Daddy and Them

What an odd little film. I expected something a little out of the ordinary, having been a fan of Billy Bob Thornton since Slingblade, and this ALMOST worked but didn't quite - ultimately let down by Thornton's inability to end the movie.

On the plus side, all the performances are good, apart from a rather hysterical turn from Brenda Blethyn, there are some nicely observed family dynamics, a few great comic lines, and the whole movie is lit brilliantly - making it visually interesting instead of potentially dull.

On the minus side, it's film you have to be patient with to discover its good qualities. The dialogue is offbeat and interesting but the plot feels like a long short-film. And then the ending... what a botched job! There's a PERFECT ending which would have made this a succinct, quite special little film. Instead Thorton goes to another scene. And another AND ANOTHER and... who knows how many, because at that point the DVD we were watching got stuck in protest and we all agreed that we'd seen the best of Daddy And Them, and that we should hit eject before we became hostile.

Just watched this movie and felt compelled to comment about it. I have seen Sling Blade and was moved by Thornton's ability to portray a character. Well he didn't let me down in this one either! When I saw John Prine, I almost flipped! I missed seeing his name on the box when I rented it, and it really made the movie! I am a really huge fan of Prine, but never knew he made this movie. I only wish there had been an opportunity for him to sing during the movie, but the song afterward was great. If you watch the DVD version, make sure you listen to the commentary Billy Bob makes when John Prine wakes him up on the hood of the car. I most certainly agree with him that Prine does, indeed, steal the movie!

Filmed in Little Rock, Arkansas, this film is a languid telling of a Southern family's domestic travails. All the characters appear to be enjoying themselves most of the time, except Ben Affleck and Jamie Lee Curtis. And John Prine, who seems to be enjoying himself all the time.

Prine's gravelly voice is a treat. Wait for the credits to roll and you will finally get to hear him sing ("In Spite of Ourselves"—just right for this film).

The soundtrack is stunning, especially the acoustic "Dixie," soft and reflective, strummed while Billy Bob reflects on himself.

Don't miss the director's commentary. Billy Bob Thornton adds quite a bit of insight and detail to each scene.

Pour a glass of wine, build a fire, and enjoy.

I will be the first to admit that I was skeptical about Thorton writing and directing this movie. And since I was (still am) going through a complicated divorce when I saw the movie, it made me cringe a few times in the first half of the movie. Up until Julia had her outburst - after that, things started to converge. Without giving away too much, I'll say that I can easily compare this movie to a symphony that is unconventional in the sense that it doesn't have a climax where a naive audience expects it to be. However, the first half being full of dissonance and stark tones, that almost magically become resolved into a harmony.

Seeing as though the IMDb patrons gave this movie only barely more than a 5 score, what I am going to say now will be controversial: I think Thorton is a freaking genius, and I am glad I watched this movie. For me, this is a solid 8 stars.

From the first time I caught a portion of this film on Showtime until I finally found a copy on DVD, I asked myself, "Why wasn't this released in the theaters?" I have rationalized that it was too real for the average Southern audience and conversely bizarre to a Northern group. Add the fact that Jim Varney was unable to complete the film, which I'm sure, created some last minute re-writes and the botch job the editors did in the cutting room and the answer becomes more obvious.

The movie had a superior cast and each thespian was spot on in the portrayal of their respective roles. From the obvious stars Billy Bob Thornton's portrayal of an alcoholic, troglodytic, narcissistic redneck and Andy Griffith's character whose nightmare plagued view of life was truly delightful to watch, to the unsung Walter Goggins spot-on Southern Homosexual; Tommy Christianson (Jim Varney's alleged victim) and the tandem of Jaimie Lee's and Affleck's portrayals of fish out of water Yankees, all the actors were well above Hollywood's standards.

The writing was as close as one can get to true to life redneck/white trash dialog. I use the terms redneck/white trash with personal pride having spent a good number of my life's years living in a trailer in Alabama. I have been surrounded by and endured these types with much fascination for quite some time and this movie was completely a slice of life. Well worth watching and should be a part of every Southerner's DVD collection.

Through all the madness that ensues in the film, the finale leaves one feeling warm and fuzzy, if you work for it. You can see the potential for change and growth in all walks of humanity. The poor struggle with the past but live in the now. They walk in the shadows of the educated but are far from being imbeciles. Obscene behavior shows ignorance not stupidity. Anyone that sees this film and cannot get past all the verbose behavior in the film will not grasp the underlying love that is being purveyed. The Character's total dysfunction disables them from rational thoughts and actions, however, they do care for one another honestly and carry exceptionally strong family bonds.

Now, for the most troubling aspect; the fatal flaw was the editing. The movie at first glance has some gaps and unexplainable situations that are baffling and distracting. Upon viewing the deleted scenes portion of the DVD the movie's intent and flow are re-established. This is still a very good film. Sadly, it could have been a great one.