Virtual Sexuality

I stumbled upon this movie accidentally. In any other situation I would have most likely turned the TV off and paid this movie no mind. But once I started to watch it I couldn't turn it off. I tried but my hand would slowly wander back to the remote. The acting wasn't the best that I've seen. The plot was horrible and predictable. Yet I was compelled to watch on. I've seen movies that have claimed to be intellectually stimulating and left feeling as though I had been robbed of something. But with this movie you walk in expecting nothing and therefore you feel as though you've lost nothing when you're done. I would suggest seeing this movie if you're looking for something fluffy, candy-coated, and just plain entertaining.

Nobody that sees this movie will tell you that the plot is spectacular or brilliant, but I think most people will be fairly entertained by it. There are, as in most movies, some slow times or failures, but there are some interesting developments dealing with the main characters, primarily how the girl acts in her new body as a guy. It's really a toss up whether or not the movie is worth seeing. If you're in the mood for a fairly simple but mostly entertaining film, go ahead and check it out. If you prefer heavy or artistic movies with flawless and deep plots, you should probably avoid this one. It is also worth noting that the English accent is sometimes hard to understand, so if that annoys you, this movie will too.

While the premise of this film has been done, it starts out with enough freshness and humor to keep you watching. Justine's early escapades inside the body of her own "perfect man" are quite humorous and Rupert Penry-Jones as Jake does a great job portraying a man, with the "personality" of a teenage girl, Justine. But past the halfway mark this film loses complete direction. We grow to really like the endearing Jake, but we discover that Justine is also a separate entity to him, (i.e. the machine made a double of Justine as a man, so there are two of them, one male, one female). And then the film follows Justine in her efforts to snag Jake, (as she doesn't know he is really her). The movie tries to make her the central character again, and fails because we really don't care anymore -- she's hardly as interesting. It also takes a detour at the moment when some intriguing and more controversial issues are about to be raised. Jake is being seduced by a girl at school that everyone calls, "hoover",(take a guess why), and after she spends sometime kissing him on the street, we never see her again. It raises an interesting question of sexual preference, i.e. justine inside a man's body being attracted to a woman, but the movie skirts the issue, wanting instead to regress into a high school soap opera. At the close of the film Jake is deleted in a quick wrap-up effort to make this a movie about loving yourself and waiting to lose your virginity to a "nice guy," who may not have the looks, but has the personality. Its hokey sub-plot about the scientists trying to recapture Jake to perform scientific experiments on him only hinders the movie even more, making certain scenes into a slapstick comedy. Its unfortunate that something could start out interesting enough and plummet so quickly. But the first half-an-hour is worth watching, if for nothing else than Rupert Penry-Jones (Jake)as he "explores" his new masculine body.

A British teen movies which centres around a girl (Justine) accidentally creating her dream man (Jake) in by the use of a virtual reality machine, there is only one problem (well….not just one…) she gets trapped inside his body with a geek as the only person who knows the truth and the only person she can trust. It sounds a lot worse than it is, I found it more watchable for the reason that Laura Fraser was starring in it more than the film content, indeed she looks stunning throughout especially when she dresses in a red lycra dress in order to impress Jake, WOW!!, If only I had a virtual reality machine

Virtual Sexuality proves that Britain can produce romantic comedies as vapid as those from America. The only differences are an ending that ties up the loose bits differently than an American film would and a cameo by Ram John Holder, which is always welcome. That's enough to make this a watcher on a cold winter's night.