Ajouter une intrigue dans votre langueA wealthy attorney in San Juan comes to the police station for "10 minutes" of follow-up questions to finding a 12-year-old girl's body in a park. Another young girl was also raped and murde... Tout lireA wealthy attorney in San Juan comes to the police station for "10 minutes" of follow-up questions to finding a 12-year-old girl's body in a park. Another young girl was also raped and murdered weeks earlier and the evidence points to him.A wealthy attorney in San Juan comes to the police station for "10 minutes" of follow-up questions to finding a 12-year-old girl's body in a park. Another young girl was also raped and murdered weeks earlier and the evidence points to him.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 2 nominations au total
- Maria Rodriguez
- (as Jackeline Duprey)
- Reina
- (as a different name)
Avis à la une
Everyone loves a good thriller so it was a surprise to me how quickly this film with it's heavy-weight cast managed to slip through the UK cinemas almost unnoticed. There is nothing significantly wrong with it to justify the low box office it seemed to generate, so I'm not sure why it happened. The story is set, for unknown reasons, in San Juan, a fact that is only distracting as none of the principals are Puerto Rican and their presence there is never really settled. Anyway, the film is very much a play that is carried by the two main characters. The revelations and movement of the plot is engaging and it is great fun to watch. The ending is difficult though - we are taught to expect a certain type of ending in this sort of film and it is slightly disappointing when it doesn't come.
I expected a big twist and, in a way, that happened but the fall out from it isn't well explained by the film and a lot is left for you to think about. In that respect it is difficult, again because we are not expecting that type of ending but also that it is quite hard to understand as it is very tied up in the emotions of complex characters - complexities that we having been watching because we've only been seeing them as `twists' and revelations. That said, I still enjoyed the ending and thought it was brave to be different - just a shame it was badly handled.
The cast are roundly great and are a big reason that the film remains gripping. Hackman and Freeman are great actors and having them both in the same film was enough of a draw to get me watching. The vast majority of their scenes are shared and they interact together really, really well when it comes to the dramatics. What they don't do as well is convince that they really are old friends. Jane is good but his character is far too simplistic and brash. Bellucci is better than I have seen her, but she is a little too wound up emotionally. She is very good looking and I was glad that the film didn't just trade on that, but it didn't (or couldn't) get a great deal out of her.
The director manages to add energy and style to what could have been a rather contain piece (like a play). Visually it is exciting but, looking back, it was more important to develop character than deliver a slick thriller - something he didn't do well at all. The ending is weak because it takes thought, as we have not been forced to look at the complex characters. It was Hopkins' job to make us do that but he can't manage it.
Overall this is an enjoyable film that will frustrate many with the ending. Despite being a clever and different conclusion, it doesn't really work because of the director making the wrong sort of film to suit that ending. However for the vast majority it really works and the strength of the two lead performances mean that, for all it's flaws, this is never a dull film.
There was a strange case here where the movie was a different type of movie to what I thought it was, but I didn't realise that until the final five minutes of the film. I won't say any more to avoid spoilers, however if you've seen it you likely know what I mean by that. I liked the mystery element the movie had going for it. I enjoyed playing along to see if I could work out what was happening. I could not, but it was still a fun ride.
For a movie with very little in the way of action, it still moves along at a brisk pace. Some well written dialogue and how well it is delivered helps in big part on this front. It didn't turn out to be the movie I wanted it to be, but it was still a fun journey along the way, and it's hard to be mad at that. 7/10.
For nearly the entirety of its running time, the film is executed brilliantly. There is no action: it keeps the audience's attention through its intelligence, brilliant construction and the reliably excellent performances of Freeman and Hackman. We are not given definitive evidence, and many strange and suspicious things crop up that we yearn to find out about.
This could well have been one of the greatest mystery films I've seen... Until the ending. The ending leaves the audience without an explanation - and not in a good way that lets the audience ponder. It's an ending that leaves you shouting at the screen for an answer.
Overall, I'd recommend this film because it will keep you entertained and on the edge of your seat for more than an hour and a half. Just prepare yourself for an ending that will leave you wholly unsatisfied and rather annoyed.
Almost the whole story, except for flashbacks, in this stage-like movie takes place in a police captain's (Freeman) office as he interrogates the murder suspect (Hackman). It goes on and on and gets depressing after awhile.
And....if you think that long segments gets tiresome, the ending will really leave you frustrated. See other reviews if you want to find out the ending.
Le saviez-vous
- AnecdotesRemake of Garde à vue (1981), directed by Claude Miller with Lino Ventura, Michel Serrault and Romy Schneider.
- GaffesChantal Hearst spits on the one-way mirror When the mirror is seen again, her spit has disappeared.
- Citations
Captain Victor Benezet: Go home. Put on a funny hat. Do whatever it is morons do.
Meilleurs choix
- How long is Under Suspicion?Alimenté par Alexa
Détails
Box-office
- Budget
- 25 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 260 562 $US
- Week-end de sortie aux États-Unis et au Canada
- 109 863 $US
- 24 sept. 2000
- Montant brut mondial
- 1 308 242 $US
- Durée
- 1h 50min(110 min)
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1