Le match du siècle

I am reviewing this film as an ex pat actor from the UK watching it for the first time in Australia.

Initially I thought Max Beesley had a look of Ewan Mcgregar.

His performance is shows that he his equally talented. The selection of cast and music is a typically British gem. I personally love this style of raw talent. Putting Alan Shearer and Sam Fox into the cast is bizarre but work so well.

Pierce Brosnan you are a star. I love your acting and now I am a fan of your producing.

andy@andy-croft.com

This was actually an enjoyable movie to watch, but nothing I would recommend to anyone as a "stand out". The entire movie centres around the pending soccer match between rival pub customers with the winner vanquishing the losers pub for ever.

The central character is the ultimate hero with the customary love interest that bears fruit at the very end of the movie. There are a couple of Cameo appearances from Alan Shearer and James Bond himself to carry some weight to the cast.

Sometimes these sort of movies can be a very enjoyable experience and I probably saw this one on the wrong day (was looking for something more meaty in plot).

It's sort of like a Full Monty crossed with Notting Hill type movie but not as good as either and certainly not as funny.

That said, passes the time when nothing else to do.

THE MATCH is in the same category of "little UK films" as CALENDAR GIRLS, THE ENGLISHMAN WHO..., LOCAL HERO, etc. which depend on a likable and quirky set of characters to drive a plot that you KNOW will "all turn out right" from the first frame. As many have pointed out, there's not much you couldn't guess about the plot as it proceeds, but I enjoyed being along for the ride. Watching Bill Paterson, Ian Holm, Richard E. Grant and the others obviously enjoying their roles was a pleasure. The slightly odd Celtic soundtrack by Harry Gregson-Williams, plus the interesting choices of source music, added an extra layer of enjoyment. Just ignore the plot holes (would there really have been a bar called L'BISTRO in 1899?) and have yourself a jolly good evening of light fun.

Now this one is a remarkable little gem. The plot is very sympathetic, it has no great ambitions to prove it's a box-office topper, it has a kindness and warmth many a film lack these days, or even, I dare say, these decades. This film is proof that we still need a British film industry, for it has a very strong cast, a very well-written script, and very human elements to deal with. The film really aims at your heart and hits. It's funny, it's real, it is alive. The British these days are really very good at making films that are about all things human but which are not boring; this one is a very good example of it along with Notting Hill, Lock, Stock and Two Smoking Barrels, and The Full Monty (yes, NH is actually US-backed, but it is typically English). When Americans try to be this life-like, the result is as boring as Dancer, Texas, pop. 81. I had just picked this one up for it starred Max Beesley that I had liked at the TV series Tom Jones and the ever-charming Richard E. Grant. I am very pleased that I made a very right decision not only for the two were great to watch -especially Beesley proves he is a very good and versatile actor and he manages a near-perfect West of Scotland accent unlike Richard E. Grant- but for it is a very good film as well. The acting's brilliant, the main event so small and unimportant that it proves life is not actually about saving the world from great enemies of humanity but is a structure made out of small, delightful and not-so-delightful elements; and that love, friendship, competition, are all nice, human desires and are there to be shared. This is one hell of a feel-good film and I hope anyone seeing this review will watch it. It'll make you feel good and human, too. This is the very film if you're feeling bored of all the Cruises, Damons, Willises of Hollywood, for it proves how you can be a very good actor and still not play-act as well. I definitely recommend this to anyone who still thinks cinema is about things human and not necessarily expensive and superhuman/surreal/ridiculous.

It's undeniable that this kind of plot was worked and reworked in many movies but "The Match" has a wonderful locale and a decent cast (also starring the American Tom Sizemore). The team of misfits subject is here handled focusing on quirky characters and on a romantic basis (Willie is still in love with his childhood friend Rosemary). This small-town comedy - with a little Pierce Brosnan cameo - dealing with the underdog theme and the football/soccer popularity, could somehow remind other working class stories but it's completely different from Ken Loach pictures because is less centered on social problems and more on a melhancoly atmosphere. However it works