Terror Firmer

It's hard to describe "Terror Firmer". Think "Living in Oblivian" with Lucio Fulci style violence, filmed by the "Vienna Aktionists" on the set of "Sweet Movie" directed by Groucho Marx and John Waters. Those unfamiliar with the 60's shock artists the Vienna Aktionists; will be surprised at their similarities to troma. The Vienna Aktionists were a group of anarchist stage performers from the 60's, who would put on live surreal sex shows. They would take food, urine, feces, vomit and semen and create shocking works of art. When I think of Troma, I'm reminded of the Vienna Aktionists. Troma's films are so sick and gross, that they teeter on artistic brilliance. O.K, so "Terror Firmer" defies description. Troma is a company dedicated to gore hound freaks and fans of guilty pleasure b-movies. I am one of those fans. Terror Firmer can definitely be considered a surrealist film. It lacks a traditional narrative, it has grotesque imagery and mocks many institutional standards. It's also one giant middle finger to Hollywood. The plot concerns a psychotic, hermaphrodite serial killer; who is killing people off in the most morbid ways imaginable, on the set of a troma movie. Lloyd Kaufman plays Larry Benjamin, a blind movie director who continues filming even though his cast keeps getting murdered. He wants to get his bizarre artistic vision out there. It seems like "Terror Firmer" tries to outdo "Pink Flamingos", "Cannibal Holocaust" and "Salo" in shock. The first five minutes of the film contain a leg decapitation, an abortion, death by corn flakes and a suicidal shot in the head. This film is almost guaranteed to even make the most jaded viewer cringe. Your either laughing or disgusted with shock. There is ridiculous amounts of sex, full frontal nudity and of course "big breasts". Almost every imaginable bodily function or fluid is present, including crap eating. Also the films obsession with pickles is quite disturbing. After viewing this film, you'll never think of pickles the same way again (guarenteed). As repulsive as the subject matter is, the film is pretty damn funny. Just be prepared to squirm too. I appreciate Troma, because after watching "Terror Firmer"; I searched for other bizarre films. I also became interested in surrealism. So if it wasn't for Lloyd Kaufman, I may of never appreciated Bunuel, Godard, Greenaway, David Lynch, Fellini, Jodorowsky, John Waters, Salvador Dali, Jan Svankmajer, Tekeshi Miike, Dusan Makavejev or David Cronenburg. I love Troma, even if their films are sometimes a bit much. They opened up my mind and imagination to new ideas. I know one thing Otto Muehl and Dali would be proud. Now let's go make some art!

Just like Lloyd Kaufman's awesome book, All I Need to Know About Filmmaking I Learned from the Toxic Avenger, this movie is an offbeat, hilarious, gratuitously sleazy (in a good way) item about the world of independent filmmaking. Everyone who reads this should stop and go see the movie if that is at all possible... NOW!

The makers of a Troma film, including its director Larry Benjamin (Troma head honcho Lloyd Kaufman) are both hard at work and hard at play. Some of its crew members get targeted by a crazed mystery woman (Sheri Wenden), who's busy slaughtering people in inventive ways.

It wouldn't be inaccurate to consider "Terror Firmer" a magnum opus, as far as Troma product goes. It goes on a LOT longer than a typical film from the independent studio, clocking in at almost two hours. As a result, if you're not on board with the kind of crude, graceless tomfoolery on display, that will make sticking with this difficult if not impossible.

Of course, if you're a fan of Kaufman and these guys & gals, you'll be amply rewarded with an amazing plethora of bad taste gags and twisted characters. In his review for the excellent sleeper "Def by Temptation", Leonard Maltin referred to Troma as being "aggressively schlocky", which is as good a way to describe them as any. Here they have tremendous fun just tossing anything resembling decorum out the window. They've always *embraced* the tackiness to be found in many a B picture, and you can certainly see that in a lot of the hammy, campy performances and the onslaught of hilariously crude gore effects.

The cast is enthusiastic as Hell. Future Oscar winners they might never be, but they give this production everything that they've got. Will Keenan, Trent Haaga, and Alyce LaTourelle play the love triangle at the heart of the story, with the appealing LaTourelle cast as the script girl who gets a chance to be an acting star. Uncle Lloyd himself is a gas as the flamboyant director, who happens to be blind. B movie icon Debbie Rochon is fine as temperamental actress Christine; look for cameos by such people as Ron Jeremy, Lemmy, and Joe Franklin.

*Obviously* not to many tastes, but if you love Troma to begin with, you'll likely have a good time.

Inspired by the book "All I Know About Filmmaking I Learned from the Toxic Avenger", written by Kaufman and Troma alumnus James Gunn.

Seven out of 10.

As a long time Troma fan I have enjoyed the Renaissance that the company has enjoyed in the wake of Tromeo & Juliet. After the success of Toxic Avenger (and video success of Class of Nuke em' high) troma had fallen off the chart. Several dismal Toxie sequels and the long wait for Sgt. Kubuki Man NYPD created the impression that Troma had lost their way but Tromeo & Juliet reminded everyone why they had fell in love with the company to begin with. Tromeo raised the bar once again for what you could expect from a Troma offering and with high expectations I watched Terror Firmer and thankfully this movie delivered.

Someone is killing people on the set of a Troma film. As the body count rises the crew must rally together to get their blind directors vision to the screen (or at least to the video shelves). From that absurd premise we launch into what I truly believe is the best in house Troma production ever (2nd only to pick up film Cannibal the musical over all) and this movie works as a valentine to the beloved company.

Indie-film god, and troma co-founder, Lloyd Kaufman finally responds to the worlds demands and returns to leading man status as Larry Benjamin, director of the newest Toxic Avenger film. Larry tries to get the best out of his inexperienced, though largely enthusiastic crew. Tromeo himself, Will Keenan plays the Spielberg loving crew member who competes for the affections of the pretty Alyce LaTourelle with Trent Haaga. Haaga plays Jerry, a guy who seems to be living out his dream (as well as the dream of most fans) working on a Troma film. With a very likable cast this film can, and often does, takes many detours. From a Seinfeld parody to a odd public service announcement, the story often wanders off in odd directions only to be corralled back by another killing.

As you can tell by some of the other reviews, this film is clearly not intended for the mainstream. It was specifically designed to appeal to the faithful, not to win over any new fans. From the lead performance by Lloyd Kaufamn to the tons of cameos by Troma veterans like Lemmy, Joe Fleishaker, Trey Parker and Matt Stone and Lisa Gaye this movie seems to be like Troma doing a victory lap to celebrate the fact that in a industry where independents get chewed up constantly, They are still standing. And their fans are grateful for that.

This is considered to be a Troma masterpiece. After seeing it, I suppose I can see why. A Troma film is usually cheap, bloody, and hilarious. This was all that and more. There is literally no limit to the blood, guts, excrement, vomit, explicit sex, death, female full frontal nudity, and male full frontal nudity herein. The film is graphic, horrific, shocking, brutal, and explicit from beginning to end. Is this pornography? Well, not quite. Sure, many may consider it to be, but to me, it's just another major milestone in gross-out cinema. However, can it be topped? I really don't know. I can't really think of many films that feature this much sex and gore in equal amounts. Still, this is entertaining! Sure, it's deeply depraved and shocking, but I enjoyed it. The film wasn't meant to be anything more than what it is. Overall, I'm happy I saw it and I'd happily watch this with my friends, provided that the friends I watch it with are prepared to bare witness to the endless grotesques on display herein. I recommend it, provided that you can handle it.