Un détective traqué par un tueur en série est invité à aller dans une clinique traitant des agents des forces de l'ordre qui ne peuvent pas faire face à leur travail.Un détective traqué par un tueur en série est invité à aller dans une clinique traitant des agents des forces de l'ordre qui ne peuvent pas faire face à leur travail.Un détective traqué par un tueur en série est invité à aller dans une clinique traitant des agents des forces de l'ordre qui ne peuvent pas faire face à leur travail.
- Réalisation
- Scénario
- Casting principal
- Gilbert
- (as Alan C. Peterson)
- Lopez
- (as Angela Alvarado Rosa)
Avis à la une
The story involves a serial killer who has been murdering cops and whose murders will be investigated by FBI agent Jake Malloy (Stallone). When the killer murders Malloy's girlfriend Mary (Dina Meyer) he goes into a funk and finds solace at the bottom of a bottle to the point of contemplating suicide. Malloy's friend and partner Hendricks (Charles S. Dutton) convinces him to go to an isolated D-Tox center in Wyoming run by shrink Kris Kristofferson.
Malloy is thrown in with other cops from various locations who also have demons to exorcise. Among them are Christopher Fulford as Slater who tries to befriend him, Noah (Robert Patrick) who has a chip on his shoulder, McKenzie (Robert Prosky), Jones (Courtney B. Vance), Brandon (Mif) and Lopez (Angela Alvarado) among others. Polly Walker plays Jenny a sympathetic nurse and Tom Berenger and Stephen Lang as two suspicious workers at the facility.
It turns out that the serial killer that Malloy thought he had killed earlier, has in fact infiltrated the D-Tox Center and has begun systematically murdering the people there. But who is he or she?
Director Jim Gillespie gives us a murder mystery rather than an action film. It has the isolation and claustrophobic feeling reminiscent of John Carpenter's "The Thing" (1982) except in this case the killer is human and not alien.
Stallone is good in the lead role experiencing a wide range of emotions. Its one of his better performances in recent years. Of the supporting players, Patrick stands out as well as Fulford, Dutton, Prosky, Vance, Alvartado and Lang. Berenger hardly has anything meaningful to do and is wasted here. And watch for Ron Howard's dad Rance Howard as the proprietor of the lodge that Dutton stays at. "Eye See You" is an under appreciated film and deserves a chance to find an audience. It is hoped that the video release will give it proper visibility.
Stallone and the director of I Know What You Did Last Summer sound like an intriguing combination.But this belated picture isn't really.Sly's performance works more thanks to the script than to him,thanks to some emotive scenes at the beginning,otherwise he's as blank as he was in the Rambo movies.Worse than that,the story is told in a really straight-forward,unoriginal way,you can see scenes coming before you've even seen them.There are few real jolts or surprises.There's some okay action in between,but to be honest,it's hard to understand why this didn't go straight to video.**
FBI Agent Jake Malloy (Sylvester Stallone) is tracking down a killer who is picking off cops. After his girlfriend Mary (Dina Meyer) becomes the next victim, his boss (Charles S. Dutton) gets him to go to a rehab for cops who had seen one too many bad things in their profession. But the killer is not finished with Malloy yet...
I'd address the performances, but to be honest, no one is developed enough to make that really matter. The actors do what they can, but the script is to paper thin and director Jim Gillespe is so inept that it doesn't matter. That's a real shame, because the cast members aren't exactly no talent hacks. Sylvester Stallone, Charles S. Dutton, Kris Kristofferson, Tom Berenger, Courtney B. Vance, Robert Patrick, the late great Robert Prosky, Sean Patrick Flannery. All of these actors have talent, but they aren't allowed to utilize them. Polly Walker still manages to be great despite her limitations, and Sly Stallone actually acts.
Given its star power and its great premise, it's hard to imagine anyone screwing this up. With a talented director at the helm and a few re-writes, this could have been the second coming of "Halloween." Alas, we have Jim Gillespie, whose only notable mark on his resume is directing "I Know What You Did Last Summer." I'll admit that making a suspenseful film is hard to do, but Gillespie is totally clueless. He has absolutely EVERYTHING he could need at his disposal, but he isn't able to pull it together enough to make it any more than watchable.
There are worse things you could do with your time, but if you want to get creeped out, watch something else.
Thrilling suspense movie packs chills , noisy action , gratuitous violence , intriguing events , gruesome slaying and winds up into an astonishing finale . Exciting and stirring development , though predictable , when starring finds that his fellow patients are being murdered one by one . This is an acceptable thriller but contains several flaws and gaps , in fact there was trouble brewing on the set because of overages and creative concerns between the director and the studio ; as producers let it sit on the shelf for many months and after over a year it was decided to do a re-shoot . Nice production design and spectacular snowy scenarios, in fact , the film's snowstorm sequences were shot in Canada . Decent acting by Sylvester Stallone , as he comes off lightly as a cop who comes undone after witnessing a brutal scene on the job . Very good support cast though really wasted , all of them play ex-cops patients varying from psychotically aggressive , paranoids , drunken , suicidal person ; being performed by Robert Prosky , Sean Patrick Flannery , Christopher Fulford , Jeffrey Wright , Angela Alvarado , Robert Patrick , Courney B Vance , among others . Suspenseful and frightening musical score, fitting to action , by John Powell . Colorful cinematography in Panavision by Deam Semler , shot on location in Vancouver , Whistler, New Westminster, British Columbia, Toronto, Ontario ,Canada
This killer-chiller was professionally directed , though with no originality, by Jim Gillespie . After the movie was finished in 1999 Universal studio decided to screen it to a test audience but all screenings of the first cut got very bad reactions by them , it was then shelved for quite some time while re-shoots and story changes were being done , in conclusion , the movie debuted in USA in home video . Jim Gillespie is a director and assistant director, known for ¨Venom¨ and his big hit : ¨I Know What You Did Last Summer¨ . He also has produced and directed for TV such as ¨World without end¨ , ¨The legacy¨ , ¨Shooting Gallery¨ and ¨Cardiac arrest¨
Le saviez-vous
- AnecdotesAfter the movie was finished in 1999, Universal Studios decided to screen it to a test audience. All the screenings of the first cut got very bad reactions, and the film was then shelved while re-shoots and story changes were being done. A new ending was also filmed in which the main villain is killed in a different way - but even after re-shoots and title changes (the movie's working titles were "Detox", "The Outpost" and "Eye See You"), Universal Studios didn't care for it. After test screenings for the new version also got negative response, it finally received a limited release three years after completion.
In a Q&A for Ain't It Cool News in December 2006, Sylvester Stallone was asked why the movie didn't get a wider release, and he answered;
"It's very simple why D-TOX landed in limbo. A film is a very delicate creature. Any adverse publicity or internal shake-up can upset the perception of - and studio confidence in - a feature. For some unknown reason the original producer pulled out and right away the film was considered damaged goods; by the time we ended filming there was trouble brewing on the set because of overages and creative concerns between the director and the studio. The studio let it sit on the shelf for many months and after over a year it was decided to do a re-shoot. We screened it, it tested okay, Ron Howard was involved with overseeing some of the post-production... but the movie had the smell of death about it. Actually, if you looked up, you could see celluloid buzzards circling as we lay there dying on the distributor's floor. One amusing note: It was funny, when we were met at the airport by the teamsters they'd have a sign in front of them saying DETOX, and all these actors like Kris Kristofferson, Tom Berenger and myself looked like we were going into rehab rather than a film shoot."
- GaffesWhen Malloy is kissing his girlfriend after bringing her the toy monkey, his nose is on the right side of her nose. The POV changes and his nose is now on the other side.
- Citations
[first lines]
911 operator: 911, what is your emergency?
disguised voice: I'm tired of the way things are, as opposed to the way they should be.
911 operator: Is this an emergency? Where are you located?
disguised voice: That really doesn't matter, so hear me out.
911 operator: Can we have your name please?
disguised voice: Of course, "Common Denominator", your man in the street. Now don't ask a another question or I will be obliged to do bad. Doing bad, you would have to assume responsibility. No interruptions. That's natural selection. Born to win, born to lose, born to die, three situations that make up everything in the world. No interference, but interference happens. People need to fear the important task I enjoy doing. I don't believe people are not good by nature, not at all. So if you remove the rule of authority, even the police, then you'll see life as God intended it to be. A world of pandemonium and quotients. Without rules, the weak and diseased would be gone, streets red with blood, the way nature intended it to be. There will be another body found. Thank you for your time.
- ConnexionsFeatured in Last Action Heroes: stars, muscles et testostérone (2019)
Meilleurs choix
- How long is D-Tox?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- D-Tox - Compte à rebours mortel
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 55 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 79 161 $US
- Week-end de sortie aux États-Unis et au Canada
- 32 300 $US
- 22 sept. 2002
- Montant brut mondial
- 6 632 383 $US
- Durée1 heure 36 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1