Paul Kyriazi strikes again with another bit of crazy action
When I watched this film, I had no idea at all that its director, Paul Kyriazi, also helmed the earlier Death Machines (1976). It seems that a lot of people don't have much good to say about that one but I, on the other hand, thought it was excellent fun. A proper crazy bit of action trash, and highly entertaining. It maybe explains why I found myself enjoying Weapons of Death really, because as I have seen more and more cheap martial arts flicks from the 70's and 80's I've sort of realised I can't really be bothered with most of them at all. I usually find them somewhat tedious with action scenes so relentless that they act as a sleep inducer. Well, for some reason Kyriazi's two action movies didn't bore me at all. I found Death Machines to be the better of the two on account of its sheer insanity levels but Weapons of Death certainly is coming from a similar overall general ball-park.
Set in the San Francisco area, a Chinese crime group hires a band of low level American thugs to kidnap a girl from a rich family from Chinatown, a family who have hitherto refused to pay the gangsters protection money. Instead of bowing to the criminals demands they gather together a crew of fighters to go and rescue the girl and sort the bad guys out.
This American movie sort of tries to come across like it might be an Asian effort, or at the very least a cross-cultural movie. To this end we have multi-ethnic characters all bringing their own individual fighting methods to the table. We have swords and bow-and-arrows mixed in with kung fu and brawling. One of the proponents of the latter is one of the bad guys, a black character called Carter who for me was the most memorable character in the movie. In one scene of inspired mayhem he takes out an entire gang of bikers (or sex offenders), he slashes and boots hell out of them resulting in exploding motorcycles and piles of dead bodies. Great stuff. There are also other notable characters such as a gang of Chinese female ninjas, although to say that they were underused would be putting it mildly. But this one scores in that it has a variety of characters of different types, and some unpredictable plot developments. The action is pretty full-on but it isn't as tedious as it can be in a lot of similar action nonsense. Overall, I found this one to be quite a bit of fun.
Set in the San Francisco area, a Chinese crime group hires a band of low level American thugs to kidnap a girl from a rich family from Chinatown, a family who have hitherto refused to pay the gangsters protection money. Instead of bowing to the criminals demands they gather together a crew of fighters to go and rescue the girl and sort the bad guys out.
This American movie sort of tries to come across like it might be an Asian effort, or at the very least a cross-cultural movie. To this end we have multi-ethnic characters all bringing their own individual fighting methods to the table. We have swords and bow-and-arrows mixed in with kung fu and brawling. One of the proponents of the latter is one of the bad guys, a black character called Carter who for me was the most memorable character in the movie. In one scene of inspired mayhem he takes out an entire gang of bikers (or sex offenders), he slashes and boots hell out of them resulting in exploding motorcycles and piles of dead bodies. Great stuff. There are also other notable characters such as a gang of Chinese female ninjas, although to say that they were underused would be putting it mildly. But this one scores in that it has a variety of characters of different types, and some unpredictable plot developments. The action is pretty full-on but it isn't as tedious as it can be in a lot of similar action nonsense. Overall, I found this one to be quite a bit of fun.
- Red-Barracuda
- 6 oct. 2017