Hypnose

I have always admired and marveled at Kevin Bacon's versatility as an actor. From the likable fish-out-of-water guy who trips the light-fantastic through a piece of fluff like FOOTLOOSE, to putting everything on the line to play a pedophile in the unnerving THE WOODSMAN, there's hardly anything he can't - or won't do - to show his amazing range.

That being said, STIR OF ECHOES still holds what is for me one of his all-time Top Five performances.

He plays Tom Witzky, a regular mug living with his family in a working-class suburb of Chicago. Though he loves his family, hotter-than-hot wife Maggie (Kathryn Erbe) and precocious son Jake (Zachary David Cope), he's also a man becoming bored with his life. He wants to do and be something more than who and what he is.

Obviously, the old adage "be careful what you wish for" went right over Tom's head.

At a party for family and friends, Tom volunteers to be hypnotized by his flaky sister-in-law, Lisa (the always excellent Illeana Douglas), who makes a powerful suggestion to Tom that his mind takes literally. What happens next will change his life and everyone's around him forever.

A 'doorway' has been opened inside Tom's head that allows him to communicate with the dead, and for them to reach out and touch him...whether he wants to or not. When the "nightmares" that he's been having begin to intensify, Tom knows he must find a way to close that doorway for good before he loses his family...and his sanity. The urgency is heightened when he discovers how sensitive he was before the hypnotic suggestion, in the most chilling way possible...it seems that son Jake can see and talk to the dead as well.

In the tradition of THE CHANGELING, LADY IN WHITE and THE SIXTH SENSE, the focus of Tom's visions comes from one apparition in particular, who won't leave him or his family in peace until he can figure out what it wants and why. The situation provides fodder for one intense and terrifying performance, and with help from a strong supporting cast, Bacon comes through like a champ.

When movies like this are adapted from older works by classic authors, I usually proceed with the greatest caution. But Richard Matheson's creepy novel has been skillfully transformed by David Koepp, a man who knows a little bit about balancing thoughtful plotting and dialogue with outright terror, (as in APARTMENT ZERO) and the outstanding job he does here will make you think twice the next time somebody wants to 'put you out' at a party with something more than just shots of Captain Morgan...

In 1999, the media was in a frenzy about a new film that used real things to terrify and excite its audience. Stir Of Echoes was not it. Partly due to the studio's financial difficulties, Stir Of Echoes came and went by itself, unsung and unappreciated. Which goes to show that recognition in the Hollywood system does not go to innovators or the best storytellers. It is all about marketability, and while Stir Of Echoes had this, the companies involved in making or distributing it did not seem to want to spend the cash involved in taking advantage. Either that or Artisan and Fox decided to use it as their tax write-off for that year.

I have not read the novel by Richard Matheson, so I cannot comment on how faithfully the film follows its source. But that is irrelevant. When compared to its more big-name competitor, at least Stir Of Echoes has the courtesy to acknowledge its source. The film updates the story to a more modern era, thus saving a few dollars, since period pieces are expensive to make. In fact, the dramatic angle of the film keeps it rather cheap, since effects shots are few and far between. Not to mention the effects that do appear are fairly simple in nature. Indeed, Stir Of Echoes only cost about thirteen million to make, according to estimates. Which makes it all the more peculiar that Fox was unwilling to invest a little more effort in publicising the film.

Kevin Bacon is in fine, fine form as the film's central hero, a regular guy called Tom Witzky. Kathryn Erbe is also in great form as his wife, Maggie. Illeana Douglas is decidedly odd as his sister-in-law, Lisa. But the real surprise here is child performer Zachary David Cope. After the pretender, that pile of sachaarine garbage called The Sixth Sense, child stars had such a bad reputation that Zachary deserves a medal for portraying such a genuinely likable, layered character. Indeed, director David Koepp took one hell of a risk by placing so much of the responsibility for the plot on his shoulders. That it pays off is a testament not only to the strength of Zachary David Cope's performance, but to the strength of the material he was given. Indeed, all the best scenes in Stir Of Echoes involve interaction between Zachary, Kathryn, and Kevin.

I do think this film has its faults. Chief among them is that the story needed another ten minutes to properly develop. Plot threads like the group of psychics, a member of which helps put Kathryn Erbe's character on the path of greater understanding, needed better resolution. One moment, Maggie is asking this policeman why her husband is obsessed with a scene of memories to the exclusion of his job. The next moment, not only are details like the job forgotten, so too is the group and the policeman. Smoothing out intricate plot points such as this would have helped the story no end.

In the end, however, Stir Of Echoes is proof that the artistic work one does not hear about may just be the one that has more merit. If nothing else, it is worth watching to see a small ensemble cast that excels. Even small performances like Liza Weil's demonstrate a sense of dramatic flair that has long fled most of the rest of Hollywood. It is for this reason that I gave Stir Of Echoes an eight out of ten. It is worth watching just to see how badly misdirected the hype machine often is.

This creepy thriller concerns about a family, when the marriage goes to a party into a calmed neighboring, happen weird events. Tom (Kevin Bacon, Sleepers) being hypnotized by his sister in law(Ileana Douglas), then, he winds up with clairvoyant abilities that link to disappeared teen girl(Jennifer Morrison, today famous by House). These faculties also have traumatized his young boy( similarly to kid in ¨The sixth sense, he isn't only one seeing dead), carrying the fear under his frail shoulders, but he can communicate with the deceased adolescent and presumed missing. Tom and son's visions lead to have problems with his wife(Kathryn Erbe, Law and Order) and friends(Kevin Dunn, secondary in Gozzilla). It leads to unexpected and breakthrough twist ending about what's happened before.

The movie packs suspense, tension, shocks, grisly horror and eerie scenes when the ghoul appear. The film takes accent as the suspense as well as the terror. Provides an imaginative, highly original and well-knit screenplay by David Koepp, also director, and based on novel by Richard Matheson. Sinister and mysterious atmosphere is finely made by cameraman Fred Murphy. Creepy music score fitting to the horror film by James Newton Howard, he's habitual maker of frightening atmospheres such as ¨Sixth sense, Devil's advocate¨ and composer of all films by Night Shyamalan. The motion picture is well directed by David Koepp, a famous screenwriter(Zathura, War of the worlds, Spiderman, Mission impossible) and occasionally director(Secret window,The trigger effect). The flick will like to terror fans because gets decent scares and intense sequences of horror.

Stir of Echoes (1999) tells the story of Tom, a middle aged man who, after being hypnotized, starts seeing things. This is the start of a suspenseful psychological thriller that sucked me in and did not let go until the credits rolled.

The acting by all the lead and supporting characters is more than adequate. Kevin Bacon is right at home in his role of a somewhat bitter individual who undergoes heavy changes throughout the film. He does a great job, as do the other actors. The film is shot in a sober and down-to-earth way, giving it a serious tone. Plot wise, the movie is also more than decent, with only a few small plot holes which will only bother the most scrutinous of viewers.

The movie's plot does however remind some viewers of other thrillers, mainly The Shining and The Sixth Sense (another 1999 release which overshadowed Stir of Echoes with a larger marketing campaign and larger overall budget). Some aspects of the story are indeed less than original, but the movie as a whole feels different and is very enjoyable.

Overall, the movie falls just short of greatness in its genre. I found the quality and depth of the story to be good, but not quite as good as some of the afore mentioned greats in the thriller/horror genres. even still, I recommend this film to every fan of thrillers and suspense.

The biggest problem with Stir of Echoes is the timing of the release. As we all know it was released at the same time as The Sixth Sense and the subject matter is coincidentaly very simular. This film not quite as good as the Bruce Willis classic because i dont think the twist is quite as dramatic. The thing that compares favourably to The Sixth Sense is that Stir Of Echoes is thoroughly entertaining from the first minute. Kevin Bacon Stars as a father who is hypnotised by his sister in law, which results in the opening of his mind to the spirit of a girl who was murdered in his house. His son already had the powers to speak to dead people and together they try to solve why the girl keeps contacting them. The young boy is brilliant in the roll as is Kevin Bacon and the whole film keeps you on the edge of the seat. The way this is filmed is stunning, especially when he is first hypnotised, i nearly went under myself! A Very entertaining movie. 8 out of 10.