Ajouter une intrigue dans votre langueOlive is playing nanny in the park as Popeye and Bluto bicycle past. They fight over her, waking the baby. Then they take turns trying to stop the baby crying or sabotaging the other's effor... Tout lireOlive is playing nanny in the park as Popeye and Bluto bicycle past. They fight over her, waking the baby. Then they take turns trying to stop the baby crying or sabotaging the other's efforts. Popeye does impressions of a dog and an airplane and juggles cannonballs; Bluto does s... Tout lireOlive is playing nanny in the park as Popeye and Bluto bicycle past. They fight over her, waking the baby. Then they take turns trying to stop the baby crying or sabotaging the other's efforts. Popeye does impressions of a dog and an airplane and juggles cannonballs; Bluto does some rope twirling and a snake-charmer act.
- Réalisation
- Scénario
- Casting principal
- Bluto
- (voix)
- (non crédité)
- Popeye
- (voix)
- (non crédité)
- Olive Oyl
- (non crédité)
- …
Avis à la une
'Nurse to Meet Ya is a relatively late Popeye cartoon and made in Famous Studios' roughest and most variable period, where budgets were much smaller in particularly the animation and deadlines and time constraints were shorter and tighter. All things considered, while there are infinitely better Popeye cartoons (especially during the Fleischer era) and there are occasional signs of what made this period an inferior one for Famous Studios, 'Nurse to Meet Ya' is not a bad late Popeye cartoon at all, a long way from it, and one of the better cartoons in Famous Studios' relatively late output.
As to be expected, the story is standard and formulaic and there could have a little more variety in the ways Popeye and Bluto fought over stopping the baby from crying. Olive has very little to do, which was not unusual sadly for this stage of the series.
While much of the animation is fine, it does at times have some done in a rush-like drawing.
On the other, as said, much of it is very vibrantly colourful and the backgrounds are meticulously detailed and colourful. What is fantastic here is the music score, the consistent best thing of the mid-late-50s Popeye cartoons regardless of what the rest of the cartoons were like. It's beautifully orchestrated, rhythmically it's full of energy and there is so much character and atmosphere, it's also brilliant at adding to the action and enhancing it. The gags are executed well, although the snake charmer gag was already a very old one well before 'Nurse to Meet Ya' but seeing Bluto as a snake charmer was fun. Popeye's impressions though were where the cartoon was at its funniest though.
Popeye and Bluto carry 'Nurse to Meet Ya' beautifully individually, especially Popeye here, and their chemistry and tension is a lot of fun. Jack Mercer, Mae Questel and Jackson Beck give great vocal characterisations, Beck in particular and Mercer and Questel are the voice actors that spring to mind generally for me for Popeye and Olive's voices.
In summary, worth a look. 7/10.
Strong points: Good color work, and the usual nice gags from the Famous Studios team. Weak points: the character designs continue to simplify in the era of shrinking budgets, and the story line is the same as 80% of the Popeye cartoons. This was something that confounded me as a child, more than half a century ago, but nowadays I recognize it as tiredness on the part of the staff, some of whom had been working for the Fleischers since the 1920s.
Le saviez-vous
- AnecdotesOne of the few times Bluto addresses himself by name, when he first meets Olive.
- GaffesWhen the can of spinach pops out of Popeye's shirt and rolls away, it is unopened. But when Bluto starts hitting Popeye's head with the golf club, knocking Popeye's head over toward the can of spinach, the can is now open, and without ever having had to be opened.
- ConnexionsFeatured in Toon in with Me: My Calvin Cupley Runneth Over (2023)
Meilleurs choix
Détails
- Durée
- 6min
- Rapport de forme
- 1.37 : 1