Ram Teri Ganga Maili
- 1985
- 2h 58min
NOTE IMDb
6,5/10
1,2 k
MA NOTE
Ajouter une intrigue dans votre langueIn order to give her son a good future, Ganga sets out on a journey to Kolkata to find her husband who left her.In order to give her son a good future, Ganga sets out on a journey to Kolkata to find her husband who left her.In order to give her son a good future, Ganga sets out on a journey to Kolkata to find her husband who left her.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 7 victoires et 2 nominations au total
Rajeev Kapoor
- Narendra "Naren" Sahay
- (as Rajiv Kapoor)
Saeed Jaffrey
- Kunj Bihari
- (as Saeed Jaffry)
Sushma Seth
- Mrs. Sahay
- (as Shushma Seth)
Vishwa Mehra
- Postbabu
- (as Wishwa Mehra)
Geeta Kak
- Mrs. J. Sahai
- (as Gita Siddharth)
Avis à la une
The last film Raj Kapoor completed before his death and, having watched it last night. It exudes the full force of his exemplary artistry and emotional intimacy in every flourish and vista. The heroine of Ganga, a human embodiment of the river of the same name. There's lot more to this movie than the exploitative scenes that have lead the talk since its release.
What's new, I don't think anyone doubts Raj Kapoor's phenomenal talent in terms of filmmaking. Ram Teri Ganga Maili is overwhelming in its beauty, in how well it captures the extraordinary picturesque views of the Himalayas, the stormy rivers of the waterfalls, and what not. The cinematography is perfect, and the setting is very impressive, creating a rather extravagant film. Raj Kapoor keeps his obsession with the female body and with showing nudity to a most conservative censor board, and does it as aesthetically as he always did, with some highly suggestive transparent clothing, shots of full breastfeeding.
In terms of writing the film has a stronger first half - great romantic portions and all you'd expect, but the execution, the dialogue and the acting by the smaller actors is very bad. It is further ruined by embarrassingly absurd action scenes, which make one lament that someone of the stature of Raj Kapoor succumbed to the cheap dishum dishum of the times. Then also the caricature villains take the credibility of the story down. It is exactly the same kind of problems that Kapoor's previous venture, Prem Rog, faced. A very pretty film to look at but very melodramatic and stereotypical in its portrayal of the suffering heroine.
And coming to the heroine and the film's main protagonist - Mandakini is exactly a reflection of the film itself - she is stunning, and her beauty is captured with great mastery, but performance-wise she falters and wavers between refreshing and charming and then very weak and struggling with too much drama. But who cares, when you have such an unusual beauty, much can be forgiven. The casting of Kapoor's youngest son Rajiv as the male lead is exactly like the casting of Rishi Kapoor in Bobby a decade before, and although he is okay and does okay within the context of the film, it's nothing special.
The film's other highlights include some nice supporting turns, especially by the great Saeed Jaffrey who gets great lines and a nice role. Kulbhushan Kharbanda and Sushma Seth are also very good. But the winner of the film after all is another person, a woman whose name is Lata Mangeshkar. This legendary singer's phenomenal voice does wonders to the film and gives it much of the charm that the script doesn't. My favourite number is "Sun Sahiba Sun" which is a pleasure to listen to. I wish the film matched the beauty of the music and the photography. Ram Teri Ganga Maili is Raj Kaoor's final but far from his finest.
In terms of writing the film has a stronger first half - great romantic portions and all you'd expect, but the execution, the dialogue and the acting by the smaller actors is very bad. It is further ruined by embarrassingly absurd action scenes, which make one lament that someone of the stature of Raj Kapoor succumbed to the cheap dishum dishum of the times. Then also the caricature villains take the credibility of the story down. It is exactly the same kind of problems that Kapoor's previous venture, Prem Rog, faced. A very pretty film to look at but very melodramatic and stereotypical in its portrayal of the suffering heroine.
And coming to the heroine and the film's main protagonist - Mandakini is exactly a reflection of the film itself - she is stunning, and her beauty is captured with great mastery, but performance-wise she falters and wavers between refreshing and charming and then very weak and struggling with too much drama. But who cares, when you have such an unusual beauty, much can be forgiven. The casting of Kapoor's youngest son Rajiv as the male lead is exactly like the casting of Rishi Kapoor in Bobby a decade before, and although he is okay and does okay within the context of the film, it's nothing special.
The film's other highlights include some nice supporting turns, especially by the great Saeed Jaffrey who gets great lines and a nice role. Kulbhushan Kharbanda and Sushma Seth are also very good. But the winner of the film after all is another person, a woman whose name is Lata Mangeshkar. This legendary singer's phenomenal voice does wonders to the film and gives it much of the charm that the script doesn't. My favourite number is "Sun Sahiba Sun" which is a pleasure to listen to. I wish the film matched the beauty of the music and the photography. Ram Teri Ganga Maili is Raj Kaoor's final but far from his finest.
this movie could be called a typical Indian love story...rich boy poor girl, cannot marry! but at the time of the release created a lot of controversy simply because of the sexual content in the movie.
simple acts such as a mother breast feeding her baby were frowned upon which showed that the Indian public was not ready for such boldness just yet. in another scene the lead actress was shown bathing under a waterfall...in a flimsy white sari and nothing underneath. this was typical of the director Raj Kapoor who wanted his actresses to look glamorous i.e. sex symbols.
I will not take anything away from the movie in terms of acting as every one did a superb job.
simple acts such as a mother breast feeding her baby were frowned upon which showed that the Indian public was not ready for such boldness just yet. in another scene the lead actress was shown bathing under a waterfall...in a flimsy white sari and nothing underneath. this was typical of the director Raj Kapoor who wanted his actresses to look glamorous i.e. sex symbols.
I will not take anything away from the movie in terms of acting as every one did a superb job.
It's a very emotional story of Ganga...from gangotri to the sangam. This movie relates the story of a Girl to the holy river Ganga. I think that it is difficult for Non-Indians to relate with movie but Indians must watch it.
The power of the movie lies in it's story and emotions. Kudos to the Showman. Mandakini (ganga) has also done a great work. But there was no need of nudity in such a movie. If it was not there, then more people would've watched this movie.
The movie is also reflects the black side of the Politics in India that contains people who just look for the benefit of their family. They have nothing to do with the Country. But their real face never comes in front of public.
It's a;so a true love story that shows that love is not the name of getting someone in your life, it is the sacrifice for the happiness of your loved ones.
Please watch this movie if you are an adult and an Indian.
The power of the movie lies in it's story and emotions. Kudos to the Showman. Mandakini (ganga) has also done a great work. But there was no need of nudity in such a movie. If it was not there, then more people would've watched this movie.
The movie is also reflects the black side of the Politics in India that contains people who just look for the benefit of their family. They have nothing to do with the Country. But their real face never comes in front of public.
It's a;so a true love story that shows that love is not the name of getting someone in your life, it is the sacrifice for the happiness of your loved ones.
Please watch this movie if you are an adult and an Indian.
Raj Kapoor is supposed to be the ultimate showman of Bollywood. He does some justice to this image by choosing spectacular locales along with some great music and photography.
However, there is nothing new this movie offers. It's an unconvincing love story set right at the foot of Himalayas, between a rich guy and a poor girl. How they meet, get separated and finally get united in the end forms the core of the story.
Most of the Indians would remember this movie as the first one, at least the first blockbuster, where the heroine openly bares her breasts. (Such exposure is not very common in Indian movies.)
Apart from that dubious distinction, there is not much else.
The music is a blast and worth listening to. Give the movie itself a skip.
However, there is nothing new this movie offers. It's an unconvincing love story set right at the foot of Himalayas, between a rich guy and a poor girl. How they meet, get separated and finally get united in the end forms the core of the story.
Most of the Indians would remember this movie as the first one, at least the first blockbuster, where the heroine openly bares her breasts. (Such exposure is not very common in Indian movies.)
Apart from that dubious distinction, there is not much else.
The music is a blast and worth listening to. Give the movie itself a skip.
Le saviez-vous
- AnecdotesFinal film of Raj Kapoor.
- ConnexionsFeatured in Taarak Mehta Ka Ooltah Chashmah: The Kashmiri Tale (2012)
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By what name was Ram Teri Ganga Maili (1985) officially released in Canada in English?
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