Guinea Pig: Mermaid in the Manhole

A painter named Hayashi(Shigeru Saiki)finds a wounded mermaid(Mari Somei)and saves her.He takes her home and puts her into his bathtub where she keeps decomposing,the spreading disease spurting blood and pus.Hideshi Hino's "Guinea Pig 4:Mermaid in the Manhole" is easily one of the most disgusting horror movies I have ever seen.The make-up effects made by Nobuaki Koga are incredibly revolting.The character of Hayashi is pretty sympathetic and the film has a mood of a very sad romance.The mermaid represents painter's wife and "all the beautiful things" he has lost,so she is bound to rot and vanish too."Mermaid in the Manhole" works as a piece of extreme art,so anyone who loves Japanese horror should give it a look.However if you're easily offended avoid this one like the plague.

This is a rather strange entry in the Guinea Pig franchise but one that is a must see after a while because in the beginning it looks rather childish and stupid but slowly it turns into a squirmfest to end in a gorefest.

When a painter wants to return to a sewer were he has been before entering the manhole to go into the sewer he comes across a girl laying in the filthy water. Coming closer he notices that it is a mermaid. Somehwo he has seen her before but by getting closer he sees that she has some kind of infection. He picks her up and takes her home to place her in a bath. She do ask to be painted by him and to use the colored puss coming out of her infection. Until then it's a bit ridiculous but the painter gets addicted to her and when the infection gets worse and she almost dies the worms come in.

It's from that point that this horror flick turns into a gruesome flick. First out of the puss do come the worms but if that's not enough she starts vomiting worms being alive and it's not faked. Naturally the mermaid do dies and the painter can't take it anymore and starts to cut her up. At the end we do have a twist and this gory flick is over.

It's a rather good entry into the franchise because it do has it flows. The worms can make viewers decide to turn it off but for people into Japanese stuff this is your thing.

Gore 3/5 Nudity 1/5 Effects 3/5 Story 3/5 Comedy 0/5

I saw this in the middle of the night, and it wasn't subtitled. Still, I figured out what it was about, despite the fact that I don't speak it's language. It's about what appears to be a painter who rescues an injured woman who begins to rot and spew pus. As she dies, he uses her goop as paint. The film's ending is depressing as it appears that he wasn't playing with a full deck.

The overall tone of the film is bad enough without the bizarre situation, but the fact that the film literally doesn't race makes the outcome more of an effective idea that could be better implemented with a little less patience. Still, when the screen isn't drenched with guts and pus, it's pretty to look at. This is, i guess, a part of some strange series of films in Japan that deal with special effects gore and realism. This works in both areas, but also happens to have a little more to offer.

It is hard to describe the viewing experience for this movie. Even if you have seen the other Guinea Pig series movies, this one is on another level of disturbing. Where the first three are gory, they are also just straightforward dismemberment stories. They are simple and shocking, but no really new ground from hundreds of other horror movies. Mermaid in a Manhole is a different story. It focuses on disease and decay. It captures the lead character's descent into insanity. Then, once the viewer has gone through all this for the first two-thirds of the movie, we move to the dismemberment.

I like the psychological angle of this story and I think it makes this installment much better than the first two, but it is hard to watch and appreciate. To some degree, it reminds me of Nekromantik in that the story is intriguing and pushes the viewer to think about what is happening, but the images are so terrible that it is hard to want to.

Guinea Pig III: Mermaid in a Sewer (Hideshi Hino, 1988)

Mermaid in a Sewer, one of the four Guinea Pig films directed by Hino, is the only one that rivals The Flower of Flesh and Blood in notoriety and popularity. Unlike its more graphic and brutal cousin, Mermaid in a Sewer (often translated as Mermaid in a Manhole, Mermaid in the Bathtub, or any other number of similar titles) actually has a plot to it. An artist (Shigeru Saiki), obviously modeled on Hino himself (Hino's style is unmistakable), draws his inspiration from things he sees and finds in his local sewer system. One day, what he finds among the muck and stench is... a mermaid (Mari Somei). Yes, a mermaid. A very attractive one at that (and one is forced to wonder what, exactly, would motivate an actress to play a part like this...). We find out, after the two have conversed a bit and he's done a preliminary sketch, that she is wounded. He takes her home (how he gets her there without anyone noticing is beyond me) and installs her in his bathtub in order to take care of her.

You can see where this is going, I'm sure. Wound + sewer = bad, bad things.

I'd comment on the acting, dialogue, etc. if I actually understood Japanese. Sometimes watching films in foreign languages with no subtitles is good for the soul, I guess (though anyone who happens to have a script from either 2 or 3 in English who'd be willing to send a copy my way would be remembered in my will, and not with a debt). The couple who lives downstairs from the artist (Masami Hisamoto, Tsuyoshi Toshishige) pop up every now and then to give what would seem a comic turn to the film, which only adds to the disgust and horror. If you get nightmares easily, this is not a film you ever want to see. As Joaquin Phoenix said in what was one of only a handful of lines in _8mm_ that's actually worth remembering, "there are some things you can't un-see." I could never pop this tape into the cassette player again, and certain images would remain as fresh in my mind as they are right now. It's that bad. *** 1/2