Ajouter une intrigue dans votre langueA disadvantaged, abused, neglected, exploited but basically decent kid slips into criminality while trying to cope with his harsh, inescapable reality.A disadvantaged, abused, neglected, exploited but basically decent kid slips into criminality while trying to cope with his harsh, inescapable reality.A disadvantaged, abused, neglected, exploited but basically decent kid slips into criminality while trying to cope with his harsh, inescapable reality.
- Récompenses
- 1 victoire et 3 nominations au total
- Little Joe
- (as Peter Tambakis)
- Rory
- (as Travis Feretic)
- Alice
- (as Alice Blythe)
Avis à la une
I popped in the video after finishing Sleepers and was amazed to find myself watching yet another decade of tortured boyhood. 50's, 60's, 70's, none of it fit in a "Happy Days" world. Now, thirty years on, and I wonder what horror stories the 80's and 90's have bred and who will get the funding to tell us all about it.
"Joe the King" doesn't quite work, for several reasons, least of which is the fact we can't really feel for him. Where are the likable characters? In every life, there are some, and films demand at least one or two. In this film, all the adults are mean or obtuse, oblivious to anyone but themselves. Whaley gave us stereotypes and the actors weren't challenged beyond them. John Leguizamo's character is a bright spot, but realism is blown by him not taking the kid's age into account. In real life he wouldnta talked to him like a balling, boozing buddy, the kid looks to be only 12 or so. Ethan Hawke could have made a difference if he had put in a little effort... showing his sandaled feet bypasses character development, implying warmth and understanding, but the gimmick is wasted by the flatness of his character. His not knowing what "pithy" means blows his credibility as an educated man in a position of power in a school. Gimme a break!
Some scenes are heavy-handed, some merely sketched. (And what is the deal with Kilmer's mega-elbow?? It is framed for viewing, so why?) The level of back talk and profanity is also wrong for the era. Kids mighta had filthy mouths with each other, but exchanges with adults would have left them dusting off their pants after a quick trip to the floor. The title is not explained, and there is nothing at all to suggest why Joe is a King. His peeing in the food makes scant sense when he doesn't even tell his brother about it to ease his suffering.
Music could have been a saving grace, but it is barely explored. This is a depressing film that may have exorcised somebody's demons, at least I hope it did. Basically, though, this film lacks respect, for its characters, its premise, and ultimately, for us.
All of the actors/characters are great in this. Val Kilmer did a really good job playing an abusive father. Noah Fleiss (Joe) was amazing in this. He was very believable. I actually felt bad for him throughout the movie.
When Ethan Hawke came in, I was hoping that he'd help Joe turn his life around and adopt him and his brother. But what we got is just as good. The mother who was played by Karen Young was great in this as well. And of course Joe's brother Mike, who was also really good in this!
The ending was good and well written. Although, this is definitely one of those movies that could have been longer. I would have liked to have seen what happens to Joe in the juvenile facility and after his six months is up.
The negatives: 1. Joe's friend Ray kind of bugged me a few times. And 2. It needed to be much longer.
Overall, really good film. I highly recommend it! The next coming of age film I plan on reviewing is "King Jack". I will then make a list of the coming of age films I've seen ranked.
The film is a disturbing account on a family that appears to be beyond dysfunctional. The father, Bob Henry, is a man that life has passed him by and has sought company with the bottle; he is the janitor in his children's school. As seems to be the case with men in this situation, Bob vents his frustrations with whoever crosses him, as we watch in horror the way he beats his wife.
Joe, the sensitive young son, is ridiculed in school by a teacher at a tender age, where compassion for his state in life would have worked better. As he grows, he becomes a a young man that will do whatever in order to get what he wants. He begins stealing from the stores he is sent on errands as well as from the restaurant where he is employed as a dishwasher. We watch him as he eats hungrily the leftovers that come his way before washing those plates. Eventually, Joe will go to stealing from his boss and getting into trouble that will scar him for life. The only kindness Joe receives is from the teacher counselor in his school.
The best achievement for the director is the acting quality he gets from his cast. Noah Fleiss, who portrays Joe, is the best thing in the film. He is a young talent to watch. Val Kilmer is seen as the father who seems to live in a permanent fog caused by his heavy drinking. Karen Young is Theresa, the suffering wife. Ethan Hawke plays the kind hearted teacher and Camryn Manheim is the horrible one.
"Joe the King" deserves a viewing because of the excellent direction of Frank Whalley.
Le saviez-vous
- AnecdotesVal Kilmer gained a significant amount of weight for his role as an abusive alcoholic father.
- GaffesAlthough the film is supposed to take place during the 1970s, Joe is seen wearing a name brand underwear with the company logo on the waistband. This particular brand didn't produce that style until the late 1990s.
- Citations
Bob Henry: There's people who do good, Joey. They have... a family... a job... I had a job. Swabbed floors, made a livin'. I had a pension comin'.
Joe Henry: I gotta go.
Bob Henry: What I'm sayin' is... There are good people, Joey, and then there are people like me. Don't get caught on the wrong side of that equation.
- ConnexionsReferenced in Return to Innocence (2001)
Meilleurs choix
- How long is Joe the King?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Pleasant View Avenue
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut aux États-Unis et au Canada
- 60 279 $US
- Week-end de sortie aux États-Unis et au Canada
- 11 793 $US
- 17 oct. 1999
- Montant brut mondial
- 60 279 $US
- Durée
- 1h 33min(93 min)
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1