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IMDbPro

Une vie à deux

Titre original : The Story of Us
  • 1999
  • Tous publics
  • 1h 35min
NOTE IMDb
6,0/10
25 k
MA NOTE
Michelle Pfeiffer and Bruce Willis in Une vie à deux (1999)
Theatrical Trailer from Universal Studios Home Entertainment
Lire trailer2:20
1 Video
99+ photos
Romantic ComedyComedyDramaRomance

Le couple de Ben et de sa femme traverse quelques difficultés.Le couple de Ben et de sa femme traverse quelques difficultés.Le couple de Ben et de sa femme traverse quelques difficultés.

  • Réalisation
    • Rob Reiner
  • Scénario
    • Alan Zweibel
    • Jessie Nelson
  • Casting principal
    • Bruce Willis
    • Michelle Pfeiffer
    • Colleen Rennison
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,0/10
    25 k
    MA NOTE
    • Réalisation
      • Rob Reiner
    • Scénario
      • Alan Zweibel
      • Jessie Nelson
    • Casting principal
      • Bruce Willis
      • Michelle Pfeiffer
      • Colleen Rennison
    • 166avis d'utilisateurs
    • 72avis des critiques
    • 37Métascore
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 1 victoire et 4 nominations au total

    Vidéos1

    The Story of Us
    Trailer 2:20
    The Story of Us

    Photos119

    Voir l'affiche
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    + 113
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    Rôles principaux41

    Modifier
    Bruce Willis
    Bruce Willis
    • Ben Jordan
    Michelle Pfeiffer
    Michelle Pfeiffer
    • Katie Jordan
    Colleen Rennison
    Colleen Rennison
    • Erin Jordan at Ten
    Jake Sandvig
    Jake Sandvig
    • Josh Jordan at Twelve
    Casey Boersma
    Casey Boersma
    • Josh Jordan at Two and a Half
    Tim Matheson
    Tim Matheson
    • Marty
    Rob Reiner
    Rob Reiner
    • Stan
    Julie Hagerty
    Julie Hagerty
    • Liza
    Rita Wilson
    Rita Wilson
    • Rachel
    Dylan Boersma
    Dylan Boersma
    • Josh Jordan at Three
    Ken Lerner
    Ken Lerner
    • Dr. Rifkin
    Victor Raider-Wexler
    Victor Raider-Wexler
    • Dr. Hopkins
    Albert Hague
    Albert Hague
    • Dr. Siegler
    Jayne Meadows
    Jayne Meadows
    • Dot
    Tom Poston
    Tom Poston
    • Harry
    Betty White
    Betty White
    • Lillian Jordan
    Red Buttons
    Red Buttons
    • Arnie Jordan
    Daniel Henson
    • Josh Jordan at Seven
    • Réalisation
      • Rob Reiner
    • Scénario
      • Alan Zweibel
      • Jessie Nelson
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs166

    6,025.4K
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    Avis à la une

    IKeiller

    Sweet, sad and, um, that's it

    This is a pretty film, often poignant, and a bit too close to the bone at times for my liking. Still, it carries you along quite nicely - making it's point that time grinds marriages down more often than affairs - and then sort of stops.

    The leads were great: Willis was really good, Pfeiffer was fantastic (hey, i'm a fan, okay). But, the characters were tough to take. The self-pity was intercut with nice bits of comedy, but it felt like Reiner was cutting from a wake to a pratt-fall on occasions.

    The final scenes, with Pfeiffer's frightening display of multi-emotional skill (at once excellent and utterly ghastly), betrayed the characters. Normality was implausibly resumed, and Pfeiffer came across as at fault for taking the whole film to get real, and Willis looked much relieved that she'd taken the sanity pill and he could quit trying to change himself.

    And the end was a surprise. I thought there was going to be more: a deeper level of story. But it ended without a sense of closure.
    5cinemel

    Passionate subtle performances by Willis & Pfeiffer enhance this tale of a marriage

    Bruce Willis and Michelle Pfeiffer are Ben and Katie Jordan in `The Story of Us', Rob Reiner's latest directorial effort. The Jordans have been married for 15 years and have reached a turning point in their relationship. Authors Alan Zweibel and Jesse Nelson explore the past and present of the couple in a mosaic of vignettes throughout the years they have been together. There are scenes of joy, laughter, anger and frustration. The film basically takes place in the present as the teenage son and daughter leave for summer camp. The couple decides to separate during the summer vacation to re-evaluate their situation and spare the children any suffering. The scenes jump back and forth revealing the deterioration and lack of any real communication in their day to day life. Zweibel explained in an interview that the screenplay was somewhat autobiographical, but when he realized the script was somewhat one-sided (male) he joined with Jesse Nelson to rewrite the script and deliver a more realistic and even-handed reflection of the marriage. They are fairly successful. However, Willis' Ben seems to be the more sympathetic of the two. In one scene Ben has just begun dinner out with his two best friends,a married couple played warmly and humorously by Rob Reiner and Rita Wilson. In a loud eruption of anger and resentment he voices his emotions disrupting the quiet tone of the restaurant. He leaves the table and paces outside on the street. In this tenderly revealing scene Willis, without a word, shows the life-shattering trauma he is going through. Willis has developed into a fine and subtly sensitive actor. Just when the audience thinks all of its sympathies are on Ben's side, Katie has a 3-minute monologue in which she spews out her reactions to all that has happened. Pfeiffer's performance here is also a tour de force. If only what has come before had the power of these two sequences. Eric Clapton's music effectively underscores the highs and lows, his song quietly framing the beginning and ending of the film. Married folks will definitely identify with this couple. One could hear the sounds of recognition from the audience at the screening I attended. It remains to be seen if this story will attract and entertain a wide range of moviegoers.
    Moon Child

    Realistic, well-made, and a true testament to the fact that true love is forever. . .

    When I first saw the trailer for "The Story of Us" I thought that this film was going to be different from anything I had ever seen. I had been disillusioned by all these movies coming out that are basically the same and it was sort of refreshing to see that finally someone was trying something different. So I set my plans to include this movie--until I heard the reviews. Everyone seemed to hate this film--even my movie-loving cousin admitted she walked out in the middle because she couldn't stand it. She told me that it's more of a "married person" film than a film for teens like us, so I canned my idea. BIG MISTAKE! I wish I could have seen this marvelous film on the big screen--there's something about actors that makes them seem so much better when their faces are as big as you are. Not that that's necessary. After finally seeing the film (my mom bought it and "forced" me to watch it) it just made me realize why almost every movie now is a cliche: some people cannot appreciate truly unique art, which is why I think this movie caught a bad rap.

    I honestly cannot say I have any first-hand experience on the subject of divorce. My parents are still married and have never really had to consider that option. I am still at that stage where marriage is a distant pit-stop on the road to my future. So why did I love this movie? It told me the truth. All of my life I have seen love depicted as an all-powerful, all-conquering thing. And I have no doubt that it is--this movie told me that too. But it also showed me that maybe being in love isn't always a perfect, happy thing. You've got to take the good and the bad. Ben said it best when he told Katie "Nobody said it was going to be easy." Finally. Finally someone tells me it's NOT going to be easy. Now some people think that this film will make you not want to get married. I feel quite the opposite, because it shows you that if you truly love your partner you can get through the tough stuff.

    I don't understand how people can say this movie had bad acting. Were they watching the same movie I saw? Both Bruce Willis and Michelle Pfeiffer were amazing in this movie. I swear that as I watched them I completely believed they were a married couple. And the passion that went into their arguments was not "overacting" as I have seen it dubbed. Have you seen married people fight? It's just like that. And the good thing is the movie didn't choose sides. It just showed the arguments and the feelings behind them and left no one looking the bad guy. And Michelle Pfeiffer's beautiful performance during that closing monologue was worth watching the entire movie, even if you didn't like it. And the cinematography was brilliant. Sometimes flashbacks in movies can be risky, especially if they happen often as in this film. But the movie just seemed to flow wonderfully, and Katie's flashback in the car on the way to pick up the kids from camp is one of the most beautiful scenes I've ever seen in a movie. It's amazing to see 15 years of marriage in 15 seconds and not feel shortchanged. That scene captured everything brilliantly. And Eric Clapton's music adds a lot to the movie. He is definitely talented, but it's also because the music seemed to capture the mood of the film. All in all, this was an amazing experience and is definitely one of the best movies I've ever seen. It's funny, entertaining, moving, and very well-made. I'd recommend it to anyone. Even if you don't like it, you will take something from it.
    6TBJCSKCNRRQTreviews

    Very close to being great, but doesn't quite make it...

    This movie holds so much truth; it cannot possibly be watched by anyone, man or woman who are or who have been in a serious relationship without any such crying at some point during it, or at least being strongly enough emotionally affected to do so. I cried. I cried before the opening credits song was more than a few lines in. It spoke to me like few movies have. It is the first movie about the subject of love that I've watched since I became this involved, physically and emotionally with my wife-to-be. That alone makes the movie have an impact on me, good or not. That it dealt with a subject that has so recently become so important to me. A successful marriage. But while I was this into the film, while it had this impact on me... I can't claim that it was great. The performances are. The editing is. The script is. Most of the parts are. But somehow, the sum, it just doesn't add up to being that... great. It might be that the ending feels flat. It might be that the movie offers no answers, only observations. The movie goes back and forth between present day chaos/unhappiness and fond memories... these were particularly difficult to watch without crying. This works to the film's advantage and creates a sense of more than a non-linear time-line; a life-time, years upon years of memories returning to this old married couple. The story of two people who love each other... they do. They've just tired of each other, of the differences, of the arguing. Comes very close to being great, but it just doesn't quite make it, I'm afraid. Worth watching for any fans of the genre, and has plenty of insights to offer. I recommend this to anyone who is or has been in a serious relationship. 6/10
    7FlickJunkie-2

    Everyone's marriage nightmare come true

    This is a disturbing, bittersweet romantic comedy about two people who's 15 year marriage is unraveling. Actually, it is more of a romantic tragedy than a comedy. Ben and Katie Jordan (Bruce Willis and Michelle Pfeiffer) are two mismatched people in the marriage that never should have been. He is spontaneous, romantic and impulsive, with low frustration tolerance and an explosive hair trigger temper. She is pragmatic, a compulsive perfectionist with unrealistic expectations, and a high need for control. She takes everything personally and never forgives or forgets a slight. They both blame each other for their disappointments. The pattern is clear. He doesn't meet her standards so she snipes, he explodes and then she accuses him of not listening. She then throws up every mistake he's ever made and every fault he's ever had. This goes on ad nauseam as their romantic obsession with one another continues to get the best of any sense they might have to call it quits. Like moths to a flame, they keep returning for another scorching.

    This film is thought provoking in that it portrays marital difficulties that are all too familiar in our society. The problem is that it tries to give every problem known to man (with the exception of wife beating) to this couple and relies on the single strand of a long forgotten romance to be the only chance of keeping them together.

    In watching the behind the scenes featurette on this film, Rob Reiner and writers Alan Zweibel and Jessie Nelson discuss how the story evolved. As it turns out, it was a montage of all their own marital problems. So the film was, in essence cathartic dumping ground for the writers and director.

    As filmmaking, it was terrific. Rob Reiner weaves the story together expertly, creating a stark contrast between the joy of the romance and the reality of the relationship. The film was punctuated by numerous funny and sweet moments that make the viewer smile and glow with delight.

    Michelle Pfeiffer gives a splendid performance of a very emotionally complex and neurotic character. It took a lot of courage for her to take this part because she was playing the least likeable character in the film, something of a departure for her. Bruce Willis was as good as one could have expected considering the fact that nobody was blowing anything up. Actually, he was quite good as the impulsive, childlike romantic, but when it came to the arguments and the serious displays of resentment, he played the scenes too harshly, almost commando style.

    Reiner does good camera work and puts together some good rapid fire scenes that have impact and give great insight into the relationship. He also took the film on location in Venice to add a little romantic interlude, and somehow got Eric Clapton to write a great theme song.

    The problem is the story. Reiner stated in the featurette that he intended this to be a realistic bittersweet look at the real problems relationships face. But he tried to do too much and made this film a grossly exaggerated caricature of a relationship in crisis. It is really "The War of The Roses" lite only it takes itself too seriously. No one I know who saw this could believe that this couple could possibly have stayed married for 15 weeks, no less 15 years.

    The result is a noxious marathon of petty arguments that get under the viewers' skin after a while. It is about as entertaining as watching your best friends have a niggling argument in a public restaurant. The whole thing leaves you very uncomfortable and you don't go home feeling like you've had a nice evening.

    So, while it succeeds as filmmaking, it fails as a film. I gave this film a 6/10. There were so many good elements to it that I can't see trashing it. But the story is one that requires a level of emotional endurance that few viewers will be willing or able to invest to get any enjoyment out of it.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Bruce Willis was going through his own divorce from Demi Moore at the time of filming.
    • Gaffes
      On the drive to pick up the kids from camp Ben has his head turned toward Katie, but in the reverse angle Ben is looking straight ahead then turns toward Katie.
    • Citations

      Katie: I want to go to Chow Funs

      Ben: I thought we agreed we couldn't really talk at Chow Funs

      Katie: I know

      Ben: Are you saying Chow Funs because you can't face telling the kids? Because if that's why you're saying Chow Funs, don't say Chow Funs

      Katie: That's not why I'm saying Chow Funs. Funs, I'm saying Chow Funs because we're an us. There's a history here, and histories don't happen overnight. In Mesopotamia or Ancient Troy there are cities built on top of other cities, but I don't want another city, I like this city. I know what kind of mood your in when you wake up by which eyebrow is higher, and you know I'm a little quiet in the morning and compensate accordingly, that's a dance you perfect over time. And it's hard, it's much harder than I thought it would be, but there's more good than bad and you don't just give up! And it's not for the sake of the children, but God they're great kids aren't they? And we made them, I mean think about that! It's like there were no people there, and then there were people and they grew, and an an an I won't be able to say to some stranger Josh has your hands or remember how Erin threw up at the Lincoln Memorial And I'll try to relax, let's face it, anybody is going to have traits that get on your nerves, I mean, why shouldn't it be your annoying traits, and I know I'm no day at the beach, but I do have a good sense of direction so I can at least find the beach, which isn't a weakness of yours, it's a strength of mine. And God you're a good friend and good friends are hard to find. Charlotte said that in Charlottes Web and I love how you read that to Erin and you take on the voice of Wilber the Pig with such dedication even when your bone tired. That speaks volumes about character! And ultimately, isn't that what it comes down too? What a person is made of? That girl in the pin helmet is still here 'bee boo bee boo' I didn't even know she existed until you and I'm afraid if you leave I may never see her again, even though I said at times you beat her out of me, isn't that the paradox? Haven't we hit the essential paradox? Give and take, push and pull, the yen the yang. The best of times, the worst of times!I think Dickens said it best, 'He could eat no fat, his wife could eat no lean', but, doesn't really apply here does it? What I'm trying to say is, I'm saying Chow Funs because, I love you

      Ben: Did you hear that kids? Mom wants to go to chow Funs!

    • Connexions
      Featured in Siskel & Ebert & the Movies: Superstar/Random Hearts/Boys Don't Cry/The Limey/Romance (1999)
    • Bandes originales
      (I) Get Lost
      Written and Performed by Eric Clapton

      Produced by Eric Clapton

      Courtesy of Reprise Records

    Meilleurs choix

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    FAQ20

    • How long is The Story of Us?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 24 mai 2000 (France)
    • Pays d’origine
      • États-Unis
    • Langues
      • Anglais
      • Italien
    • Aussi connu sous le nom de
      • The Story of Us
    • Lieux de tournage
      • Santa Clarita, Californie, États-Unis
    • Société de production
      • Castle Rock Entertainment
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 50 000 000 $US (estimé)
    • Montant brut aux États-Unis et au Canada
      • 27 100 031 $US
    • Week-end de sortie aux États-Unis et au Canada
      • 9 673 080 $US
      • 17 oct. 1999
    • Montant brut mondial
      • 58 900 031 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 35 minutes
    • Couleur
      • Color
    • Mixage
      • DTS
      • Dolby Digital
      • SDDS
    • Rapport de forme
      • 1.85 : 1

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