Police contre police

I've been a Chris Noth Fan for a long time, and was very upset when he left LAW & ORDER. Mike Logan was a quirky, individualistic character who always left you wanting more. What a treat that Mr. Noth and co-writer Charles Kipps finally told us what happened to Logan after he was banished to Staten Island. In addition to being an enjoyable, fast moving mystery, there was always the underlying angst of Logan's boredom. I'm reminded of the phrase "Be Careful What You Wish For...You May Get It." Logan got what he wished for: He returned to the 2-7, and the Homicide work that he loved, only to find out that you can't go back again.

I'd enjoy seeing a sequel, to find out how the character resolves this.

Good Work, Chris Noth!

I admit, having two hours to kill on a winter afternoon puts you in the mood to curl up with a blanket and watch a good crime drama. "Exiled" has its high points, but unless you're an enormous fan of Mike Logan (and I know lots of people that are) this one isn't going to tempt your taste buds much. It follows his "exile" from Manhattan to the outer district, and his attempt through a homicide case to get back into the big leagues, with run-ins with former associates along the way.

Having seen many, many L&O episodes, enough to know the characters pretty well, I felt a lot of them were spot on. Logan's relationship with Lennie seemed plausible after the time the two spent together. I also wasn't nearly as disapproving of his scene with McCoy as others have been -- I felt Jack was the same as usual, a little frustrated with being bullied and not terribly pleased to see Logan again. The hatred Van Buren seemed to have for him was off, but I have to say the bright moments in the script are woven between the regular L&O gang (namely Lennie and Jack's three and a half minute appearance in a mental arm wrestle against Logan's demands that a task force be put into place to solve a crime) and the sadder situations ... a scene close to the end dealing with the crooked cop angle.

It wasn't a total waste of time, but nothing I would go to any lengths to see again.

Law & Order fans will appreciate the return of Chris Noth to the setting, and also the slightly longer look at New York City, which obviously cannot be caught in the pacing of a regular episode. The film does seem to attempt to crowd in a few too many Law & Order characters from the period and the years previous to it, and sometimes the pacing is a little slow. Dana Eskelson is adorable as a Logan's partner, a detective who grew up around the Uzielli crime family, and takes this and her status as a woman on the force to mean she has something to prove. Ice-T is hilarious as an absurdly named pimp, but Nicole Ari Parker's performance as victim's sister and Logan's love interest is lackluster and unconvincing. All in all, this movie is not a waste of your time, if you are a Law & Order junkie like the rest of us.

My wife and I are rabid Law and Order fans, so when they reran this the other week on my day off, I was excited to see it for the first time. I think the series is generally as good as ever overall (some ups and downs), but I agree with several other reviewers here that the classic years were those with Chris Noth and Jill Hennessy.

I have to say, having skipped it when it premiered, I really enjoyed the film. I thought it was a fantastic opportunity to see the familiar settings with a new pair of eyes (Noth's), to the point that I could forgive it some character inconsistencies (e.g., I had a hard time recognizing Lenny Briscoe). It also explained for me where Profaci went (other than over to the Sopranos).

Some remarks on comments by other viewers:

1) The latina maid

The numerous cast changes this series has undergone has given ample opportunity to show that cops don't like having to work with new partners. Logan didn't know there would be a spanish-speaking maid, and he didn't know Rey, so why would he bring him along?

Also, I can't speak for New York, which I wouldn't be surprised to find has a realistic policy for dealing with multilingualism, but we must remember that the L&O franchise is overseen by Dick Wolf from Los Angeles. Here in Occupied Mexico, a shocking number of the non-latino minority (particularly cops) display what I can only describe as clueless pride in knowing NO spanish whatsoever.

2) Staten Island

Having never been there, I can't speak to the endless disdain other New Yorkers express toward S.I. as a boring backwater. It's immaterial to the plot, however. From early on in the movie, it's made clear that the reason Logan is working petty crimes is that in his banishment, HE WAS NOT ASSIGNED TO HOMICIDE. 'Kay?

If you are a huge Law & Order fan, I recommend catching this film when it comes around again. Otherwise, I don't know what your interest would be.

I'm not sure how captivating this movie would be for those who didn't love Mike Logan from the first 5 years of "Law & Order". I *think* Chris Noth did a brilliant job conveying Mike's sense of loss, despair, and alienation, but then again, I've missed him sorely from the series. But, even without that background, "Exiled" is a tightly-written and well-acted police procedural, tracking between Staten Island (the scene of Mike's exile) and Manhattan (his lost and desired home), and through the stormy emotional terrain of Mike's mind. The case -- a murdered prostitute -- is far less important than the things it leads them to: a sociopathic mobster and a crooked cop in Mike's old precinct, and even those aren't quite as compelling as the battle Mike fights with his own obsessive desire to get back to his old way of life. In the end, that desire demands more than Mike could ever have dreamed... and the end of the film is painfully real. The Staten Island Ferry visually dominates the film, as is appropriate, as it symbolises Mike's in-between state. And the contrast between the suburban streets of Staten Island and the city (especially for those who remember the episode "God Bless the Child" and Mike's comments about small-town policing) were well done. In fact, the movie was filled with resonating triplets: Staten Island-the ferry-Manhattan; Cragen-Stopher-Van Buren (Mike's bosses); his three partners (past and present); the three women (the wife, the victim, the sister)... and these added to the depth. In short, this is far, far more than a long L&O episode.