.

This is one of the weirder movies out there. But I can't say it's original, because Jeunet & Caro pioneered this exact style 18 years earlier in "Le Bunker de la dernière rafale" (1981). This is so much of a rip-off that I wonder if the director was deliberately making an homage to "Le Bunker", right down to the weird woman's chewing gum collection (except in "Bunker" it was boogers. yeah, yuck).

Also, let's get something out of the way in case you don't know it already: this is basically a black & white, silent film. So you need to have a good attention span. It also has some of the ugliest actors I've ever seen. So don't expect to instantly fall in love with any of the characters, the way we do with Johnny Depp or the Hollywood prettyboys. Instead we see a lot of wrinkly guys in need of a good orthodontist. Welcome to European cinema.

If I haven't scared you off yet, then maybe there's hope. Now let's get to the good part. Even though the plot is simple, it's a very challenging & fun film to watch. Because there's very little dialogue (mostly grunts, a few shouts and oh yes, the most hilarious line ever: "TECHNOLOGY... SYSTEM... PROFIT!"), you're forced to work your brain to understand even the simplest situations. In that respect, it reminds me of those emergency cards you read on airplanes. You know, the goofy cartoon icons without any words which are supposed to explain how to save your life in the event of cabin depressurization. It's all so retro.

Some of the gags are classic, and you may be reminded of some old Charlie Chaplin material.

And even though I said it's black & white, there are some downright magical colour tints which give it a dreamy feel. In one particular blue-tinted shot, we see a graveyard of half-sunken ships. I couldn't think of a better way of showing it--all the colours in the world couldn't express it better. Imagine if "Metropolis" (1927) had been re-done with seamless camera-work, cranes & dollies, and a very convincing set. That should give you an indication of the visual style.

Really the only reason why I'm rating this a 7 instead of a 9 is because it lost points for lack of originality (Jeunet/Caro rip-off). But that shouldn't diminish its effectiveness as a work of art, especially to those of you who haven't seen "Le Bunker de la dernière rafale" or "Delicatessen". In any case, it's definitely worth the rental fee.

I attended the preview screening of "Tuvalu" for one simple reason - it was the first film of the day and fit into my schedule. Having read a brief synopsis of the film, I went in with mixed expectations - the review snippets lauded the film, but could a two-hour black and white film largely bereft of dialogue really be that entertaining? Please pass the crow...

Set in a dilapidated indoor swimming pool (the Central Baths in Sofia), the film details the efforts of Anton, a clueless dreamer who yearns to sail the world, and Martha, the button obsessed cashier, to maintain the illusion for Anton's blind father that business is thriving. Working to sabotage their efforts is Gregor - Anton's brother - an amoral developer who is determined to raze the entire town and construct a sprawling condominium complex. Gregor engineers an accident that seems certain to doom the business and in the process steals away Eva, the beautiful woman of Anton's dreams. Will Gregor's dastardly plan succeed? It is difficult to categorize this film as it refuses to fit neatly within the confines of any particular genre. Taken on its simplest merits it is a slapstick comedy in the tradition of the Marx Brothers, Chaplin and the Keystone Cops. On this level, alone it will satisfy most viewers. A closer examination reveals a beautiful fairly tale with an innocent dreamer fighting to save his world and loved ones from evil. Finally, there is the none- too -subtle rail against the freight train of modernization, particularly relevant in many areas of post-Communist where vast construction projects are radically altering the cityscapes at the expense of history. However, one need look no further that our own city to see this -only recently have serious efforts been made to safeguard heritage buildings in Vancouver - some fear it may already be too late.

Originally filmed in black and white, the stock was laboriously tinted to give the interior shots take a Sepia tone and the exterior shots a muddy turquoise- grey, providing further contrast for the story elements. The visual experience is further enhanced by masterful cinematography, most notably the underwater sequences, which take on a wondrous ethereal quality. The sound engineers have also created a richly diverse auditory realm that meshes uncannily with the onscreen action. Finally, the exaggerated expressiveness of the actors, both emotive and physical keep the action flowing seamlessly.

If you are in search of an unusual, intriguing film, look no further.