NOTE IMDb
6,7/10
40 k
MA NOTE
L'histoire de la romance entre le roi du Siam et l'institutrice britannique veuve, Anna Leonowens, dans les années 1860.L'histoire de la romance entre le roi du Siam et l'institutrice britannique veuve, Anna Leonowens, dans les années 1860.L'histoire de la romance entre le roi du Siam et l'institutrice britannique veuve, Anna Leonowens, dans les années 1860.
- Réalisation
- Scénario
- Casting principal
- Nommé pour 2 Oscars
- 14 nominations au total
Commentaire à la une
This is a masterful piece of filmmaking that over romanticizes a true story to improve its entertainment value. However, the generous use of artistic license can be almost completely forgiven because the final product is so pleasing. Director Andy Tennant weaves together resplendent visual images, wonderfully warm lighting, magnificent set design, breathtaking locations and beautiful costumes to produce a banquet of sensory delight. I'm surprised this film didn't get more technical awards, since it was one of the most exhilarating filmmaking experiences I had all year.
The story was engaging, though admittedly the characters were overly idealized. This is especially true of King Mongkut, who was far more educated, dashing and genteel than it would have been reasonable to expect. Also, the romantic overtones between him and Anna were a bit much. But the way they were presented enhanced the overall effect so I have difficulty being too critical.
The story also had some constructive subtleties. In addition to the obvious storylines about the education of the children, the effect Anna was having on the King and the impending war, there was a deeper message. It illustrated the truism that exposure to different peoples and cultures can help us to grow in understanding not only of them, but of ourselves as well. For it was clear that Anna was as much changed by Siam and the King as he and the children were by her.
I was highly impressed with the performance turned in by Yun-Fat Chow. His English is much improved since my last viewing of him in Replacement Killers' and The Corruptor'. He imbued King Mongkut with dignity and strength without forsaking the human side. The camera just eats him up. It is easy to see why he has been the dominating force in eastern films for years.
Jodie Foster, on the other hand, was off her game. She was good as Anna, but frankly, we've come to expect more from her. Foster is a powerful actor who didn't seem quite sure what to do with this character. In some scenes she rose to the occasion and gave us the Anna we hoped for; resolute, defiant, opinionated and principled. At other times she seemed tentative and totally intimidated by the role, just limping through her lines. I give her high marks for her English accent, but her total performance just wasn't up to her capabilities.
This was one of the most entertaining and delightful films I've seen this year. Yes, liberties were taken but I am inclined to overlook them. It was beautifully filmed and directed; a feast for the senses. I rated it a 9/10. I highly recommend it.
The story was engaging, though admittedly the characters were overly idealized. This is especially true of King Mongkut, who was far more educated, dashing and genteel than it would have been reasonable to expect. Also, the romantic overtones between him and Anna were a bit much. But the way they were presented enhanced the overall effect so I have difficulty being too critical.
The story also had some constructive subtleties. In addition to the obvious storylines about the education of the children, the effect Anna was having on the King and the impending war, there was a deeper message. It illustrated the truism that exposure to different peoples and cultures can help us to grow in understanding not only of them, but of ourselves as well. For it was clear that Anna was as much changed by Siam and the King as he and the children were by her.
I was highly impressed with the performance turned in by Yun-Fat Chow. His English is much improved since my last viewing of him in Replacement Killers' and The Corruptor'. He imbued King Mongkut with dignity and strength without forsaking the human side. The camera just eats him up. It is easy to see why he has been the dominating force in eastern films for years.
Jodie Foster, on the other hand, was off her game. She was good as Anna, but frankly, we've come to expect more from her. Foster is a powerful actor who didn't seem quite sure what to do with this character. In some scenes she rose to the occasion and gave us the Anna we hoped for; resolute, defiant, opinionated and principled. At other times she seemed tentative and totally intimidated by the role, just limping through her lines. I give her high marks for her English accent, but her total performance just wasn't up to her capabilities.
This was one of the most entertaining and delightful films I've seen this year. Yes, liberties were taken but I am inclined to overlook them. It was beautifully filmed and directed; a feast for the senses. I rated it a 9/10. I highly recommend it.
- FlickJunkie-2
- 22 juin 2000
- Permalien
Histoire
Le saviez-vous
- AnecdotesThe real King Mongkut was paralyzed on one side of his face.This fact is completely omitted from the film.
- GaffesUpon introducing his queens and concubines to Anna, Mongkut states that his concubines are not as numerous as those of the Emperor of China.
Emperor Tongzhi was 5 years old at his ascension. Tongzhi married Empress Xiaozheyi and two official concubines in 1872 at the age of 16. He later married two more Official Concubines before his death from smallpox at age 18 in 1872, which is four Concubines. Tongzhi preferred the company of his wife, Empress Xiaozheyi, to that of any of his four Concubines.
- Citations
[last lines]
King Chulalongkorn: It is always surprising how small a part of life is taken up by meaningful moments. Most often they are over before they start, although they cast a light on the future and make the person who originated them unforgettable. Anna had shined such a light on Siam.
- Bandes originalesJade Cong
Written by Simon Rowland-Jones
Courtesy of Zomba/Firstcom/Chappell Music
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Détails
Box-office
- Budget
- 92 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 39 263 420 $US
- Week-end de sortie aux États-Unis et au Canada
- 5 223 416 $US
- 19 déc. 1999
- Montant brut mondial
- 113 996 937 $US
- Durée2 heures 28 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1
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By what name was Anna et le roi (1999) officially released in India in English?
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