Les âmes perdues

Winona had just had a big hit with "Girl Interrupted," and Ben Chaplin was impressive doing Montgomery Cliff's "The Heiress" part in "Washington Square." So what possessed them to do a cheesy "Exorcist" meets "the Omen" and "Rosemary's Baby" formula movie? In any case, the movie has a good opening twenty minutes and promises real scary stuff to come. You don't know anything about the characters or what's going on and that makes it a little frustrating, but you can forgive the movie for that. Unfortunately, the movie becomes less scary the more the silly plot and characters gets revealed. Probably the silliest moment comes when Winona tells Ben that he fits the profile for the "antichrist" because he's never been baptized. It is hard to see how Winona Horowitz could say such a thing with a straight face.

Apparently the first time director is a great cinematographer. That is usually not such a good thing. Yes, Stanley Kubrick did make the transition, but most cinematographers are too concerned with the lighting and have no idea how to direct actors. That turns out to be the case here, where everybody is just doing monotone line readings.

I confess my love for Winona, but even her presence only makes the film barely watchable and not quite enjoyable or fun.

The majority of the reviewers of this film were looking for a movie that isn't there at the expenses of seeing the movie that is. Lost Souls is a tightly wound question balanced on the edge of a knife: Is Maya a psycho killer or the savior of mankind? Given the fact that most psycho killers believe they are saviors of mankind, I opt for the psycho killer interpretation. The movie, which is a continuous balancing of the question, never letting up on clues that raise the question further, opts to let us decide. It allows Maya to walk away from the car after murdering the person she had convinced was the devil. At the fade out, one wonders how she had managed to get away with murdering her parents and how many more she will murder before she is finally stopped.

Ryder, whose eyes have always been a vehicle for her acting, uses them chillingly in the scene in which she murders Father Lareaux. Studying Ryder's evolving facial expressions as Maya finds out that the Father won't support her delusions, takes action, and then gloats at the outcome will convince anyone she's crazy.

An incredible performance. Or the way she handles the scene in which Kelson, her intended victim, casts back to his past to test if he really could be the devil. Kaminski bolsters it with the imagery of a deer caught in the headlights of an oncoming car unknowingly escaping, for the moment.

Adding up the body count just bolsters the psycho killer interpretation. By her own hand, she kills: the murderer George Viznik, brain dead; Kelson's girlfriend, Claire Van Owen; Father Lareaux and Kelson himself. Murders at her instigation: the investigator, John Townsend; Kelson's uncle/father; and Kelson's brother.

Take a second look. Watch Maya's eyes. Ask yourself at every turn, is this about the devil, or is this about the here and now, a psycho killer walking invisibly among us.

This movie was one of the few that really scared me. It has many moments of actual horror. You can feel the horror surrounding you. It swallows you, almost. Maya Larkin (Winona Ryder) was once possessed by demons. She now helps priests in performing exorcisms. When she finds a name in a numerical code, she must hunt down and convince a skeptic that he is destined to become the anti-christ. This was a very creepy movie. I like the camera-work in it aswell. It makes it look like an older film. I especially like the ending. It was dark and gloomy. I thought it was great. This is a scary movie that people will look back on one day and see it as the year 2000's THE EXORCIST. Altough it got little time out in theaters, this is a movie that I feel will be something some day. LOST SOULS: 5/5.

winona ryder rarely fails to take you to the exact place where your fear (of childhood in other movies and religion in this) is born and leaves you there, standing on the edge of a cliff wondering if you'll end up jumping or not and you sort of dangle there till the end of the movie (yet if you own a sensible mind, the images will haunt you in your sleep). the movie itself is not that scary in my eye, but it does give you enough insight to let your own doubts and questions lead you to where your true fear may lie and this is the real appeal of the movie, so yeah, i recommend it.

Was this made for TV? Probably went striaght to rental. It's ok for a time filler, nothing much more. Couple of scenes may make you jump, or at least curl your lip. Not tooo slow going, just managed to keep my interest long enough until the anti-climatical ending. It's like reading a book only to find that the last page is missing, but then reaslise that it makes no difference...