Ajouter une intrigue dans votre langueRyan Kazinski, 16, is in juvenile detention in Fort Myers, Florida. He gets away one day, and the world is all before him: where should he go, what should he do? Should he try to find his mo... Tout lireRyan Kazinski, 16, is in juvenile detention in Fort Myers, Florida. He gets away one day, and the world is all before him: where should he go, what should he do? Should he try to find his mom? Should he head for Colorado, where he's daydreamed about life in the woods. He has a yo... Tout lireRyan Kazinski, 16, is in juvenile detention in Fort Myers, Florida. He gets away one day, and the world is all before him: where should he go, what should he do? Should he try to find his mom? Should he head for Colorado, where he's daydreamed about life in the woods. He has a younger brother, so under cover of night, Ryan visits him. At night, Ryan is on the streets ... Tout lire
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 victoire et 1 nomination au total
Avis à la une
In White Balloon, the whole plot is "two kids go to buy a goldfish, and a bunch of stuff happens to them along the way". That's it. Nothing else. There isn't necessarily any point to any of the stuff that happens to them. There isn't any theme. There's just... lots and lots of stuff. And then the movie just ends.
In the same way, this movie is: a kid escapes from juvenile detention, and a bunch of stuff happens to him while he's on the run. And then the movie is over. What's the point? No point.
If you can get PAST that, then there's a lot to enjoy here. This, in spite of the fact, that as another commenter pointed out, there are lots of technical flaws in the cinematography, that might *appear* to be intentional, "for effect", but are probably just goof ups or inexperience. However, in between the out of focus shots and the "unsteady-cam" shots and the underexposed shots are some really interesting sequences and very nice use of music to create mood.
To really enjoy this film, change your expectations: see it as a series of 3-5 minute "mini-plays" that all happen to revolve around the same character, Ryan Kazinski. And then, just to watch this young actor, Ryan Daugherty in his first feature film, is a real treat. Especially heartbreaking is the scene between Ryan and his brother (played by his real life brother, Jon Daugherty.) I expect that after some casting directors see this film, the phone may be ringing in the Daugherty household.
Ryan, the sweet dumb teen of the movies focus is drawn to serial distractions and fleeting moments with no sense of the impending squalor that awaits him unless he can develop a longer attention span. This IS exactly what suburban adolescence is like. I remember being this frustrated, aimless and nihilistically hopeless.
The suburban environment adults provide young people are desolate, unstimulating places of abandoned dreams, or dreams in holding patterns while the bills are paid. While that rubric is getting worn out in film, this treatment is very fresh.
Truffauts 400 Blows covers the aimlessness of boyhood in a similar way.
Julian Goldberger's "Trans" is a semi-documentary, film festival friendly effort. The story's beginning is very good, with Daugherty's boredom and alienation nicely visualized. His natural and convincing narration gives the film a voice, and would have been welcome throughout the film. Although "Kazinski" presents as a rather ordinary, confused, and probably unintelligent soul, his plight elicits sympathy. However, a series of unspectacular and/or improvised events squanders much of film's initial appeal. An uplifting ending helps.
***** Trans (9/11/98) Julian Goldberger ~ Ryan Daugherty, Justin Lakes, Jon Daugherty, Michael Gulnac
Le saviez-vous
- AnecdotesThe man at the desk as Ryan looks in a window during the street musician / parking meter scene is played by director, Julian Goldberger.
- Bandes originalesPeace
Performed by Lonnie Liston Smith and The Cosmic Echoes
Meilleurs choix
Détails
Box-office
- Montant brut aux États-Unis et au Canada
- 9 623 $US
- Week-end de sortie aux États-Unis et au Canada
- 3 012 $US
- 9 janv. 2000
- Durée1 heure 20 minutes
- Couleur