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IMDbPro

Subconscious Cruelty

  • 2000
  • 1h 32min
NOTE IMDb
4,8/10
2,2 k
MA NOTE
Eric Pettigrew in Subconscious Cruelty (2000)
An anthology of horror, consisting of four segments all themed around gory subjects.
Lire trailer1:52
1 Video
35 photos
FantaisieHorreurHorreur corporelleHorreur folklorique

Une anthologie d'horreur, composée de quatre segments, tous centrés sur de sujets sanglants.Une anthologie d'horreur, composée de quatre segments, tous centrés sur de sujets sanglants.Une anthologie d'horreur, composée de quatre segments, tous centrés sur de sujets sanglants.

  • Réalisation
    • Karim Hussain
  • Scénario
    • Karim Hussain
  • Casting principal
    • Sophie Lauzière
    • Anne-Marie Belley
    • Brea Asher
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    4,8/10
    2,2 k
    MA NOTE
    • Réalisation
      • Karim Hussain
    • Scénario
      • Karim Hussain
    • Casting principal
      • Sophie Lauzière
      • Anne-Marie Belley
      • Brea Asher
    • 37avis d'utilisateurs
    • 22avis des critiques
  • Voir les informations de production sur IMDbPro
  • Vidéos1

    Teaser Trailer
    Trailer 1:52
    Teaser Trailer

    Photos34

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    Rôles principaux23

    Modifier
    Sophie Lauzière
    Sophie Lauzière
    • Woman On Slab (segment "Ovarian Eyeball")
    Anne-Marie Belley
    • Hand (segment "Ovarian Eyeball")
    Brea Asher
    • Sister (segment "Human Larvae")
    Ivaylo Founev
    • Brother (segment "Human Larvae")
    Eric Levasseur
    • Lover (segment "Human Larvae")
    Janis Higgins
    • Girl In Photo (segment "Human Larvae")
    • (as Janice Higgins)
    Nadia Simaani
    • Female Performer (segment "Rebirth")
    Anna Berlyn
    • Female Performer (segment "Rebirth")
    Nancy Simard
    • Female Performer (segment "Rebirth")
    Sean Spuruey
    • Male Performer (segment "Rebirth")
    Scott Noonan
    • Male Performer (segment "Rebirth")…
    Mitch Davis
    • Male Performer (segment "Rebirth")…
    Christopher Piggins
    • Businessman (segment "Right Brain…
    Martin Sauvageau
    • Drunk In Bar (segment "Right Brain…
    Annette Pankrac
    • Secretary (segment "Right Brain…
    Vince Sheffield
    • Man On Television (segment "Right Brain…
    Karen Wiener
    • Female Hand (segment "Right Brain…
    Sylvain Rivard
    • Subliminal Body (segment "Right Brain
    • (as Vainvard)
    • …
    • Réalisation
      • Karim Hussain
    • Scénario
      • Karim Hussain
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs37

    4,82.2K
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    Avis à la une

    glyptoteque

    Nocturnal perfection!!

    Now,this is something else indeed!!This is a masterpiece that is so vicious,dark,wondrous,unique,and truly poetic,that it left me completely flabbergasted!!The theme underlying the various images we are presented to,are as follows:The human brain is divided into two hemispheres,right and left.The left hemisphere represent logic and rational thought,whereas in the right hemisphere,dwells passion,creativity,intuition,and irrationality.The interesting question that are being asked,are;what if the right hemisphere were to completely dominate the thought-process?What if our internal "demons"were to be given free reign?What if we could kick little Mr.Logic to death?It is such a joy then,to see that the brilliant Karim Hussain and co.have constructed a satanic-dream-come-true,as an unflinching and blasphemous reply!!

    It is stated somewhere that this film is meant to be pro-religious.What does this imply exactly?Certainly this statement rings true,if we take a closer look at the basis of all religions,which is exactly passion and irrationality!!And we all know the great "passion" that have been injected into the despicable witch/heretichunts and the crusades throughout the history of man.But which is it?Is it really a warning against letting our religious/irrational emotions get the better of us?And telling us to return to morality and dogma?If that's the case,then this is a blatant contradiction.If religion represent one aspect of irrationality,and as I've said irrationality is to be avoided,one would have thought that man's safe-haven would have been the right hemisphere,where logic and rationality resides.But then a return to morality and dogma is ridiculous,because that is religion for you,and religion is in it's very nature irrational.The result is that one has been going in circles,from avoiding passion and irrationality,to fully accepting them,in the dangerous and horrible form of morality and dogma,which is when you think of it only more commonly accepted.

    As long as one have a religion to back up your violence and mad rantings,then it's justified isn't it?(Just take a closer look at what seemingly "logical" acts have been perpetrated in the moral-name of religion,the list is endless!!)In the end you are fooling yourself,in the end you are being just as irrational as the demon or the murderer.The major difference being;one has the guise of hypochrisy,the other is naked.I personally prefer the naked shape.As I said,I prefer to view this piece of art with the outlook of a free and passionate being(religious people would call this satanic,I guess),without the subconscious need to deceive myself.I viewed this film as a nocturnal perfection,wonderful darkness on celluloid,if you will.Everything is simply intelligent artistry;from the truly somber and ferocious "Human Larvae",the beautiful opener "Ovarian Eyeball",the surreal "Rebirth",to the profanating brilliance of "Right Brain/Martyrdom".The musical score is excellent,the same goes for filming/editing,special effects,and last but not least,the dialogue.You must all believe me,when I say that you have never seen anything like it,and most likely never will!!
    5BA_Harrison

    Interesting art-house horror with plenty of WTF moments.

    A gory, low budget, art-house horror with scenes of extreme nastiness, Subconscious Cruelty is not an easy film to watch for several reasons: it is extremely 'symbolic' (some might say pretentious); it has no standard narrative; and it features very unsettling imagery. It is, however, well directed and edited, and features some amazingly realistic effects and a pretty decent score.

    Subconscious Cruelty starts as it means to go on, with a bizarre short segment entitled Ovarian Eyeball in which a naked woman on a table is sliced open; from her wound, an eyeball on an optic nerve is produced. It makes no sense (to me at least), but is certainly visually arresting.

    And so the weirdness continues, with a second 'story', Human Larvae, about a guy who wishes to make a mockery of the miracle of birth by killing his sister's newborn child as it is leaving the womb. This one is without a doubt the vilest story I have ever seen committed to celluloid and should be seen only by those with a very strong stomach.

    Part three, Rebirth, is less intense, with a bunch of naked people rolling around in mud, fellating tree branches and shagging pools of blood! I quite enjoyed this bit after the gruelling nature of Human Larvae.

    The final segment, Right Brain/Martyrdom, fuses religious symbolism with female nekkidness and gore, and is a shocking slice of sacrilegious depravity guaranteed to upset Christians everywhere.

    I can't say that I enjoyed director Karim Hussain's debut, and would hesitate recommending it to pretty much everyone I know, but I imagine that it will definitely have a cult following amongst those people who prefer to delve into cinema's weirder output, such as the films of Lynch, Jodorowsky or Miike.
    7The_Void

    Four morbid tales of mutilation, incest, rape and sacrilege!

    Well, it's safe to say that Subconscious Cruelty is one weird film! Supposedly an insight into the human mind, Subconscious Cruelty is comprises four macabre and bizarre tales of the extreme. The first segment, entitled 'Ovarian Eyeball' is really just a warm up, but it's good in that it gives the viewer an idea of what to expect from the next three segments. It simply sees a naked woman laid out on a table, while another woman cuts into her abdomen and pulls out a human eyeball! I've got no idea what the point is, but it certainly makes for visceral viewing. The following story is the best of the bunch, and takes in the "old favourite" sick movie theme of incest. The segment follows a man who lives alone with his pregnant sister. He's repulsed by her pregnancy - yet he wants to have sex with her anyway, and naturally he gets his way. This story stands out because of the monotonous and 'matter of fact' narration, as well as the ending - which doesn't fail to deliver the shocks. This segment is well acted, well filmed and easily the highlight of Subconscious Cruelty.

    Naturally, the next two sections aren't as good as the second one; so the only way from there is down, but director Karim Hussain still manages to pull something out of the bag before the film ends. He doesn't do it right away, however, as the third segment is the weakest of the film, and simply sees a lot of people have sex with the ground. It's very surreal, and therefore memorable for that same reason; but there doesn't seem to be a lot of point to it, and I was in the mood for something a bit more morbid after the second section. The film ends on a high, however, as while I'm not entirely sure what the point was - the final segment features the film's best imagery. This segment focuses on religion, and certainly isn't for anyone that values it! Director Karim Hussain has achieved something here - as while this collection of four 'extreme' stories doesn't come together as a complete whole, the film almost feels tasteful as it's shot in such an eloquent and eye catching manner. The director would seem to have been imitating the highly respected surreal director Luis Buñuel, albeit with gore, rape and incest; and if you ask me, he hasn't done a bad job at all. Not for everyone, but certainly worth a look for extreme fanatics!
    8ElijahCSkuggs

    Poor Jesus

    Going into this movie I knew two things about it. I knew that it was a real extreme flick, and I knew that it was somewhat artsy. Both appeal to me in their own right, but when placed together it can be something truly unique. And this was damn right, without a doubt, unique. Like I said above, it is an artsy film. The way they used some intense sound, it reminded me a lot of an Aronofsky film. Visually I haven't seen anything like it. The cinematography and lighting were done very well. The movie seriously uses visuals and sounds better than anything I've seen in a while. Especially when you consider the experience these young filmmakers had (couple 20 year olds), you really have to take your hat off to them.

    The movie isn't easy to describe or even discuss. There isn't an actual story….you could say it revolves around the right and left side of the brain and how they control your life…I think. It's four segments, or four ideas brought alive through visual and auditory extremes. There is some talking hear and there, but it's mostly a non-speaking film.

    The first segment is the shortest and it revolves a naked body and an eyeball. Try and guess what happens….wrong. The second segment is my favorite. It involves a brother and a sister (who looks a little like Sarah Silverman, but with bigger boobs). The brother is crazy and the sister is somewhat of a whore. I would say this is the most extreme of all the segments, and the most well made. The gore effects in this one were great. The third segment revolves around a bunch of naked people sexing it up with mother earth. It's probably considered the weakest of the bunch, but still is smart and well made. The fourth segment is probably the strongest of the film and I'd also say the deepest. For myself I'll have to view this a couple times to understand what's truly being said. I know that it tackles Christianity in a way that would most likely make your mother feint or throw up….give it a try.

    Subconscious Cruelty was recommended to me and I'm proud to say this is now in my movie collection. It's extreme, violent, gory, very sexual and surprisingly pretty damn thought provoking. The next line I'm about to say has been used in almost every review I've read for this film. "This movie is not for everyone." Now ain't that the truth. If you're into extreme films and/or you're just a lover of film that wants to see something different….check this out. 8 1/2 outta 10
    7itrevorallen

    Desecration & Demoralization from a poet.

    The movie is poetic. Much of the scenery is cleverly chosen and represents imagery related to creation and the mockery of this world (or more so human nature). Opinions will vary, but to me this justifies the brutal "extreme" nature of the film, something many others lack. It helps that the imagination is not all which is utilized to find purpose in the atrocities taking place On screen, instead your offered a guide who narrates his own thoughts and concepts has he creates these acts of desecration. His acts of self perceived ultimate trauma.

    Cons: there is a major lack of plot going on. Also quite boring at certain points (ie 15+ minutes of people having sex with the bleeding earth) Pros: this lack of plot is further depiction of human nature. Also the gore was very high quality and believable.

    Going With a 7, but it can be easily understood how many are tempted to rate this a 3 or lower. Not the genre for everyone.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Took around six and a half years to make
    • Versions alternatives
      Director's High Definition Remastered Restored Version
    • Connexions
      Referenced in In the Belly of the Beast (2001)
    • Bandes originales
      Eaten By Trees
      By David Kristian

      Copyright David Kristian All Rights Reserved

      Website: www.davidkristian.com

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    FAQ12

    • How long is Subconscious Cruelty?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 21 août 2001 (France)
    • Pays d’origine
      • Canada
    • Site officiel
      • Infliction Films
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Bilinçaltı Zulüm
    • Lieux de tournage
      • Longueuil, Québec, Canada
    • Société de production
      • Infliction Films
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 100 000 $CA (estimé)
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 1h 32min(92 min)
    • Couleur
      • Color
    • Mixage
      • Stereo
    • Rapport de forme
      • 1.66 : 1

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