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Subconscious Cruelty

  • 2000
  • 1h 32min
NOTE IMDb
4,8/10
2,2 k
MA NOTE
Eric Pettigrew in Subconscious Cruelty (2000)
An anthology of horror, consisting of four segments all themed around gory subjects.
Lire trailer1:52
1 Video
35 photos
FantaisieHorreurHorreur corporelleHorreur folklorique

Une anthologie d'horreur, composée de quatre segments, tous centrés sur de sujets sanglants.Une anthologie d'horreur, composée de quatre segments, tous centrés sur de sujets sanglants.Une anthologie d'horreur, composée de quatre segments, tous centrés sur de sujets sanglants.

  • Réalisation
    • Karim Hussain
  • Scénario
    • Karim Hussain
  • Casting principal
    • Sophie Lauzière
    • Anne-Marie Belley
    • Brea Asher
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    4,8/10
    2,2 k
    MA NOTE
    • Réalisation
      • Karim Hussain
    • Scénario
      • Karim Hussain
    • Casting principal
      • Sophie Lauzière
      • Anne-Marie Belley
      • Brea Asher
    • 37avis d'utilisateurs
    • 22avis des critiques
  • Voir les informations de production sur IMDbPro
  • Vidéos1

    Teaser Trailer
    Trailer 1:52
    Teaser Trailer

    Photos34

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    + 29
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    Rôles principaux23

    Modifier
    Sophie Lauzière
    Sophie Lauzière
    • Woman On Slab (segment "Ovarian Eyeball")
    Anne-Marie Belley
    • Hand (segment "Ovarian Eyeball")
    Brea Asher
    • Sister (segment "Human Larvae")
    Ivaylo Founev
    • Brother (segment "Human Larvae")
    Eric Levasseur
    • Lover (segment "Human Larvae")
    Janis Higgins
    • Girl In Photo (segment "Human Larvae")
    • (as Janice Higgins)
    Nadia Simaani
    • Female Performer (segment "Rebirth")
    Anna Berlyn
    • Female Performer (segment "Rebirth")
    Nancy Simard
    • Female Performer (segment "Rebirth")
    Sean Spuruey
    • Male Performer (segment "Rebirth")
    Scott Noonan
    • Male Performer (segment "Rebirth")…
    Mitch Davis
    • Male Performer (segment "Rebirth")…
    Christopher Piggins
    • Businessman (segment "Right Brain…
    Martin Sauvageau
    • Drunk In Bar (segment "Right Brain…
    Annette Pankrac
    • Secretary (segment "Right Brain…
    Vince Sheffield
    • Man On Television (segment "Right Brain…
    Karen Wiener
    • Female Hand (segment "Right Brain…
    Sylvain Rivard
    • Subliminal Body (segment "Right Brain
    • (as Vainvard)
    • …
    • Réalisation
      • Karim Hussain
    • Scénario
      • Karim Hussain
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs37

    4,82.2K
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    Avis à la une

    8ElijahCSkuggs

    Poor Jesus

    Going into this movie I knew two things about it. I knew that it was a real extreme flick, and I knew that it was somewhat artsy. Both appeal to me in their own right, but when placed together it can be something truly unique. And this was damn right, without a doubt, unique. Like I said above, it is an artsy film. The way they used some intense sound, it reminded me a lot of an Aronofsky film. Visually I haven't seen anything like it. The cinematography and lighting were done very well. The movie seriously uses visuals and sounds better than anything I've seen in a while. Especially when you consider the experience these young filmmakers had (couple 20 year olds), you really have to take your hat off to them.

    The movie isn't easy to describe or even discuss. There isn't an actual story….you could say it revolves around the right and left side of the brain and how they control your life…I think. It's four segments, or four ideas brought alive through visual and auditory extremes. There is some talking hear and there, but it's mostly a non-speaking film.

    The first segment is the shortest and it revolves a naked body and an eyeball. Try and guess what happens….wrong. The second segment is my favorite. It involves a brother and a sister (who looks a little like Sarah Silverman, but with bigger boobs). The brother is crazy and the sister is somewhat of a whore. I would say this is the most extreme of all the segments, and the most well made. The gore effects in this one were great. The third segment revolves around a bunch of naked people sexing it up with mother earth. It's probably considered the weakest of the bunch, but still is smart and well made. The fourth segment is probably the strongest of the film and I'd also say the deepest. For myself I'll have to view this a couple times to understand what's truly being said. I know that it tackles Christianity in a way that would most likely make your mother feint or throw up….give it a try.

    Subconscious Cruelty was recommended to me and I'm proud to say this is now in my movie collection. It's extreme, violent, gory, very sexual and surprisingly pretty damn thought provoking. The next line I'm about to say has been used in almost every review I've read for this film. "This movie is not for everyone." Now ain't that the truth. If you're into extreme films and/or you're just a lover of film that wants to see something different….check this out. 8 1/2 outta 10
    glyptoteque

    Nocturnal perfection!!

    Now,this is something else indeed!!This is a masterpiece that is so vicious,dark,wondrous,unique,and truly poetic,that it left me completely flabbergasted!!The theme underlying the various images we are presented to,are as follows:The human brain is divided into two hemispheres,right and left.The left hemisphere represent logic and rational thought,whereas in the right hemisphere,dwells passion,creativity,intuition,and irrationality.The interesting question that are being asked,are;what if the right hemisphere were to completely dominate the thought-process?What if our internal "demons"were to be given free reign?What if we could kick little Mr.Logic to death?It is such a joy then,to see that the brilliant Karim Hussain and co.have constructed a satanic-dream-come-true,as an unflinching and blasphemous reply!!

    It is stated somewhere that this film is meant to be pro-religious.What does this imply exactly?Certainly this statement rings true,if we take a closer look at the basis of all religions,which is exactly passion and irrationality!!And we all know the great "passion" that have been injected into the despicable witch/heretichunts and the crusades throughout the history of man.But which is it?Is it really a warning against letting our religious/irrational emotions get the better of us?And telling us to return to morality and dogma?If that's the case,then this is a blatant contradiction.If religion represent one aspect of irrationality,and as I've said irrationality is to be avoided,one would have thought that man's safe-haven would have been the right hemisphere,where logic and rationality resides.But then a return to morality and dogma is ridiculous,because that is religion for you,and religion is in it's very nature irrational.The result is that one has been going in circles,from avoiding passion and irrationality,to fully accepting them,in the dangerous and horrible form of morality and dogma,which is when you think of it only more commonly accepted.

    As long as one have a religion to back up your violence and mad rantings,then it's justified isn't it?(Just take a closer look at what seemingly "logical" acts have been perpetrated in the moral-name of religion,the list is endless!!)In the end you are fooling yourself,in the end you are being just as irrational as the demon or the murderer.The major difference being;one has the guise of hypochrisy,the other is naked.I personally prefer the naked shape.As I said,I prefer to view this piece of art with the outlook of a free and passionate being(religious people would call this satanic,I guess),without the subconscious need to deceive myself.I viewed this film as a nocturnal perfection,wonderful darkness on celluloid,if you will.Everything is simply intelligent artistry;from the truly somber and ferocious "Human Larvae",the beautiful opener "Ovarian Eyeball",the surreal "Rebirth",to the profanating brilliance of "Right Brain/Martyrdom".The musical score is excellent,the same goes for filming/editing,special effects,and last but not least,the dialogue.You must all believe me,when I say that you have never seen anything like it,and most likely never will!!
    9EVOL666

    Ambitious and Intriguing "Art-House/Gore" Film

    First off - this film will not be for everybody. There are scenes of extreme graphic violence and "disturbing" images that by their nature alone will turn off many possible potential viewers. Obviously from the reviews on this board - SUBCONSCIOUS CRUELTY has divided those that have seen it. I'm among the ones who liked it very much for several different reasons. I feel this was a very ambitious (and quite competently pulled off...) undertaking for a bunch of 18/19 year olds with no budget and little experience. I think that each aspect of the film - the direction, the acting (though the character's performances are more likened to stage or free-form performance because of the nature of the film...) the production, the FX, the score/sound design - all are far superior to many films I've seen that exceed these kids budget and experience ten-fold. I honestly haven't been this impressed with an "art-house" style horror film since Nacho Cerda's GENESIS...

    First off - I'm not going to pretend to understand and/or grasp all of the graphical content in this film - but knowing that this wasn't a straight-narrative type of film when I went into it, I wasn't disappointed with how it played out. SUBCONSCIOUS CRUELTY is 4 relatively short vignettes that all sort of revolve around the theory of right brain/left brain lust/anger/psychosis vs. restraint/compassion/"normalcy". To very briefly give a synopsis of each "chapter":

    OVARIAN EYEBALL basically just has a naked girl who has an eyeball cut out of her abdomen. I'm sure it's symbolic of something - I don't think I was paying that much attention at that point and this one blows by pretty quick.

    The next "episode" - HUMAN LARVAE - is a nihilistic, horrific, genuinely creepy story of a guy who's both in love with and repulsed by his pregnant sister, who gives into his growing psychosis which leads up to the shocking conclusion of that particular chapter. HUMAN LARVAE is the best of the bunch in my book, and will probably get under your skin. The dead-pan narrative dialog accentuates the growing tension as you know something horrible is going to happen - but you're not quite sure what it is. Do yourself a favor and if you are interested in seeing this film - don't do too much research on it. Come into it with an open mind and an iron stomach and I think you be pleasantly surprised, especially with this particular episode.

    REBIRTH has a bunch of people in a field screwing the ground and blowing trees and stuff. Apparently an "arty" interpretation of the rape of the earth or something to that effect. Not bad, but this one is pretty short too and I sorta missed the point on it...

    And RIGHT BRAIN/MARTYRDOM seems to be about religion and religious hypocrisy and also along with HUMAN LARVAE, has some of the "hardest" images/messages of the whole feature...

    OVARIAN EYEBALL isn't anything to write home about, mainly because of it's very short running time but does make a decent segue into the insanity to come...and REBIRTH is also kind of short and not quite as thought provoking, but HUMAN LARVAE (especially) and RIGHT BRAIN/MARTYRDOM are so off-the-wall and well done that they more than make up for the other parts. I think the main reason that I liked this one so much is that as "shocking", "repulsive", "violent" and "excessive" as it is, it is also done very beautifully and you can tell this was a real labor-of-love from those involved. Nothing about the film feels cheap or rushed, and even if the content isn't completely decipherable, it's undeniably original - and that alone up's the points some in my book. Not that every "weird art-house" film that has an unintelligible plot should be praised for it's "originality", but SUBCONSCIOUS CRUELTY is the type of film that I do think I'll watch a few more times in the near future to see what other interpretations I may gain from it. Again, this film is ABSOLUTELY not for everyone - with some VERY extreme scenes of gore, murder, rape, incest, sacrilegious imagery, etc...that is definitely there to shock the viewer into taking a harder look at this film. I have to say it worked for me, and I'm anxiously awaiting the Hussain/Cerda collaboration that is rumored to come next. Check this one out if you have the stomach for it - 9.5/10
    3claudio_carvalho

    Gruesome, Gory, Sick and Disturbing

    A couple of days ago, the censorship did not allow the exhibition of "A Serbian Film" in Rio Fan Festival 2011 in Rio de Janeiro. A friend of mine mentioned that "Subconscious Cruelty" was another polemic film and I decided to watch it.

    "Subconscious Cruelty" is indeed gruesome, gory, sick and disturbing, and one of the nastiest and pointless films I have ever seen. The film is divided is segments and it seems that the only intention of the director is to shock the audiences with a confused narrative and disconcerting impressive images. Paradoxically, the music score is very tender and beautiful.

    Ovarian Eyeball - In the first segment, a naked woman is sliced by a sharp blade and an eyeball is removed from her belly. This surrealistic short is absolutely senseless.

    Human Larvae – in this second segment, a deranged man that hates his sister that is pregnant kills her newborn offspring and she during the delivery. This short is one of the sickliest films I have ever seen.

    Rebirth – in this third segment, a group of naked people rolls around mud and blood in another pointless segment.

    Right Brain/Martyrdom – in this last incomprehensible segment, there are the visible intention to offend the Christians with religious symbolism associated with gore and sex.

    Considering that I did not understand three out four segments, I really did not like this film. My vote is three.

    Title (Brazil): Not Available
    7itrevorallen

    Desecration & Demoralization from a poet.

    The movie is poetic. Much of the scenery is cleverly chosen and represents imagery related to creation and the mockery of this world (or more so human nature). Opinions will vary, but to me this justifies the brutal "extreme" nature of the film, something many others lack. It helps that the imagination is not all which is utilized to find purpose in the atrocities taking place On screen, instead your offered a guide who narrates his own thoughts and concepts has he creates these acts of desecration. His acts of self perceived ultimate trauma.

    Cons: there is a major lack of plot going on. Also quite boring at certain points (ie 15+ minutes of people having sex with the bleeding earth) Pros: this lack of plot is further depiction of human nature. Also the gore was very high quality and believable.

    Going With a 7, but it can be easily understood how many are tempted to rate this a 3 or lower. Not the genre for everyone.

    Histoire

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    Le saviez-vous

    Modifier
    • Anecdotes
      Took around six and a half years to make
    • Versions alternatives
      Director's High Definition Remastered Restored Version
    • Connexions
      Referenced in In the Belly of the Beast (2001)
    • Bandes originales
      Eaten By Trees
      By David Kristian

      Copyright David Kristian All Rights Reserved

      Website: www.davidkristian.com

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    FAQ12

    • How long is Subconscious Cruelty?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 21 août 2001 (France)
    • Pays d’origine
      • Canada
    • Site officiel
      • Infliction Films
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Bilinçaltı Zulüm
    • Lieux de tournage
      • Longueuil, Québec, Canada
    • Société de production
      • Infliction Films
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 100 000 $CA (estimé)
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 1h 32min(92 min)
    • Couleur
      • Color
    • Mixage
      • Stereo
    • Rapport de forme
      • 1.66 : 1

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