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5,2/10
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MA NOTE
Ajouter une intrigue dans votre langueWhat should have been a romantic getaway turns into one hilarious debacle after another when Michael's woman dumps him in the desert where he gets carjacked by a teenager and he is taken hos... Tout lireWhat should have been a romantic getaway turns into one hilarious debacle after another when Michael's woman dumps him in the desert where he gets carjacked by a teenager and he is taken hostage in a stickup at the local Sip and Zip.What should have been a romantic getaway turns into one hilarious debacle after another when Michael's woman dumps him in the desert where he gets carjacked by a teenager and he is taken hostage in a stickup at the local Sip and Zip.
- Réalisation
- Scénario
- Casting principal
Eduardo Yáñez
- Rodrigo
- (as Eduardo Yañez)
Avis à la une
This movie was okay. It made me laugh out loud more than once. It was however VERY slow moving in parts. I fell asleep watching it on Friday night, but it was decent enough that on Saturday morning I found where I dozed off and continued watching it.
A good point is that the movie manages to be moderately funny without being crude or overly sexual... That's hard to find these days. The biggest negative is that virtually the entire plot occurs in one spot, and you get very little change of scenery throughout the entire movie.
If you're looking for continuous laughs, this may not be the movie for you. But if you can endure the slow parts, the humor will sporadically appear.
A good point is that the movie manages to be moderately funny without being crude or overly sexual... That's hard to find these days. The biggest negative is that virtually the entire plot occurs in one spot, and you get very little change of scenery throughout the entire movie.
If you're looking for continuous laughs, this may not be the movie for you. But if you can endure the slow parts, the humor will sporadically appear.
"Held Up" is one of the those movies that doesn't require a whole lot. It is an enjoyable comedy that played like a comedy of errors.
Jamie Foxx is one comedian that is really funny. I don't think "Held Up" could have been made without him. I enjoyed how Foxx mixed the comedy with scenes of drama. It gave a nice balance to a light-hearted and good natured film. Everyone plays a comedic part in this film from Barry Corbin to Nia Long and Jake Busey. "Held Up" is just good fun.
I have to say that this is not the best film made, but I disagree with those who call "Held Up" the worst movie made. I give this film a 7 out of 10.
Jamie Foxx is one comedian that is really funny. I don't think "Held Up" could have been made without him. I enjoyed how Foxx mixed the comedy with scenes of drama. It gave a nice balance to a light-hearted and good natured film. Everyone plays a comedic part in this film from Barry Corbin to Nia Long and Jake Busey. "Held Up" is just good fun.
I have to say that this is not the best film made, but I disagree with those who call "Held Up" the worst movie made. I give this film a 7 out of 10.
There are a couple of these movies you catch on cable that manage to sneak some real wit and sympathy into a no-man's-land of stylistic boredom that doesn't even earn the name B-movie ( where this kind of movie is concerned, it's always 1986. )
There are rules to watching a movie like this. You never call them by their real name, because you can't remember their real name, but are to be referred to instead by embarrassed asides to your girlfriend that go entirely ignored while she flips through a Zagat guide, such as "I saw this piece of s--t with Burt Reynolds and Sinbad that was actually kind of funny." Also, you never watch them from beginning to end, but catch them in the middle. Failure to obey this law could result in a meteoric drop in self-esteem and feeling of productivity. That feeling like "the day's being wasted."
The art of a car-wash movie consists of brushing against cliché then pulling back at the last moment. The trick isn't to get you to laugh, but to keep you smiling internally. It's all in the delivery. When Jamie Foxx first encounters a vaguely hostile Little League team and says "Children of the corn," it could very easily come off like a hokey black pop-culture reference to get the Magic Johnson Cineplex crowd roaring. But in this movie, he says it quietly, as if to himself, with a girlishly shocked tinge to his voice. The result is that you find yourself chuckling about the line a half-hour later or after the movie has ended, instead of while it's happening. Most of the jokes here work like that.
And Jamie Foxx is so charming in this film. He looks "street" enough but acts the ninnyhammer as well as Woody Allen, and there's a refreshing lack of explanation about why he's such a nerd. Who else can play the badass, the geek, the samaritan, the tormented artist, the preening genius, and every shade in between, and never coast on the support and shared background of a presumed black audience? There is no pandering in Foxx's performances, no trace of the veiled minstrel show that otherwise plagues most black performers who fall back on those tricks for easy laughs.
A prescription: If you don't believe me that there's a finesse to making even a good bland film, then watch Legally Blonde 2 back-to-back with this one and learn the error of your ways.
There are rules to watching a movie like this. You never call them by their real name, because you can't remember their real name, but are to be referred to instead by embarrassed asides to your girlfriend that go entirely ignored while she flips through a Zagat guide, such as "I saw this piece of s--t with Burt Reynolds and Sinbad that was actually kind of funny." Also, you never watch them from beginning to end, but catch them in the middle. Failure to obey this law could result in a meteoric drop in self-esteem and feeling of productivity. That feeling like "the day's being wasted."
The art of a car-wash movie consists of brushing against cliché then pulling back at the last moment. The trick isn't to get you to laugh, but to keep you smiling internally. It's all in the delivery. When Jamie Foxx first encounters a vaguely hostile Little League team and says "Children of the corn," it could very easily come off like a hokey black pop-culture reference to get the Magic Johnson Cineplex crowd roaring. But in this movie, he says it quietly, as if to himself, with a girlishly shocked tinge to his voice. The result is that you find yourself chuckling about the line a half-hour later or after the movie has ended, instead of while it's happening. Most of the jokes here work like that.
And Jamie Foxx is so charming in this film. He looks "street" enough but acts the ninnyhammer as well as Woody Allen, and there's a refreshing lack of explanation about why he's such a nerd. Who else can play the badass, the geek, the samaritan, the tormented artist, the preening genius, and every shade in between, and never coast on the support and shared background of a presumed black audience? There is no pandering in Foxx's performances, no trace of the veiled minstrel show that otherwise plagues most black performers who fall back on those tricks for easy laughs.
A prescription: If you don't believe me that there's a finesse to making even a good bland film, then watch Legally Blonde 2 back-to-back with this one and learn the error of your ways.
During a vacation road trip across the Midwest, Rae is irritated enough but when she finds out that Michael spent $10,000 more than she wanted to on a car she is annoyed because the money could have gone on the house. Rae abandons him at a garage and head to the nearest airport; Michael plans to follow her but when his car is stolen he finds himself stuck in the garage diner. As if dealing with the locals is not hard enough for Michael, a robbery at the garage just makes things more complicated for him.
Although it is apparent exactly what sort of film this was going to be, I was attracted by the presence of Nia Long and Jamie Foxx. The comedy is basic and I had hoped that the playing of the actors would provide enough energy to make up for what I expected to be pretty weak material. True to form the plot is stupid and the humour is very basic and I didn't really ever laugh. Happily the script avoids the usual reverse-racism that seems to be the norm in any comedy with black leads but it doesn't have a great deal going for it in its place.
The film seems to rely totally on the playing of the actors which is a problem because nobody really does that well. Imagine my disappointment when Nia Long turned out to have very little screen time to speak of. Looking down the barrel of the 2005 Oscars, it is amusing to look back and see Foxx as he used to be essentially a clowning comedian who had not been asked to actually act. Here that is all he does and he does manage to make his stuff a bit better thanks to his energy and charisma but he is not a miracle worker and he cannot raise the material apart from once or twice. The support cast features a surprising amount of well known faces but none of them really do much with the basic material; still, it was strange to see Corbin, Cullum, Busey, Hagerty, Jackson, Sanchez and a few other "known them when you see them" people.
Overall a pretty darn poor film all told with very basic material throughout. The cast are reasonably recognisable but only Foxx manages to inject energy and even then he only does it well now and again. Very few laughs and very little entertainment value Jamie Foxx looks to have moved on from this sort of stuff, so should you.
Although it is apparent exactly what sort of film this was going to be, I was attracted by the presence of Nia Long and Jamie Foxx. The comedy is basic and I had hoped that the playing of the actors would provide enough energy to make up for what I expected to be pretty weak material. True to form the plot is stupid and the humour is very basic and I didn't really ever laugh. Happily the script avoids the usual reverse-racism that seems to be the norm in any comedy with black leads but it doesn't have a great deal going for it in its place.
The film seems to rely totally on the playing of the actors which is a problem because nobody really does that well. Imagine my disappointment when Nia Long turned out to have very little screen time to speak of. Looking down the barrel of the 2005 Oscars, it is amusing to look back and see Foxx as he used to be essentially a clowning comedian who had not been asked to actually act. Here that is all he does and he does manage to make his stuff a bit better thanks to his energy and charisma but he is not a miracle worker and he cannot raise the material apart from once or twice. The support cast features a surprising amount of well known faces but none of them really do much with the basic material; still, it was strange to see Corbin, Cullum, Busey, Hagerty, Jackson, Sanchez and a few other "known them when you see them" people.
Overall a pretty darn poor film all told with very basic material throughout. The cast are reasonably recognisable but only Foxx manages to inject energy and even then he only does it well now and again. Very few laughs and very little entertainment value Jamie Foxx looks to have moved on from this sort of stuff, so should you.
Held Up is a movie that will only be liked by those few hard-core Jamie Foxx fans. Yes, it has its funny parts, but they are few and far between. The idea of a man being dumped by his woman, then having his car stolen, and then actually being caught in the middle of a robbery is somewhat ludicrous.
Jamie Foxx is funny in the movie, as he is in all his movies, and with a little help from the sexy Nia Long, who by the way you almost forget is IN this movie, together they make the movie almost bearable. The problem with Jamie Foxx's movies is that they have no feasible plot, and they just stick any comedic situations in to just try and buy a laugh from the viewers.
Now don't get me wrong, I do think that Jamie Foxx is funny, I just think that he needs to choose his scripts better. This movie is a sad attempt at creating a believable storyline. If a movie has `lucked out' and made you laugh a couple of times does it make that movie a good movie? NO! And all the laughs in the world couldn't save this one. Steer clear of this Jamie Foxx flick, and let's just hope that the soon to be released `Bait' will be better. Don't count on it.
Jamie Foxx is funny in the movie, as he is in all his movies, and with a little help from the sexy Nia Long, who by the way you almost forget is IN this movie, together they make the movie almost bearable. The problem with Jamie Foxx's movies is that they have no feasible plot, and they just stick any comedic situations in to just try and buy a laugh from the viewers.
Now don't get me wrong, I do think that Jamie Foxx is funny, I just think that he needs to choose his scripts better. This movie is a sad attempt at creating a believable storyline. If a movie has `lucked out' and made you laugh a couple of times does it make that movie a good movie? NO! And all the laughs in the world couldn't save this one. Steer clear of this Jamie Foxx flick, and let's just hope that the soon to be released `Bait' will be better. Don't count on it.
Le saviez-vous
- AnecdotesWas originally to be filmed under the title Inconvenienced in 1995, with Douglas Keeve directing and Rob Schneider, Lisa Kudrow and Janeane Garofalo starring, until Schneider dropped out just four days before filming began. Robert Downey Jr. was approached to replace him, but the film eventually fell apart, resurfacing in 1998 with Jamie Foxx in the starring role.
- GaffesWhen the sheriff asks for the book and it is removed from the cellophane the book is blue. In later scenes it is a light tan.
- ConnexionsFeatured in TrimarkPictures.com Promo (2000)
- Bandes originalesSave the Drama
Performed by Sean-T, JT the Bigga Figga, San Quinn
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- How long is Held Up?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Inconvenienced
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 8 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 4 705 631 $US
- Week-end de sortie aux États-Unis et au Canada
- 1 911 007 $US
- 14 mai 2000
- Montant brut mondial
- 4 705 631 $US
- Durée1 heure 29 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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