Un détective traqué par un tueur en série est invité à aller dans une clinique traitant des agents des forces de l'ordre qui ne peuvent pas faire face à leur travail.Un détective traqué par un tueur en série est invité à aller dans une clinique traitant des agents des forces de l'ordre qui ne peuvent pas faire face à leur travail.Un détective traqué par un tueur en série est invité à aller dans une clinique traitant des agents des forces de l'ordre qui ne peuvent pas faire face à leur travail.
- Réalisation
- Scénario
- Casting principal
- Gilbert
- (as Alan C. Peterson)
- Lopez
- (as Angela Alvarado Rosa)
Avis à la une
FBI Agent Jake Malloy (Sylvester Stallone) is tracking down a killer who is picking off cops. After his girlfriend Mary (Dina Meyer) becomes the next victim, his boss (Charles S. Dutton) gets him to go to a rehab for cops who had seen one too many bad things in their profession. But the killer is not finished with Malloy yet...
I'd address the performances, but to be honest, no one is developed enough to make that really matter. The actors do what they can, but the script is to paper thin and director Jim Gillespe is so inept that it doesn't matter. That's a real shame, because the cast members aren't exactly no talent hacks. Sylvester Stallone, Charles S. Dutton, Kris Kristofferson, Tom Berenger, Courtney B. Vance, Robert Patrick, the late great Robert Prosky, Sean Patrick Flannery. All of these actors have talent, but they aren't allowed to utilize them. Polly Walker still manages to be great despite her limitations, and Sly Stallone actually acts.
Given its star power and its great premise, it's hard to imagine anyone screwing this up. With a talented director at the helm and a few re-writes, this could have been the second coming of "Halloween." Alas, we have Jim Gillespie, whose only notable mark on his resume is directing "I Know What You Did Last Summer." I'll admit that making a suspenseful film is hard to do, but Gillespie is totally clueless. He has absolutely EVERYTHING he could need at his disposal, but he isn't able to pull it together enough to make it any more than watchable.
There are worse things you could do with your time, but if you want to get creeped out, watch something else.
It's actually starts surprisingly well. Not only is Stallone's character given a lot of dialogue, Stallone actually *acts* when delivering it. The subsequent events that traumatize his character are well done, with a genuine eerieness to them. Things continue well for a while longer, showing the utter pit of despair Stallone's character has fallen in, and Stallone once again is up to this challenge.
Then he goes to the detox center, and the movie quickly falls apart. The biggest problems are:
(1) WAY too many characters. It was extremely difficult to remember who was who with all these people walking in and out of the camera. It's also difficult to separate each person in your mind because we hardly learn a thing about each character - if we are lucky.
(2) REALLY bad editing. Scenes (and some individual cuts) go by so quickly that we often don't get the chance to properly digest what we're given to ponder. Two things happening at the same time (in different places) are cut back and forth with no seeming purpose, and no coherent flow. Though the DVD has eight deleted scenes, it's obvious that there was originally a lot more shot. I have to agree with another poster that there are signs there was a desperate effort to save the movie in the editing room.
(3) Once in the detox center, poor Stallone has almost NOTHING to do. He's given almost nothing to say, and frequently sits on the sidelines while things are happening. Not exactly a star vehicle, this movie.
Still, there is a good amount of atmosphere, the movie is briskly paced (though sometimes incoherent because of this), and the sets/production values are pretty decent. While I wouldn't have recommended anyone to see it at a theater if it had gotten released there, you have to remember there have been far worse films (with and without Stallone) that did get such releases.
Stallone and the director of I Know What You Did Last Summer sound like an intriguing combination.But this belated picture isn't really.Sly's performance works more thanks to the script than to him,thanks to some emotive scenes at the beginning,otherwise he's as blank as he was in the Rambo movies.Worse than that,the story is told in a really straight-forward,unoriginal way,you can see scenes coming before you've even seen them.There are few real jolts or surprises.There's some okay action in between,but to be honest,it's hard to understand why this didn't go straight to video.**
Le saviez-vous
- AnecdotesAfter the movie was finished in 1999, Universal Studios decided to screen it to a test audience. All the screenings of the first cut got very bad reactions, and the film was then shelved while re-shoots and story changes were being done. A new ending was also filmed in which the main villain is killed in a different way - but even after re-shoots and title changes (the movie's working titles were "Detox", "The Outpost" and "Eye See You"), Universal Studios didn't care for it. After test screenings for the new version also got negative response, it finally received a limited release three years after completion.
In a Q&A for Ain't It Cool News in December 2006, Sylvester Stallone was asked why the movie didn't get a wider release, and he answered;
"It's very simple why D-TOX landed in limbo. A film is a very delicate creature. Any adverse publicity or internal shake-up can upset the perception of - and studio confidence in - a feature. For some unknown reason the original producer pulled out and right away the film was considered damaged goods; by the time we ended filming there was trouble brewing on the set because of overages and creative concerns between the director and the studio. The studio let it sit on the shelf for many months and after over a year it was decided to do a re-shoot. We screened it, it tested okay, Ron Howard was involved with overseeing some of the post-production... but the movie had the smell of death about it. Actually, if you looked up, you could see celluloid buzzards circling as we lay there dying on the distributor's floor. One amusing note: It was funny, when we were met at the airport by the teamsters they'd have a sign in front of them saying DETOX, and all these actors like Kris Kristofferson, Tom Berenger and myself looked like we were going into rehab rather than a film shoot."
- GaffesWhen Malloy is kissing his girlfriend after bringing her the toy monkey, his nose is on the right side of her nose. The POV changes and his nose is now on the other side.
- Citations
[first lines]
911 operator: 911, what is your emergency?
disguised voice: I'm tired of the way things are, as opposed to the way they should be.
911 operator: Is this an emergency? Where are you located?
disguised voice: That really doesn't matter, so hear me out.
911 operator: Can we have your name please?
disguised voice: Of course, "Common Denominator", your man in the street. Now don't ask a another question or I will be obliged to do bad. Doing bad, you would have to assume responsibility. No interruptions. That's natural selection. Born to win, born to lose, born to die, three situations that make up everything in the world. No interference, but interference happens. People need to fear the important task I enjoy doing. I don't believe people are not good by nature, not at all. So if you remove the rule of authority, even the police, then you'll see life as God intended it to be. A world of pandemonium and quotients. Without rules, the weak and diseased would be gone, streets red with blood, the way nature intended it to be. There will be another body found. Thank you for your time.
- ConnexionsFeatured in Last Action Heroes: stars, muscles et testostérone (2019)
Meilleurs choix
- How long is D-Tox?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- D-Tox - Compte à rebours mortel
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 55 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 79 161 $US
- Week-end de sortie aux États-Unis et au Canada
- 32 300 $US
- 22 sept. 2002
- Montant brut mondial
- 6 632 383 $US
- Durée1 heure 36 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1