Le Mariage de l'année

This was the first time in as long as I can remember where the lead characters, though African-American and male, were not tragedies. No drugs, alcohol problems. Each man had a job, neigh a career. It really reminded me of my friends. I know someone that represents each of those characters. Not too long out of college and working our way towards "making it." It really sent the message that African-Americans are able to achieve without a rap video and we certainly don't all sell drugs. It was not a typical "black" movie. It was just a movie about a group of friends, irrespective of the color of their skin. We have brains and know how to use them. This is a more accurate representation of us anyway since what the media shows is a very small percentage. Great job, Spike!

Verrrry nice. I think this is the first good black movie I have seen that didn't need to be but simply was. Well-known, medium-powered Black actors and actresses in a movie that didn't focus on the Black experience. The BEST part... the whole movie was done with thought-out class. The story wasn't about brothers from the 'hood trying to make it in the White Man's world or some racially-charged Spike Lee joint. Think of a great episode of the Cosby Show re-written for an adult audience, bearing a PG-13 rating and you know how you'll feel when you leave the theater. It's about time.

It's always a pleasure to see a film with an all-black cast which is well put together and actually "about" something. The story line of this script -- an author's revelations about his good friends in his first novel, and how potentially damaging they can be -- was plausible and enjoyable. The personality of Quentin, arguably the most complex and fascinating character, was a bit of a tease, and like some of the other viewers, I was hungry for more of him! Nia Long always turns in superb performances, and this one doesn't disappoint. The weakest link in the film was Taye Diggs, whose acting is about as animated as a cigar store Indian . . . but judging from the female audience reaction every time he took off his shirt, acting ability may be irrelevant to his career. On the whole, it's a great "date" flick, and you'll leave the theatre with a big grin on your face.

I was very impressed with The Best Man. As an avid moviegoer, this was the very first Black movie made in recent decades that was done right. As a first major endeavor for Malcolm Lee, my hat is off to him for portraying young, successful, upper-middle class African-Americans in a solid storyline that was at once heart-warming, funny, serious at times, but light at others. Overall... simply very well done. The character's development was executed eloquently and, at times so subtly, I nearly missed some things. The cinematography, costumes and sets were all as they should be: done with class.

This young, successful, upper-middle class African-American says thanks for finally doing it right.

For a few weeks now I've expressed interest in wanting to see "The Best Man." As a white male, when I said this, most people gave me a look as if I just said, "I'm thinking about investing money in 'Phat Beach II'!" There seems to be a belief that "The Best Man" is not a movie for me because I'm white.

If you were skeptical about seeing "The Best Man" because you're not black, ignore those fillings and go see the movie. It's slow at points, and yes, it does have some tired cliches in it, but it was nice to see a movie where people talked and developed relationships, regardless of their skin color.

"The Best Man" is not a black film. Yes, it stars black people and was made by black people, but it's more a film about one's friendships and how they develop as one grows older. Don't miss it because you don't think it's meant for you.