Angoisse

Thriller was a ground breaking TV series broadcast from 1973-1976 in the Uk on Saturday nights where it kept a regular spot through out it's run. I say ground breaking because this series was produced entirely for TV and was just perfect for the early 70's. By 1973 color TV's were were available to rent, so consequently many households had access to a color telly. Although black and white can often help with the atmosphere in a film, by contrast the color in this series at the time gave thriller a more modern and realistic feel which I think added to it's chilling effect. I know that it sounds ridiculous today with 43" widescreen plasma screens and hundreds of channels to choose from but in 1973 a 19" or 22" colour telly took TV viewing to a new and exciting level which was the real deal back then!

In addition the regular appearance of imported American actors added another dimension to it. It was interesting to see an American actor such as Garry Collins who normally played a good guy in US TV movies acting in the eery and claustrophobic atmosphere of thriller.

With what I can recall when it originally aired was that at no time did you ever really feel safe in thriller, well at least not for long until some sinister event occurred, somebody disappeared or a body turned up. Even when things appeared perfectly normal suddenly you would start to feel that something was about to happen. Another interesting feature was that the stories changed from week to week; some being supernatural, witchcraft, a mystery, a simple crime, murder or some times a combination of two or three.

The creepy and loud music score was certainly memorable at the beginning as well as the during the nauseating moments when you were expecting something to happen was ideal for TV. Yes some of the acting was wooden and even back at the time I thought that some of the expressions and menacing body language was over the top. Having said that the oppressive atmosphere, the dialog, music score, body language, slow camera work was all that producers had back in those days to make it a horror/thriller series.

There was no special effects or huge sets and if you wanted fast cars, fights and action well there was the Sweeney. Also no muscle bound 20-30 year old men here nor women wearing the now obligatory tank tops and spandex pants. Note there was no gratuitous violence ( if you don't count being strangled, stabbed, or shot with a pillow over the nozzle!) and profanity.

Thriller is very dated today but that is because over the last 30 odd years TV has changed so much. What we find entertaining on TV is completely different from 1973. Can you imagine back in the 70's people being entertained by reality TV shows – not a chance ! Thriller probably has a following more for nostalgic reasons than anything else. However, that is understandable because there does come a time when you just get sick of modern TV and the different tone of thriller ironically now appears to provide a refreshing change to the monotonous, identical garbage of soaps, reality TV shows, 24 hour news and our 21st century obsession with celebrities, the internet, computer games and lastly amercian junk TV like jerry springer, sex and the city and desperate house wifes.

Now that thriller is available on DVD I'll certainly check them out and – – – try to watch them on Saturday nights with the lights dimmed!

Classic Seventies VT Drama at it's suspenseful best from one of Television's best-ever writers - Brian Clemens.

Many a youngster who was embarking on their early growing-up years in the mid-70's will no doubt have either vague or very fond memories of this series. These memories will no doubt be of the eerie opening/closing titles and theme music which added to the atmosphere of the stories. "Thriller" does have a vast cult following across the globe and with the lavish 16-Disc DVD Boxed Set now available to buy at a bargain price online, this following will continue to grow. If you're a fan of "Thriller" then you can re-live the magic of what it was like when first watching this on a Saturday night way back when.

The production is certainly of it's time with a combination of VT studio and filmed location footage, along with at least one American Guest Star in, more or less, every episode. Brian Clemens really pulled out the stops with his venture into the supernatural, murder and mystery genre's and kept us on edge with each weekly installment. You'll have your favourites and not-so favourites, but basically there is something for everyone in this British Anthology series. There are plot twists a-plenty in each episode and some less obvious than others, along with some great acting performances from the likes of Robert Powell, Diana Dors, Norman Eshley, Brian Blessed, Hayley Mills et al.

Don't miss out on this one - "Thriller" provides you with a wonderful piece of British Television history that you won't find being shown on Terrestrial TV anymore.

A truly-exceptional series that has largely disappeared into obscurity. This is despite it achieving considerable critical and popular approval when broadcast in the 1970's. It is one of the few British series to have achieved success in the USA and it is not difficult to see why it achieved such popularity.

Unlike most series, "Thriller" was an anthology of separate stories, without recurring characters or situations. This allowed great flexibility in terms of style and story-writing but unfortunately made it more difficult to achieve a long-term identity.When broadcast in the USA and given a rare repeat in the UK in the 1980's it was billed as discrete movies, further eroding its identity.

The show had a very unusual length of just over an hour of action. This allowed more chance to develop stories and explore characters, to great effect. However it also created scheduling problems and has probably helped to kill the chance of further repeats. Unlike better-remembered but unquestionably inferior productions of the time, it was shot on video-tape. Once again artistically this was a great success. It made the action darker and more claustrophobic. Unfortunately this also made repeats less likely with filmed action usually seen as more likely to win wider viewer-approval.

Most credit must go to Brian Clemens. He created the series, wrote most episodes entirely and provided the outlines for all of them. His writing was first-class, and well-supported by guest writers such as Terence Feely. He produced highly intriguing, unsettling, often frightening stories. Astutely, violence was largely kept off-screen and the exact motives of characters were frequently well-hidden. Viewers were forced to use their imaginations, making for deeper and more satisfied viewing. Characterisations were very sophisticated but suitably enigmatic. Most stories featured extraordinary twists and some terrifying scenes.

Direction could still have set things back but was immensely strong. A small team of directors kept true to Clemens's intentions and added great atmosphere. Laurie Johnson's music was perfect - extremely chilling and unnerving - and cranked up the tension spendidly. However the producers also knew when to use silence to powerful effect. They were utterly aware that less is often more.

Acting was very fine. The British performers included many of the leading lights of the 1970's and beyond. Unusually almost every story featured an American actor. Although this was almost definitely to help American sales, it brought an extra dimension. The Americans were able to offer more stylish and classless displays than their more traditional and austere (but still exceptional) British counterparts.

There were inevitably some limitations. The depiction of women was very old-fashioned and often patronising, with far too many references to grown women as "girls". There was an over-emphasis upon portraying women as pretty but helpless, dependent on men to save them. However there were some strong, perceptive and assertive female characters. Generally the view of England is very traditional and deferential, focusing on affluent figures in ostensibly idyllic surroundings. Its world-view was more of the 1950's than the 1970's.

Story-development is a little formulaic. For example, many episodes end with men cradling distressed women. However it should be remembered that "Thriller" was intended for a popular audience and not for the avant-garde, and some predictability goes with the territory and is often part of the fun.

The American versions feature filmed titles and music added long after original production by different companies. The music is sometimes very effective but the titles are unnecessarily long, often amateurish or crass, and alien to the main episodes.

However these are minor points. "Thriller" triumphs irrespective of these reservations, and no production is perfect. Any sophisticated viewer lucky enough to see an episode should be hugely impressed with what is seen. One hopes that stories will appear on DVD or video or receive a repeat broadcast so everyone can see what they have been missing!

I remember staying up late and watching this show in syndication on WGN-TV in the late 1980's. It was a fascinating series of almost feature-length suspense stories which were written mostly by Brian Clemens and starred a mostly British cast. It was while watching this show that I "discovered" many of my now favorite actors, including Pamela Franklin, Judy Geeson, Hayley Mills, Patrick Magee, Jeremy Brett, Donna Mills, Ian Hendry, Carol Lynley, and Carroll Baker. Sadly though, the series seems to have all but vanished, as it no longer appears in syndication and the selected few episodes that were released to videotape have long gone out-of-print. It would be utterly fantastic if they would release all of the episodes to DVD!

Quite campy but enjoyable screenwriting. Unexpected actors from both sides of the pond makes it fun!