Slow Burn

Underrated indy film. Solid story and fascinating characters. Many elements obviously borrowed from forgotten Frank Norris classic, McTeague, first published in 1899. The Norris novel was the basis for 1925 silent classic Greed, directed by Erich von Stroheim. Greed is generally considered one of the best films ever though the nine hour original and witnesses are long gone. With respect to Slow Burn, I enjoyed watching one aspect of human nature, namely greed, play out under the blazing sun.

Minnie Driver plays a woman looking for diamonds lost by her ancestors out in the desert, when she stumbles upon two criminals (Spader and Brolin) who have miraculously stumbled upon the diamonds on accident, and who quickly take her captive. Driver has to figure out how to get the diamonds to herself and try to ditch her captors, while a mysterious old friend, Stuart Wilson, watches the events unfold from a distance and narrates Driver's past.

Minnie Driver makes an adequate lead, but it's James Spader who makes this movie. He plays a real goon; a rat-like voice and the only one with a gun. He gets increasingly desperate to escape his purgatory in the middle of nowhere and make the diamonds his. His mentally slow but good-hearted partner in crime, Brolin, and the antics of Driver lead his character. A great performance that kept me hooked, despite reading the other reviews.

Great cinematography to this movie. It's all shot in the desert, and the dry heat is beautifully captured. Ditto for the costumes. Spader and Brolin's bumbling conmen aren't used to the weather, and their faces are chapped and blistered in startlingly realistic fashion.

The movie's biggest problem is Stuart Wilson's bizarre, almost random narration. His character isn't very well set up in the beginning and you spend most of the movie trying to figure out his relevance to the story. It's purpose is a way to wrap up the loose ends, but I would have liked the film more if it had just abandoned the explanation of the past and made instead a character study of this trio.

Overall, I recommend it.

The plot is not what brings your focus to bear with this film - it is the absolutely horrible acting performances of the players. James Spader's agent should spend significant resources to pass the rumour that he didn't have a part in this film (he's practically unrecognizable anyway); Minnie Driver's contribution is in the body part only league; and Josh Brolin should not give up his day job. In particular, the language accents taken on by Driver & Brolin are forced, stereotypical, and false. In fact, for me, the disastrous lack of some kind of sanity in the plotline coupled with loser performances of Driver and Brolin made the desert scenes the most interesting part of the film. Spader is a fine actor who just doesn't need this kind of drivel on his record. Scale of 0-10: a 2 for Spader and the desert scenes.

As a Minnie Driver fan, I couldn't believe the tawdry disaster unfolded in the telling of "Slow Burn." Produced in part by Two Drivers (Minnie and her sister, Kate), it gives the impression of two intelligent women based on self-destruction. For three generations, Minnie's forebears have been consumed with the search for her grandmother's remains, and with it, the diamonds with which she disappeared into the desert so many years ago. It has consumed all of Trina's (Driver's) life, from infancy into young womanhood. Now, only Trina and her older mentor (and Mom's former lover) are left. Trina has promised that this will be her final year of searching. After this season, she'll throw in the towel. Two bumbling escaped convicts, one a bit dim (but basically of good heart) - the other given to apparant glimpses of insight between fits of pique, literally stagger upon what three generations of desert veterans have been unable to find. One of the cons is played by James Spader, and I swear I didn't recognize him. (As Martha Stuart might say [as far as a career move is concerned], "This is a good thing." His agent would agree. In short, there are disabled trucks with runaway tendencies. Said trucks seem to appear meaningfully late in the movie, almost cluttering the set ... despite their mechanical devastations. With trucks like these, "OK! I'll take the kids!" There's a sterility in interpersonal relationships that makes evem Driver's character appear to be a cardboard cut out. Is this love in bloom, or heatstroke. There's even a touch of 'Marathon Man" here, for those with expensive "tastes." The premise should have been developed into a taut thriller. However, neither the viewer seeking justice nor the sophisticate in search of irony comes away satisfied. There's a lovely and colorful little bird to win your heart; but this is not the bird director Chrisyian Ford delivers to paying audiences. "Is it safe?" to see "Slow Burn?" Only if it's free and you're desperate for seeing Minnie Driver on the big screen.

Beautiful scenery, including Minnie Driver, but not much else. She remains striking while all the other males in the cast have their skin fall off due to the climate. This movie is clearly a ripoff of the classic "The Treasure of the Sierra Madre", merely substituting diamonds for gold dust. I never could understand the relationships between the characters. Why did she not bolt at the first opportunity, or sleep with one of them? (Either answer would have made more sense than the plot line.)There wan't anyone to root FOR. A hero or heroine would have been nice!