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An exceptionally well-done film. Not Hollywood-ish, thus some mixed reviews. But I've viewed this 4 or 5 times, and love it. The editing and pacing are unusually synced to produce the feel of a special film. the music is a big plus. This is a gem to recommend to people who love good film, not those who want yet another blockbuster. Allow yourself the time and focus to move to the same pace, and you'll be rewarded. And the fact that the locus is a bookshop, the home of books which are similarly low-tech and rewarding is a fine match

Aside from the fact that this movie was filmed mostly in Rockport MA, which is a beautiful town where my mother once rented a small storefront and I spent many a pleasant summer as a child, it is fun and cute little film.

I must admit that I had no desire to actually see this movie even though I have a weakspot for romantic comedies (I don't know why). The trailers I saw were not appealing, the cast did not look that interesting and I had no idea what the plot would be about. In the end I found it to be an interesting meditation on relationships and family. I thoroughly enjoyed myself and must admit that I thought that this film was one of the most overlooked gems of last year. I am disappointed that so few people seemed to have enjoyed the very "human-ness" that this movie presented the viewer with.

I have read many bad reviews of this film, and must admit a certain level of shock at the cynicism that is prevalent in them. As a grad student I consider myself to be quite cynical, but this was a beautiful little film that deserves much better than it got.

One of the greatest and most wonderful surprises of 1999, "The Love Letter" is a sparkling little film. Held back by a remarkably asinine trailer--which manages to combine the three or four dull, brief moments in the movie--the picture is a warm-hearted, eminently watchable tale. I had assiduously avoided the flick because of that very trailer, but ended up having to watch "The Love Letter" on an 11 hour flight from Seoul to Vancouver. I could easily have watched it three times--it's that much fun.

Kate Capshaw is bent and broken-down but somehow manages to be both incredibly lovable and believable. Tom Everett Scott is absolutely priceless in his role as a confused young hunk. but any damage they may have done to the overall film is negated by the superb performances of Scott and Capshaw. Sure, it's not worthy of an Oscar. But neither was "Shakespeare in Love", and look what happened there.

Don't know what kind of a mood the critics were in. This is an engaging, funny, nuanced, feel good, well acted, well directed, sophisticated but accessible, gem of a film. Especially enchanting Geraldine McCuen's Miss Scattergoods performance, and an offbeat, warm, funny Ellen Degeneres supporting role. Watch it. You'll be hooked.

Wow! I'm surprised to see so many negative and lukewarm opinions on this movie, which I had never heard of (apparently it was not highly promoted by the studio) but which I luckily stumbled upon on an international flight. I so thoroughly enjoyed it that now I'm interested in more by director Peter Chan and screenwriter Maria Maggenti. I did not know there was a book, either, but I've made a note of it for future reading, too.

I admit I feel a bit defensive now, in the face of the other comments here on IMDB. So, what did I like and why did I like it? First of all, unlike some other viewers, I thought the movie WAS very funny. It takes sort of a Steve-Martinesque view of the tender absurdity of humans and their feelings about each other (OK, OK, I just saw a stage production of Picasso at the Lapin Agile, and the tone reminded me somewhat of this). Although there is physical humor, too, what I liked most were light touches, like how Ellen DeGeneres' character instantly, wordlessly went back to working for her boss (played by Kate Capshaw) as soon as she got the apology she felt she deserved -- after insisting with great finality that it was all over.

I also felt this film was a celebration of the beautiful but almost lunatic breadth and diversity of the kinds of feelings we group together under the heading of "love": everything from young (and older) wide-eyed lust, to slow steady enduring commitment. As well as friendships, coworker relationships like the one just mentioned, family bonds . . . the list goes on.

Most of all, I guess I appreciated the fond, loving tone of the movie. The artists seem really to like, and love, people. Yes, there ARE quite a few characters, and they're all different ages and different sexes, they're about different trials and tribulations, but they're all treated with light-hearted love and respect, for the sometimes silly but vulnerable beings we all are.

So, if YOU like people, I think you'd like this movie.